Arabesque Page #5

Synopsis: Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a mystery intertwined in the plot. Pollock needs her help, but when she repeatedly seems to double cross him in one escapade after another, he can't decide on whose side she is working. Ultimately working together, Pollock and Yasmin decipher the plot and set out to stop an assassination of the Prime Minister.
Director(s): Stanley Donen
Production: MCA Universal Home Video
  Won 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
6.6
Rotten Tomatoes:
64%
UNRATED
Year:
1966
105 min
377 Views


Stop bugging me.

How would I know?

Have you heard from the girl?

Has she found it?

She'll give me a blast

when she knows something.

Oh, no, he's taking it.

Why couldn't he be on a diet?

What do you know?

"Thirty-five."

Which one is it?

Number nine.

You were actually telling the truth.

What are you talking about?

Yussef was here.

I was here. The cipher

was here. All you had to do was yell, but you didn't.

That absurd story

about your mother and sisters must be true.

You mean you didn't believe me?

Not a word.

Then why did you come with me?

I didn't know where the van was.

Miss Azir,

I humbly apologize.

I don't accept.

The least you can do

when I tell you something is to believe it.

With your track record?

Uh-oh. Let's go.

Be ready to duck.

"Fourteen."

I only hope his sweet tooth holds up.

We're victims

of the establishment.

Ask him to move.

It's no use.

They can't move, speak or even listen.

If they do, they're taken

to the Tower and beheaded.

Oh, nonsense.

He's a man, isn't he?

Excuse me, soldier.

He's a guardsman.

Excuse me, guardsman.

I'm sorry to bother you.

I know you're on duty,

but-

There is something

under your foot...

that belongs to us.

Okay?

Please?

Pretty please?

David,

make him lift his foot!

You've been learning

from Nejim.

"Fifty-two"!

You'd think after all that-

Oh, no.

He's found it.

Sink, sank, sunk.

He must be calling Yussef.

I don't think so.

He knows

Yussef's number.

Keep an eye

on Webster.

Look here.

Webster sold out to Nejim.

Seems to be a popular

indoor sport these days.

You're not including me,

I hope.

Of course not.

We're believing you today.

say where.

It doesn't have to.

If he's meeting Nejim

at 3:
30,

there's only one place

it can be.

In the fifth race, the runners are as follows-

I must go

and advise my horse.

Are you coming, my love?

You go, my darling.

I think I'll put

some money on her.

What an excellent idea.

But only to win, of course.

It would be a grave mistake

to back another horse at this late stage.

Well, well,

if it isn't Mr. Dillingham.

By jove, it's actually

Lady Hetherington-Cartwright.

Don't overdo it.

I didn't know you could. I haven't seen Webster yet.

He's handing the inscription

over to Sloane at 3:30 by the winning post.

Do be a dear, Mr. Dillingworth.

Ham.

Dillingham.

Tell me what you fancy for this race.

I'm putting my jolly old shirt

on number nine.

Please keep your eyes

on the winning post.

You'll have to get it away from them somehow.

And then what?

Meet me tonight

at Trafalgar Square, around midnight.

It's been positively smash

to have bumped into you this way, old thing.

Do give my regards

to your husband next visiting day.

- Ta-ta.

- Toodle-oo.

What odds did you get?

- Two to one.

- They're off.

It's Pollock.

Who is that?

Three furlongs left to race,

and it is-

That bungling idiot, Sloane.

Darling, we won!

- Hello?

- Prime Minister Jena, please.

It's very urgent.

This is Mr. Pollock.

Pollock.

Mr. Pollock,

what has happened?

Mr. Jena,

there's been some trouble.

A man was killed at Ascot today.

Yes, I heard about that.

Have you also heard who they think killed him?

Mrs. Pollock's idiot son, David,

that's who. I need your help.

I don't think there's anything

I can do for you right now,

besides suggesting that

you stay clear of the police.

Mr. Prime Minister, I don't

think I've made myself clear.

Right now I'm wanted for murder.

You're the only one

who can explain what I've been doing.

But, Mr. Pollock, I thought

I'd made myself clear.

For security reasons,

I have never seen you.

I am not even in England.

Whatever the circumstances,

my ambassador and I must

disclaim any knowledge of you.

Where are you?

Have you

the message?

If the message is not

deciphered soon, then-

Come here, my darling.

I brought you some presents.

How sweet.

More shoes?

But, darling,

you've already given me dozens.

I couldn't resist these.

It was quite

a coincidence,

Mr. Pollock turning up

at the right place, at the right time.

Don't you think so?

I would hardly call it a coincidence.

Neither would I.

How do you account for it... my flower?

He must have been following

Yussef's man,

the one who was killed.

Do you think so?

