At First Sight Page #19
- PG-13
- Year:
- 1999
- 128 min
- 451 Views
GUARD (O.S.)
You want to see that the thing work?
VIRGIL:
Thing? What thing?
GUARD:
This thing
The Guard reaches over - hits a switch - and against one section of
windows a wall of water comes dripping down - causing a shower of
indoor rain - the sound instantly echoing off of the walls.
Virgil smiles - moves toward it - closing his eyes - listening to
the indoor rain - really taking in the room having total empathy
with what Amy has created.
INT. AMY'S LOFT - BATHROOM
Virgil, wrapped in a towel, is shaving. But he has his eyes closed.
Amy comes in, dressed beautifully - using the mirror to put her
earrings in. Virgil quickly opens his eyes.
VIRGIL:
You nervous?
AMY:
No - not a bit.
What do you think?
She pivots for him.
VIRGIL:
You look great.
AMY:
Really. Not too flashy?
(she looks in the mirror, she is nervous)
I'm going to change.
Virgil lets her go - calls to her.
VIRGIL:
This is an important night for you.
AMY:
But you know what's most important...
(she pokes her head in)
That you're going to be there to see it.
Virgil turns to the mirror, stares at himself - contemplating what
he's up against.
The lobby is filled with business types, waiters circulating with
champagne, tiny hors-d'oeuvres. Virgil and Amy enter - standing at
the top of the stairs leading to the party. Virgil immediately going
into a performance for Amy.
AMY:
So.
VIRGIL:
Amy, it's good - very good.
I'm proud of you. I love the detail
- planted pots in the corners,
the moldings...
(beat)
It's got genuine lines.
AMY:
(excited)
Look around - do you see it?
VIRGIL:
What?
He looks about the room - then turns towards the indoor rain.
HIS POV - clear - then slight haziness - a momentary flash of black
- then back in focus.
He turns to Amy. Puts his arm around her.
VIRGIL:
Our rain.
AMY:
Your rain.
DUNCAN:
Hey Virgil.
He extends his hand. Virgil, obliged slowly extends his - having
trouble focusing - but Duncan helps him - taking hold of it and
shaking it.
DUNCAN:
Still working on that hand shake
you'll get it don't worry.
VIRGIL:
Congratulations - the place looks great.
DUNCAN:
Thanks - here's the genius though -
I just get the gigs. Can I steal her
away Falks' over there and I can't
tell if he's impressed with our work
or just has gas from the pate.
VIRGIL:
Go - do your thing.
AMY:
I'll be right back. There's food
and drinks down on the floor.
Duncan and Amy start down the stairs as Virgil tries to find a safe
place to stand. His eyesight fading in and out - he looks around -
decides to negotiate the steps:
He takes one step on the stairs - looks down - is able to see Amy
with Falk and Duncan, looking up at him - she smiles - he does his
best - smiles back - lets go of the handrail - takes another step -
finally reaching the bottom floor.
He stands there for a long moment - lost as to where to move. A
glimpse towards the rain sculpture and he starts towards it using
Amy looks over - sees Virgil moving across the floor - gives him a
little wave - he doesn't notice her.
At the rain Virgil stands taking in the sound. A FIGURE comes up
next to him.
VIRGIL:
Quite a party. Love the detail of the building.
WEBSTER:
Sometimes the detail doesn't matter.
Virgil stops - turns to Webster.
VIRGIL:
Ray. What are you doing here?
WEBSTER:
Aaron called me. He was worried.
I've been trying to find you -
Amy's office told me you were
here. It's bad?
VIRGIL:
It's almost gone. Last few days
have been pretty bad.
WEBSTER:
Obviously Amy doesn't know.
VIRGIL:
It's going to break her heart.
This is her big night - I didn't
want to ruin it. Thought I could
pull it off.
WEBSTER:
(beat)
You can't avoid this forever.
Virgil turns back towards the rain.
VIRGIL:
I know
(beat)
So Ray? Is it better to have seen and
lost than never to have seen at all?
WEBSTER:
I thought it was loved and lost.
Amy comes up to them.
AMY:
Dr. Webster - this is a surprise.
WEBSTER:
Virgil invited me - wanted to show
you off I think. The place is terrific
- he's got every right to be proud.
AMY:
Thank-you. I need Virgil for a
moment - schmoozing time.
WEBSTER:
Shmooze away.
VIRGIL:
(as he's led away)
Thanks Ray. I'll call you.
ANGLE ON - Duncan standing anxiously with Falk and his wife Donna as
they arrive.
AMY:
Virgil - I'd like you to meet Jack
Falk and his wife Donna up from Atlanta.
VIRGIL:
Pleased to meet you.
DONNA:
Amy tells us you were blind.
Amy spurts out a glass of wine. Virgil deflects the comment.
VIRGIL:
That's OK - nice to see someone so honest.
FALK:
Amy tells us you're her inspiration.
Any help you can give us with our project?
VIRGIL:
I'm a little biased but I kind of
liked Amy's original design.
FALK:
But could we do better.
Amy jumps in with.
AMY:
We could do better, Mr. Falk - a lot better.
FALK:
Good, I like that attitude.
Let's keep trying for perfection.
Everyone smiles - Amy wraps her arm around Virgil.
AMY:
That's right - that's
why I've got Virgil.
Pleasant laughter all around - and as Amy and the others continue -
we push in on Virgil as he takes in this thought.
Virgil and Amy out front. People leaving - Duncan getting into a
town car with Falk and his wife - he looks back - gives the thumbs
up and climbs in after them. The car pulls away into the night.
VIRGIL:
You wanna walk - I feel like some air.
AMY:
See what we see? Sure.
VIRGIL:
Can I take your arm - eyes a little tired.
As they walk.
VIRGIL:
You really made the place
come alive with that fountain.
AMY:
Thank-you.
(beat)
You know I've been thinking - you're doing
so great now - and if we get this new
design job we'd have some extra money
- I think we should go on a big seeing
celebration.
VIRGIL:
(taken aback)
A seeing celebration?
AMY:
Yeah, maybe in a couple of months.
I looked into Egypt - we could see
the pyramids - we could see it
together for the first time.
What do you say?
VIRGIL:
You know - there is something
I'd like to see.
AMY:
Of course, anything.
VIRGIL:
The Rangers play tomorrow. Season'll
be over before we know it - could be
our last chance.
AMY:
The Rangers. Sure, why not?
BLACK:
Then a tiny pinpoint of light ahead - one that grows increasingly
larger as we move towards a SOUND. A hum that grows in intensity
until the light fills the frame and BAM - we exit the tunnel and we
are:
INT. MADISON SQUARE GARDEN - NIGHT
That glorious first view - people - the white ice shining below like
a giant jewel- and the players - in bright colors scurrying about
the playing surface below.
AMY:
This is amazing - isn't it?
She looks to Virgil who is awed by what he is seeing. Then suddenly
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"At First Sight" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/at_first_sight_690>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In