Apocalypse Now Redux Page #36
- Year:
- 2001
- 1,094 Views
CHIEF:
You got us in this mess, and now
you can't get us out, because you
don't know where the hell you're
going, do you?
(no answer)
Do you? You son of a b*tch! You
bastard!
The Chief leaves the wheel of the PBR and steps up on the
deck with his M16.
WILLARD:
(to Lance)
Lance, get the wheel!
Lance moves to take over the wheel, as Chief starts firing
his M16 madly.
CHIEF:
You savages! Come and get it, you
son of a b*tches!
He drops the M16, moves to the M60 machine gun and starts
firing madly again.
Suddenly the Chief stops short, puzzled, a small droplet
of blood lines his mouth. He coughs up a mouthful of blood,
then looks down. The head of a SPEAR has gone through his
chest. He looks up at Willard.
CHIEF:
A spear?
He remains looking directly into Willard's eyes, then starts
to fall. Willard catches him, and is pulled down to the
deck by the weight of the Chief's body. The Chief looks
up at him and suddenly reaches his hands for Willard's
throat, trying to pull Willard down on top of the spearhead,
trying to skewer him, and pull him along with him to death.
A beat as they struggle, then suddenly the Chief DIES.
Lance is putting camouflage paint on the Chief.
Willard has jumped off the boat with all of his gear.
Chef looks down at him.
WILLARD:
My mission is to make it up to
Cambodia. There's a Green Beret
colonel up there who's gone insane,
and I'm supposed to kill him.
CHEF:
That's f***ing typical! Sh*t!
F***ing Vietnam mission! I'm short
and we gotta go up there so you
can kill one of our own guys?
That's f***ing great! That's just
f***ing great, man! Sh*t! That's
f***ing crazy! I thought you were
going to blow up a bridge, or some
f***ing railroad tracks, or
something!
Lance has pulled the Chief's body into the river, and jumped
in himself. Willard and Chef watches him, as he tries to
bury Chief's body in the water.
Willard turns to leave.
WILLARD:
That's all right.
CHEF:
No, wait. We'll go together. On
the boat. We'll go with you.
We'll go out there. But on the
boat, okay?
Lance gently floats Chief off downstream. We SEE the
Chief's body slowly disappear.
The PBR moves up-river. The shore is lit up with burning
torches and a large wooden structure in flames. We SEE
the faces of the remaining crew, as they take in this sight.
DISSOLVE TO:
The boat passes rows of skulls, flaming torches, men impaled
on poles, etc.
WILLARD (V.O.)
Part of me was afraid of what I
would find, and what I would do
when I got there. I knew the risks.
Or imagined I knew. But the thing
I felt the most, much stringer
than fear, was the desire to
confront him.
Lance is at the back of the boat, moving in a slow-motion
Tai Chi.
DISSOLVE TO:
The PBR is slowly moving TOWARD CAMERA. Lance and Willard
are standing on the bow of the boat. Chef is at the helm.
The men stare forward in amazement. Willard has the
binoculars around his neck. He brings them up to his eyes
and looks.
WILLARD:
(to Chef)
Just keep moving.
(to Lance)
Lance, keep your hands away from
the guns.
OUR VIEW MOVES slowly behind them and we SEE that they
see.
Hundreds of Montagnard natives, body and faces painted
white, of the most savage nature, but there is a purity
about them. Men and boys stand passively on canoes side
by side, blocking the river.
There are also hundreds of other NATIVES lining the shore
on both sides, dressed in most ornate and primitive manner,
in feathers, parts of birds and animals. Fires and dead
bodies are everywhere.
OUR VIEW MOVES:
Behind the PBR, closer and closer to this fantastic human
wall blocking them. The natives accept the PBR, allowing
it to pass into them with a sort of inevitability.
VIEW ON WILLARD, LANCE AND CHEF
Reacting as they pass through the natives on canoes, then
look up toward the bask.
WHAT THEY SEE:
The temple. A magnificent fortified encampment built around
the ruins of a former Cambodian civilization.
NEW ANGLE - FULL VIEW BEHIND THE PBR AS IT PROCEEDS
The scale of this thing is enormous. Great enigmatic
Cambodian faces carved out of stone from thousands of years
ago. The fortress reaches out across the river where part
of its ruins still stand on the opposite side nod on a
small island. It's as though the river flowed into the
great rams of the sphinx-like temple. Aligning the
fortifications are concertina wire, automatic weapons
emplacements. There is even wreckage of Hueys as armed
machine gun nests. It is a strange combination of the
very modern and the very primitive. In this installation,
WE SEE LIVING families, fires, nomadic dwellings, several
HUNDRED of the most primitive MOTAGNARDS that ever existed.
Some carry spears, occasionally other emerge from the
jungle, scurrying around with the activity that the arrival
of a stranger brings. The air is heavy with the weight of
hundreds of AUTOMATIC WEAPONS. A think greasy smoke hangs
from fires that burn and around the fort. Fresh shell
craters indicate a recent battle. Near the dock, and
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