Away from Her Page #7
33A.
A woman a little younger than Grant, MARIAN sits down beside
him, staring at a man in a wheelchair who sits among the
other residents, staring vacantly. She watches him, with
tears in her eyes. Grant looks in her direction
compassionately. She gives him a little smile through her
tears. She picks up her purse and walks out.
Grant watches as the families take leave of their relatives.
Slowly, in a series of dissolves, the common area empties
out. Leaving the residents feeling empty, alone, and gasping
for more.
34.
They stare out windows, or wheel or shuffle themselves back
to their rooms. The light has changed. It is late afternoon
and Grant has been sitting there watching for a long time.
59 INT ANDERSSON’S BEDROOM -DECEMBER 2003- NIGHT 59
Grant lies in bed staring at the ceiling while Fiona sleeps.
60 INT ANDERSSON’S BEDROOM -DECEMBER 2003- MORNING 60
Grant still sleeps. Fiona gets up quietly.
61 INT ANDERSSON’S LIVINGROOM -DECEMBER 2003- MORNING 61
Fiona sits at the dining room table stirring her coffee.
Grant enters in his housecoat, rubbing his eyes.
GRANT:
Smells good.
FIONA:
I was going to go for a ski but I
thought I shouldn’t chance it. What
with the Alzheimer’s and all.
She smiles at him.
GRANT:
Why didn’t you wake me?
She picks up some forms from the dining room table.
FIONA:
What are these Grant?
GRANT:
They’re the... The forms to fill
out. If you decide to go to
Meadowlake.
She looks frustrated.
FIONA:
But that is exactly what I have
decided. You were to go and sign
these forms. And leave them there.
Is it cold? Is it dark?
35.
GRANT:
No. It gets a lot of light.
She looks at him, questioning.
GRANT:
I wouldn’t be allowed to visit for
30 days.
She comes around to him, puts her arms around him.
FIONA:
30 days isn’t such a long time
after 44 years.
GRANT:
I don’t think I like the place.
FIONA:
I don’t think we should be looking
for something we like here Grant. I
don’t think we’ll ever find that. I
think all we can aspire to in this
situation is a little bit of grace.
Grant sees her unmovable determination and nods.
63 INT ANDERSSON’S LIVINGROOM -DECEMBER 2003-NIGHT 63
There is a Christmas tree lit up and a fire in the fire
place. Grant and Fiona dance to “Harvest Moon” by Neil Young.
She puts her feet on top of his and he leads her around the
room. They murmur softly to each other.
64 INT ANOTHER HOUSE ( LATE 50’S) 64
GRANT’S MEMORY:
Grant and Fiona ( in her teens), dance exactly the same way.
He moves a strand of hair away from her forehead lovingly.
She bats his hand away laughing. Pulls his earlobes lovingly.
65 INT ANDERSSON’S LIVINGROOM -DECEMBER 2003-NIGHT 65
Grant tries to move a strand of hair away from her forehead.
She lets him for a moment. Then playfully bats his hand away
in much the same manner as when she was younger. Again, she
tenderly pulls his earlobes.
66 INT ANDERSSON’S FRONT HALLWAY -JANUARY 2004- EARLY MORNING 66
Fiona’s bags are packed. She is dressed up a little. She
looks at herself in the mirror. Grant watches her.
36.
FIONA:
I guess I’ll be dressed up all the
time. Or semi dressed up. It’ll be
sort of like in a hotel.
She puts on her good coat. Applies her usual red lipstick.
FIONA:
How do I look?
GRANT:
Just like always. Just as you’ve
always looked.
FIONA:
And what does that look like?
GRANT:
Direct and vague. Sweet and ironic.
FIONA:
Is that how I look?
She looks directly at him. They watch each other. Smile.
67 EXT COUNTY ROAD -JANUARY 2004- EARLY MORNING 67
Grant and Fiona drive in silence. “Harvest Moon” continues to
play. Fiona spots something just off the road.
FIONA:
Oh. Remember?
Grant looks and sees the little hollow where they walked in
the spring. The bright yellow flowers are gone. Now it is
covered in snow. Grant smiles at her. Looks ahead. It’s all
he can do to not turn the car around.
FIONA:
You look surprised Grant.
GRANT:
Not surprised. Just grateful. I’m
grateful you can remember that.
68 INT MEADOWLAKE CHECK IN AREA -JANUARY 2004- MORNING 68
They stand in the check- in area, waiting for someone to come
to the desk. A tear falls down Fiona’s face.
FIONA:
You’ve been good to me Grant.
37.
Grant clutches the hand on his face. Kisses it desperately.
Madeleine comes out of her office. Senses the weight of the
moment she is walking into.
MADELEINE:
Should I give you two a moment?
GRANT:
Yes please.
FIONA:
No thank you. I’ll go to my room
now.
MADELEINE:
Alright Mrs. Andersson. We’ll get
you settled into your room. And
then I’ll take you on a tour of the
facility.
Grant looks pleadingly at Fiona.
FIONA:
Yes. That sounds lovely.
She gives Grant a squeeze on the arm. He reluctantly follows
them towards the rooms.
69 INT FIONA’S ROOM - JANUARY 2004- MORNING 69
It’s a nice room. A bright window. Tastefully decorated.
FIONA:
Yes. This will do just fine.
Madeleine glances at the few suitcases they brought in with
them.
MADELEINE:
I’m glad you like it Mrs.
Andersson. Is this all you brought
with you today?
FIONA:
For now.
GRANT:
We’ll see how it goes.
Madeleine takes a gage of their different ideas of the
situation. Talks to Grant, pointedly.
38.
MADELEINE:
Well. You let us know if you need
any help arranging things.
He shoots her a glare.
FIONA:
(politely)
Thank you Mrs. Montpellier. Now if
you wouldn’t mind, I’d like to say
goodbye to my husband. We haven’t
been apart for a month for the last
44 years. It will be quite
something.
MADELEINE:
Absolutely. You just come and find
me in my office when you’re ready.
FIONA:
I will.
Madeleine leaves the room.
Grant sinks down on the bed, grabbing Fiona’s hands and
pulling her down with him.
GRANT:
Please Fiona.
FIONA:
Grant. You know what I’d really
like?
GRANT:
Fiona...
She strokes his face. Kisses him.
FIONA:
I’d like to make love. And then I’d
like you to go. Because I need to
stay here. But if you make this
hard for me I think I’ll cry so
hard I’ll never stop.
She has tears rolling down her cheeks. It’s excruciating but
he manages to nod. She kisses him again. They make love on
the well made bed.
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"Away from Her" Scripts.com. STANDS4 LLC, 2024. Web. 19 Nov. 2024. <https://www.scripts.com/script/away_from_her_995>.
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