Arcade Page #8
- Year:
- 1994
- 58 min
- 563 Views
The HUMMING stops altogether, quiet now. And then, from everywhere at
once...
ARCADE:
With a final ROAR, the energy behind the walls whips around and around,
then rushes away.
OUTSIDE,
Nick catches a quick glimpse of SPARKS racing across the telephone wires
suspended above the back yard.
Total silence for a moment. Alex and Nick are too stunned to speak. Then
Alex looks at Laurie.
LAURIE:
lies on the ground, unconscious. Glass scattered all around her.
ALEX:
Laurie...
Alex drops to her side, trying to find a pulse...anything.
NICK:
Is she breathing?
Alex nods.
NICK:
Then leave her.
ALEX:
We can't...
NICK:
We'll call 911. Look around Alex. We broke
in, smashed the t.v., no one's going to
believe what happened here!
Alex glances around. The room is a mess. All the outlet are singed. And
now she notices that everything electronic...t.v., clock, thermostat...all
of them have exploded open.
NICK:
(continuing)
I believe you now. I don't know what the
f*** just happened, but it did. Now let's
get the hell out of here.
Alex slowly rises, reluctant to leave Laurie's side.
ALEX:
Where do we go?
NICK:
My house. I want to try something.
CUT TO:
EXT. NICK'S HOUSE -- DAY
As Alex and Nick pull up, the streetlights BUZZ on and off even though
it's still daylight. This doesn't escape Nick's notice.
Alex parks the car and the two of them jump out.
NICK:
Around back.
EXT. NICK'S BACKYARD -- DAY
Nick leads Alex to a cellar door and down inside.
INT. NICK'S CELLAR -- DAY
Rear the doorway is an old, paint-caked fuse box. Nick pries it open and
begins unscrewing fuses.
NICK:
I'm not taking any chances.
Nick steps back.
NICK:
Okay. I'm going inside. If I'm not back
out in, say, two minutes, you get the hell
out of here.
Alex nods. She lifts her digital watch up and sets her timer with a BEEP.
ALEX:
Meet you by the car.
CUT TO:
EXT. NICK'S HOUSE -- DAY
Alex sits on the hood of the Skylark watching the streetlight above with a
wary eye. She glances at her watch. About a minute and a half has
elapsed and...
Here's Nick now, carrying a lap-top computer and a modem hook-up. Nick
sets the equipment in the back seat.
NICK:
We need to find a pay-phone.
CUT TO:
EXT. SHOPPING MALL, PAY-PHONE -- DAY
Nick sets up his lab-top inside the phone booth as Alex watches. He hooks
up the modem to the phone receiver and turns the machine on.
THE SMALL SCREEN
warms up, and in black and white, we see the same FRACTALS. Nick flips off
the lap-top and sighs.
NICK:
That's what I thought.
ALEX:
What?
NICK:
It's not just the cable system. It's in
the phone system as well, the electronic
net. It's everywhere.
ALEX:
Nick, what is it.
NICK:
Maybe it is alive in a way...some sort of
electronic intelligence. It's like a
computer virus that developed a personality
or something. It's self-replicating...it
mimics life.
ALEX:
Like the fractals?
Nick nods. He grabs his skateboard out of the back seat and sits on the
curb, spinning a wheel with his finger. He stares at the wheel a moment.
NICK:
It's growing. Getting stronger. Maybe it's
only localized now...
ALEX:
(catching his drift)
...but then it hits the relay stations...
NICK:
Right. And then communication satellites,
and then anywhere.
Alex looks up into the sky despite herself.
ALEX:
(disbelief)
Anywhere.
(beat)
We have to stop it from getting out.
NICK:
(shakes his head)
It's already out.
ALEX:
The Police, then...
NICK:
Give me a break, Alex. What are we going
to tell them? Excuse me, officer, but
there's some sort of electronic monster
loose in the phone lines. I'd think twice
about calling any of those 976 numbers...
ALEX:
(angry)
Then where do we go?!
NICK:
I don't know.
Alex stalks off a few paces. Thinking. Thinking...
ALEX:
SLIP-STREAM.
NICK:
What?
ALEX:
They made ARCADE. It's still a game,
right? It thinks like a game. Maybe it
still has to play by the rules. Someone had
to program it in the first place, didn't
they?.
At this, Nick perks up.
NICK:
You mean we learn the rules...
ALEX:
And beat it at it's own game.
NICK:
You realize that in order to do that, we'd
actually have to play the game.
ALEX:
I was afraid you'd say that.
CUT TO:
EXT. SLIP-STREAM, INC. -- DAY
The SLIP-STREAM compound comprises a cluster of mirrored,
antiseptic-looking buildings. Carefully maintained greens surround the
compound, dotted with perfectly positioned trees. The whole effect,
greenery included, seems prefabricated and sterile. We move with the
camera, sweeping in and dropping low, across the main concourse and up the
stone steps to the main lobby...
INT. SLIP-STREAM LOBBY -- DAY
Alex and Nick are moving across the lobby. Nick is still carrying his
skateboard. The two of them look extremely out of place, being that the
rest of the people bustling around them are "dressed for success".
THEIR P.O.V.
as they approach a prefab RECEPTIONIST sitting behind and enormous desk.
The guy's smile is so perfect he must've had it tattooed on. He wears one
of those obnoxious phone/headsets.
RECEPTIONIST:
May I help you?
ALEX:
We need to see Mr. Difford.
RECEPTIONIST:
I see. And do you have an appointment?
NICK:
No, but it's important and if you'd...
RECEPTIONIST:
(cutting him off)
I'm sorry, but if you don't have an
appointment, I won't be able to help you.
If you'd like, you can call his office from
our courtesy phone outside and schedule
one ...
Nick reaches across the desk and snags the receptionist by his shirt,
jerking him forward.
NICK:
(menacing)
If Difford's not out here it one minute
we're calling the news and informing them
that your f***ing games are whispering in
our ears and telling us to commit suicide.
I'm talking public relations nightmare
here, buddy. Satanism, virgin sacrifices,
backward messages, the whole bit.
The receptionist glances at Alex who puts on a stern face and nods.
Nick releases his grip. The receptionist smooths out his shirt and
smiles.
RECEPTIONIST:
One moment please...
(punches in extension)
Rachel, would you be kind enough to tell
Mr. Difford that we have a situation in the
lobby which requires his immediate attention?
(beat)
Thank-you.
The receptionist clasps his hands together and looks back up.
RECEPTIONIST:
(continuing)
Mr. Difford will be right with you.
ALEX:
Why thank-you.
Alex and Nick move away from the reception desk, having caused quite a
scene. The rest of the VISITORS watch them with curiosity.
ALEX:
Virgin sacrifices?
NICK:
(shrugs)
Drives 'em crazy every time.
Nick casts his eyes over the walls where graphics from various SLIP-STREAM
games are displayed. He stops on one display in particular, a triptych of
sorts featuring the haunting face of ARCADE.
BING!
Alex and Nick turn at the sound, just in time to see Difford exiting an
elevator and briskly making his way towards them.
DIFFORD:
Nick, Alex, how are we today?
ALEX:
How'd you know it was us?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Arcade" Scripts.com. STANDS4 LLC, 2024. Web. 26 Nov. 2024. <https://www.scripts.com/script/arcade_687>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In