It's the only explanation.

You wouldn't have

mentioned it, of course.

I?

Those are rather attractive,

don't you think?

Exquisite.

I really must thank

whoever was responsible for getting him there.

Then you wanted him to have it?

Certainly.

Who else

is going to decipher it?

I want you

to find him again,

I want you to stay with him

until he finishes his work,

and then I want you

to bring the answers to me.

- Is that clear, my angel?

- Very clear.

I know that I can trust you

to do that for me.

Unless, of course,

you're growing weary of my little gifts.

Oh, and if I don't hear

from you by noon tomorrow...

try and think of some remote

corner of the world where I won't find you.

I don't think you can...

but try.

Thank you, sir.

Mrs. Ragheeb?

Oh, but, sir-

I must speak

to Mrs. Ragheeb.

Mrs. Ragheeb, I'm an associate...

of Professor Ragheeb at Oxford.

This is tremendously

urgent. It's about your husband's murder.

"Murder"?

Why do you say "murder"?

Your husband

was murdered by some agent of Nejim Beshraavi.

He was killed

for a Hittite inscription. I don't know why.

I know very little, but I do know that.

No, Amir.

Mrs. Ragheeb, I know

this is a terrible time to trouble you,

but I've got

to know what that inscription means.

I thought, perhaps,

among your husband's notes-

A Hittite inscription?

Did he tell you anything about it?

Show it to me.

Mrs. Ragheeb-

I told him he was mad

to meddle in such things.

Madness and suicide.

And now...

he's in there.

But he must have

told you something.

He must have mentioned

where he got it, who gave it to him.

We have to know.

"We"? Who else?

A girl. Her family's

in great danger.

Her mother and sisters-

General Ali has threatened to kill them.

-Is the girl named Yasmin Azir?

-Yes.

And she told you that

her mother and her sisters are in danger?

Yes.

Yasmin has no such family,

Mr. Pollock.

There is only her father.

General Ali

would never harm him.

Why not?

Because General Ali

is her father.

David,

I was so worried about you.

Oh, you were?

The police think

you killed Webster. Haven't you seen the papers?

I don't care what they say

about me as long as they spell my name right.

I had a hard time convincing

Nejim I had nothing to do with your being at the races.

I'm sure that you were

very convincing.

I told him you must have

been following Webster, but I'm not sure he believed me.

How could anyone

not believe you?

He made me promise to keep you

working on the cipher...

and to call him

the moment you've broken it.

- Oh, damn.

- What's wrong?

Nejim had me followed

when I left the house tonight, but I thought I'd lost them.

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Julian Mitchell

Charles Julian Humphrey Mitchell FRSL (born 1 May 1935) is an English playwright, screenwriter and occasional novelist. He is best known as the writer of the play and film Another Country, and as a screenwriter for TV, producing many original plays and series episodes, including at least ten for Inspector Morse. Mitchell was born in Epping, Essex, and educated at Winchester College, where he won the English Verse and Duncan Reading Prizes. He did his national service in submarines 1953-55 as a Sub Lt RNVR. He then went to Wadham College, Oxford and received a BA with first class honours in 1958. This was followed by a period as a Harkness Fellow in the USA (1959–61). He earned an M.A. in 1962 at St. Antony's College, Oxford. Since 1962 he has been a freelance writer. In the late 1960s, Mitchell co-wrote the teleplay Arthur (Or the Decline and Fall of the British Empire) with Ray Davies of The Kinks. It was never produced, though it gave rise to the band's concept album. He recently recalled the aborted project: "Arthur had a most unhappy history. It was originally meant to be a ... sort of rock opera, and we got as far as casting (excellent director and actors) and finding locations and were about to go when the producer went to a production meeting without a proper budget, tried to flannel his way through it, was immediately sussed and the production pulled. I have never been able to forgive the man." Mitchell has written nine produced plays, including Another Country, which won the SWET (now Olivier) Award for best play of the year (1981), and After Aida (1985), a play-with-music about composer Giuseppe Verdi. Mitchell has screenplay credits for five feature films. The earliest was Arabesque (1966), which was directed by Stanley Donen. Another Country (1984) is based on Mitchell's own play, and directed by Marek Kanievska. Vincent & Theo (1990) is a biographical film about the famed painted Vincent van Gogh and his brother Theo, and was directed by Robert Altman. August (1996) was directed and starred Anthony Hopkins, and was adapted from Anton Chekhov's classic play Uncle Vanya. Wilde (1997) is based on the life of Oscar Wilde, and was directed by Brian Gilbert. In 2007 he wrote the BBC4 drama Consenting Adults about Sir John Wolfenden and his celebrated 1957 report. more…

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Submitted on August 05, 2018

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