Autoreiji: Biyondo (Outrage 2 AKA Outrage Beyond) Page #6

Year:
2012
92 Views


Do what you want. I'm out!

As you want!

Otomo is on his way.

I'm busy.

He can't come.

They made him a scapegoat.

You don't get it!

Reputation is everything for yakuza.

He'll be shot if he shows up.

That's why I'm here.

To make sure Otomo is kept safe.

I'm going.

Leaving? What a shame!

This could give you a big career.

I'd rather be an ordinary cop for life.

Good evening, sirs.

Kimura Funeral Service

Thank you for coming.

I thought this gate would be more discreet.

I must frisk you for formality.

I'm here to burn incense for the dead.

I know.

You really came empty-handed.

I expected at least a handgun.

The Hanabishi are inside.

You want this?

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Takeshi Kitano

Takeshi Kitano (北野 武, Kitano Takeshi, born 18 January 1947) is a Japanese comedian, television personality, director, actor, author, and screenwriter. While he is known primarily as a comedian and TV host in his native Japan, abroad he is known almost entirely for his filmwork. With the exception of his works as a film director, he is known almost exclusively by the stage name Beat Takeshi (ビートたけし, Bīto Takeshi). Kitano rose to prominence in the 1970s as one half of the comedy duo Two Beat, before going solo and becoming one of the three biggest comedians in the country. After several small acting roles, he made his directorial debut with 1989's Violent Cop and garnered international acclaim for Sonatine (1993). But he was not accepted as a director in Japan until Hana-bi won the Golden Lion in 1997. In October 2017, Kitano's completed his Outrage crime trilogy with the release of Outrage Coda.He has received critical acclaim for his idiosyncratic cinematic work, winning numerous awards with Japanese film critic Nagaharu Yodogawa having once dubbed him "the true successor" to influential filmmaker Akira Kurosawa. Many of Kitano's films are dramas about yakuza gangsters or the police. Described by critics as using an acting style that is highly deadpan or a camera style that approaches near-stasis, Kitano often uses long takes where little appears to be happening, or editing that cuts immediately to the aftermath of an event. Many of his films express a bleak worldview, but are also filled with humor and affection for their characters. more…

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Submitted on August 05, 2018

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    "Autoreiji: Biyondo (Outrage 2 AKA Outrage Beyond)" Scripts.com. STANDS4 LLC, 2025. Web. 19 Jan. 2025. <https://www.scripts.com/script/autoreiji:_biyondo_(outrage_2_aka_outrage_beyond)_3295>.

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