Artists and Models Page #4
- APPROVED
- Year:
- 1955
- 109 min
- 236 Views
Well, Richard,
pleased to make your acquaintance.
Pleased to offer you my hand.
What happened? What's the matter?
Bessie, what floor is the nurse on?
The second,
right below Dr. Stevens' office.
Thank you.
Bringing kids!
Who's that?
This is Richard Stilton.
His mother left him here for developing.
Don't get too close, though.
He may be poisonous.
Well, he's cute.
Well, Richard,
What can I do to entertain you?
Not a thing.
You're too old for me, mophead.
- Is this a dagger?
- No, it's a letter opener,
and it's too sharp
for little boys to play with.
Who wants to play with it?
Richard! That's no way to behave.
The Bat Lady wouldn't like that.
She's too tame. She stinks.
No blood. I like blood.
You touch me, and I'll throw
this jug of acid in your eyes.
- I'll mobilise you!
- Eugene, no!
I got it.
Look, Niagara Falls.
Why don't you two go on a honeymoon?
I'll bring the barrel.
- Hurry! Outside!
- Yeah.
Thank you for the escort.
It's been dandy having somebody
breathe down my neck for two hours.
Oh, well, it's a dandy neck,
and I wouldn't mind going on overtime.
Same old line, eh, Ricky?
It's a man at work.
Now, look, honey,
you're an unemployed artist
and I'm an unemployed artist.
What do you say
we get together sometime
and rattle our palettes around?
Watch out, girl. He really rattles.
- Aren't you late for something?
- Looks like it.
That's a friend of yours?
She is now.
Look, I'm sorry you're unemployed,
but it happens that I'm not.
I'm doing an advertising layout.
So if you'll excuse me,
I'll get my models and get to work.
Models?
Yes, models.
You understand.
They're people who pose.
I need one male and one female.
Well, now,
you can't beat that combination.
How about me for the male?
I posed once. Remember that poster,
"Send This Boy to Camp"?
It was me.
Maybe you would do.
Have you ever posed with a girl?
Not while anyone was watching.
No, no, no. Hold her tighter.
Be passionate. You love her.
Take it easy. My back's killing me.
You heard boss. She said tighter.
I said tighter,
but I didn't say fracture her rib case.
Come on, I'll show him.
Now put your arms around me.
That's it. Now bend me back a little.
That's fine. Now look into my eyes.
Come close.
Now pretend you love
my Cleave-To lipstick.
Pretend? You sound like my roommate.
But you don't look like him.
Well, that was uncalled for.
I could have sworn I heard you call.
sent back to camp, Mr. Todd.
That'll be all today, Janet.
We'll continue tomorrow
when I can get you
a professional model to work with.
Okay, Miss Parker.
- Bye, now.
- Bye.
Let's see. You worked two hours.
That should do it.
No. That one was on the house.
It's only a sample to show you what
you don't have to be missing anymore.
Miss Parker, aren't you breathing
a little heavy for just a kiss?
You're not in condition, are you?
What's the matther,
all work and no playing around?
Mr. Todd, I'm breathing heavily
because I happen to be
a perfectly normal young woman.
My heart beats, my pulse pounds,
I have all the biological impulses
that anybody else has.
- I'm no different than you.
- I wouldn't say that.
I like being kissed. I love it.
Under the mistletoe, in the dark,
early in the morning,
lunchtime, teatime,
cocktail time, anytime,
but I don't want to be kissed by you.
Oh, hold it.
Give me a chance.
At least with the cocktails
and the mistletoe bit.
I might grow on you.
See, I even fell for you.
I never thought
I'd ever be caught
Using an old clich
I'm on a spot
Believe it or not
This is all I can think of to say
You look so familiar
Have we ever met before?
Everything about you
Seems to ring a bell
You look so familiar
Have we been this close before?
You'd hear it sing as well
There must be
An explanation
What I feel is not
Imagination
You look so familiar
Now it all comes back, it seems
I remember, you were in my dreams
Scout's honour, Your Honour.
I remember
You were in my dreams
- Hello?
- Is Mr. Rick Todd in yet?
Just a minute.
Rick Todd! Telephone!
Ask him to meet me for lunch
at the Stork Club in a half an hour.
Yes, Mr. Murdock.
Rick Todd! Telephone!
Telephone? Okay, just a minute.
You look so
You look
Oh, Rick.
Oh, Rick, there's a telephone call.
- Who is it?
- What?
- Who is it?
- Oh, I don't know.
- Well, go find out.
- Oh, all right.
Now!
Now. Check, check, okay.
- Hello.
- Mr. Todd?
- Yeah. Who's calling?
- The Murdock Publishing Company.
Oh, okay, just a minute.
Hey, Rick, Rick.
It's the Murdock Publishing Company.
What'd I tell you?
With your sugar lips and my brains,
we're gonna go places.
- What'd they want?
- Oh, I didn't ask.
Then ask. Well, go and ask!
Oh, check, check, okay.
Hello. What do you want?
Mr. Murdock would like to know
if Mr. Todd can see him.
Just a minute. I'll find out.
Well, well?
Can you see Mr. Murdock?
Can I see him? Of course I can see him.
Where? When? Where?
- I don't know.
- Well, go find out!
Yes, sir. Check, check, check.
Hello.
When? Where?
"When? Where?"
Oh, Mr. Murdock would like to know
if Mr. Todd could have lunch with him
at the Stork Club in half an hour.
He'll... He'll be there.
All right, what'd they say?
What'd they say?
Speak up, butt-brain.
What'd they say? Speak up!
I can't hear you. Tell me.
Give me a signal, something.
- What did they say?
- Wait.
Eugie, what'd they say?
Give me a signal, something. Good.
Oh, a duck? A duck. A duck, right?
A duck. A duck.
Sounds like... Sounds like murder.
Murder? Sherlock? Murder?
Murder? A murduck?
Murdock! Oh, Murdock.
Oh, yeah, Murdock.
That was him on the phone?
Well, what does he want?
What's he want? What does he want?
He wants... A cow?
Murdock wants a cow?
What's he want a cow for?
He wants to eat a cow?
He wants to eat meat, right? What?
What does he want? what?
Oh, he wants some meat. Meat?
What are you doing in the tub? Meat?
He wants to meat...
Yeah! Where? Where?
All right don't get...
Where does he want to meet me?
Out there? He's out there now? Where?
He wants to meet me and fly?
- Where?
- Hold on.
Oh, you're a stork! That's it!
at the Stork Club, right?
Hey, thanks for squaring
Eugie and me with the landlady.
You're welcome.
She explained all about Eugene
and his wild comic-book dreams.
You're to blame, all that Bat Lady stuff.
That's all over now.
You know, I think I could help Eugene.
Is he free to go to a meeting we're
having tonight about comic books?
Why don't you go up and ask him?
He's taking a bath, but walk right in.
He's got his clothes on.
You know, you still look familiar.
And you still act familiar.
I'll see you later.
- There. Todd?
- Yes, sir.
Sit right down.
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"Artists and Models" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/artists_and_models_3136>.
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