At First Sight Page #20
- PG-13
- Year:
- 1999
- 128 min
- 451 Views
AMY:
Should we find our seats. Looks
like the game's already started.
VIRGIL:
Yeah - I - I'll follow you.
INT. GARDEN - SEATS - LATER
Virgil and Amy in the loge seats - on the aisle - up behind the
goal. Amy looking at the stadium while Virgil next to her, watches
the game best he can.
AMY:
I love the stadium the
way it's structure...
VIRGIL:
Amy - the game...
AMY:
Right - the game.
SMASH - a hard check into the boards deep in the Rangers end of the
ice. The puck squirts out Gretzky picks it up - fires it across ice
- one, two it's back to him and he has a wide open break from center
ice - the crowd is out of their seats - Virgil included - Amy
quickly getting caught up in the enthusiasm.
On Virgil's face - watching Gretzky skate towards him - excited -
then losing him - another flash of blackness - like a blow to the
head - and we hear the crowd suddenly explode - and as Virgil's
vision regains we see the players mobbing Wayne after his goal - the
little red light behind the net the only evidence of it happening.
We see the frustration as Virgil realizes he'll never see it.
AMY:
He scored, he scored - you see
that - it was amazing.
As the players make their way to center ice - the crowd sits and Amy
sees the expression again on his face.
AMY:
What? That was good right?
VIRGIL:
Yeah - it was great - I was just...
Suddenly Virgil becomes transfixed. Walking down the aisle, away
from him:
A VENDOR - carrying a tray of PINK COTTON CANDY.
Virgil stares at it a moment - transfixed - then like in a trance -
he stands - stepping out into the aisle - a man on a mission.
AMY:
Virgil, where are you going?
And he's on the stairs - carefully moving down the stairs toward the
vendor.
Then she sees the Vendor - handing Virgil a large cotton candy -
round and puffy like a cloud - but something he can hold in his
hand. Amy can't believe it - watching Virgil - his fascination at
finding this long lost memory.
AMY:
The puffy thing.
Angle on Virgil turning - admiring his prize - then looking up,
trying to find Amy - who waves to him excited.
HIS POV - scanning the crowd - it's hazy - then flashes of dark.
Amy's face - suddenly drops - it's clear, even though she is only
four rows up - he doesn't see her.
INT. MADISON SQUARE GARDEN - NIGHT
Game is over - Virgil is packing up his stuff - Amy staring. at him.
AMY:
Virgil, what's happening?
VIRGIL:
Just having a bad eye day.
A lot to take in.
AMY:
Tell me. What's going on?
VIRGIL:
Nothing. I see almost nothing.
Amy:
she feels like she's about to explode.AMY:
Oh God.
VIRGIL:
It's OK.
AMY:
OK?!!
VIRGIL:
It's OK for you to cry.
AMY:
(recovering)
No, no - I'm not going to cry.
Solve the problem. We made it
through one operation - we'll
make it through another. We won't
give up. We'll get this right
- we just need to...
VIRGIL:
I saw Dr. Aaron.
There's nothing they can do.
AMY:
Then we'll find another Doctor.
There's got to be someone else.
We'll find something that works.
VIRGIL:
Don't you get it -
I can't go through this again.
AMY:
So just like that - we just forget it -
give up? Why the hell haven't you told
me what was going on?
VIRGIL:
(whirls on her)
Because of this!!
AMY:
What this?
VIRGIL:
You! Not letting it go - thinking
there's a solution. Goddamit,
I'm not design flaw in your f***ing
work that you can just change to
make work Or throw away because
it doesn't meet your expectations.
(beat)
Let's face it - it's over!!
AMY:
Virgil, give it time, you'll see.
VIRGIL:
No! I won't! This conversation is ended!!
INT. AMY'S APARTNENT - NIGHT
The door swings open - Amy and Virgil enter - Virgil moves towards
the bed - pulls out his duffel bag.
AMY:
What are you doing?
VIRGIL:
I'm leaving.
AMY:
What do you mean leaving - you're
leaving this apartment - you're
leaving New York - you're leaving me?
Virgil turns - they stand across the room from each other - miles
apart.
VIRGIL:
I'm going home.
Amy walks toward him, picking a battle, rejection.
AMY:
So you're big sister can take care of you -
feed you TV dinners for of your life.
Virgil tries to side step her.
VIRGIL:
I'm not going to go through this bullshit again.
Amy moves in front - confronting him
AMY:
Is that what this has all
been to you - bullshit?
VIRGIL:
Yes!! Who the hell were we fooling?
I'm blind - I'm not meant to see
- I don't belong here.
AMY:
God damn right you're blind. You want to
live in your own little world - this perfect
world that your sister built for you
- where no one can touch you ... where no
one can reach you.
VIRGIL:
Do you know the reason why I remembered the
cotton candy all those years? Because I went
to the game with my father. And it's the
only good thing I can remember about him.
The rest is him pushing me to be something
I'm not - then turning his back on me the
minute his plans fail.
AMY:
I am not turning my back on you.
You want me to give up on you
- you love the self pity.
VIRGIL:
I don't want you to give up on ME.
But you won't give up on me seeing.
AMY:
Because there must be other options.
VIRGIL:
Not anymore.
Virgil, avoiding her, sidesteps quickly past her - straight into the
lamp, which crashes to the ground and breaks.
DARKNESS.
VIRGIL:
Dammit.
A short few steps then a much larger crash - the sound of a large
heavier thing breaking.
AMY:
Virgil!!
Amy feels her way to the lights - and turns them on. We see that
Virgil has collided with Amy's sculpture of the woman. He sits among
the pieces on the floor.
Virgil - feeling the damage.
AMY:
(going to him)
Is anything broken?
VIRGIL:
No - no bones are broken.
Virgil uses the wall to stand - then - with his hands out in front
of him he finds his way to the bed.
VIRGIL:
It's finished - can't you see that!
We both didn't get what we wanted.
AMY:
(quietly)
I never meant to hurt you.
VIRGIL:
When you asked me to come here -
did you ever think this wasn't going
to work - that for one minute I may
not be able to see.
(beat)
Did you ever think it would be OK
to have a relationship with a blind man?
Amy - a pause.. Too long.
VIRGIL:
There's my answer.
And he grabs his duffel and pack - throws the last few things in -
and moving to the door - leaves.
INT. BUS - NIGHT - RAINING
Virgil riding - crossing the George Washington Bridge - going home.
He looks out the window - sees the receding city - and he closes his
eyes - listens to the rain.
EXT. PINECREST - MAIN STREET - NIGHT
The Bus comes down the main street of Pinecrest. Stopping - the bus
door opens and Virgil gets out - and turns to face up the street -
the street he knew so well that is so foreign to him right now.
EXT. VIRGIL AND JENNIE'S - NIGHT
The door opens. Jennie smiles warmly, reaches out to him.
JENNIE:
Welcome home.
INT. HOME - NIGHT
Virgil and Jennie entering his place - to be greeted immediately by:
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"At First Sight" Scripts.com. STANDS4 LLC, 2024. Web. 25 Nov. 2024. <https://www.scripts.com/script/at_first_sight_690>.
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