Away from Her Page #8
39.
70 INT FIONA’S ROOM -JANUARY 2004- MORNING -LATER 70
Grant and Fiona lie in each others arms. He clings to her.
She kisses him lightly on the forehead.
FIONA:
Go now. Go now.
He kisses her passionately. Pulls himself away. Awkwardly
puts his clothes on. He is clumsy. He does up his shoes. It
seems to take forever. Fiona just watches him. He gives up,
leaving his shirt open, his pants undone. He leans in for one
final kiss. Tears himself away. Leaves the room. Fiona waves
lightly at the closed door.
71 INT CORRIDOR -JANUARY 2004- MORNING 71
Grant stands outside the door doing up his pants. A nurse
passes by. Looks shocked. Grant shrugs awkwardly. Walks down
the hall.
72 INT CONSERVATORY -JANUARY 2004- MORNING 72
Grant sees Kristy, the managing nurse, tending to an old man
in a wheelchair. The man has vacant eyes. He tentatively
approaches her.
GRANT:
Hello there.
KRISTY:
Kristy. We met on your tour. Is
He nods noncommittally.
GRANT:
I was wondering if I could talk to
you for a minute. Ask your advice.
KRISTY:
Sure. Mr. Bark and I were just
reading here. Maybe when I’m
finished this chapter I’ll come
find you in the check-in area?
How’s that?
GRANT:
Yes. That’ll be fine thanks.
40.
Kristy goes back to reading to this almost comatose man.
Clearly, and without condescension.
73 INT MEADOWLAKE DINING AREA - JANUARY 2004- MORNING 73
Grant sits nervously on one of the plush chairs. He watches
as Eliza speaks in sign language with a woman in her 30’s who
appears to be her daughter. They are animated and involved.
Madeleine peeks her head out the door.
MADELEINE:
Is she ready for the tour?
GRANT:
Uh. I’m not sure. I need a moment
to think about all this.
Madeleine comes and sits beside him.
MADELEINE:
If I may say so Mr. Andersson. Your
wife seemed quite happy to come in
today. It can be much more
difficult than this. It almost
always is. I can’t emphasize enough
how valuable a lack of drama can be
in a situation like this.
Grant smiles a little. Dumbfounded at her insensitivity.
MADELEINE:
I’ll give her a few minutes and
then I’ll go and see how she’s
doing.
Madeleine leaves. Grant watches as FRANK, male resident is
slowly escorted in the doors by BETTY, the nurse. FRANK
speaks quickly and constantly as he comes through the doors.
FRANK:
And we’re moving down the centre,
and young Betty is helping me, and
we’re going back up, back up to the
second floor and we’re moving past
the dining room...
KRISTY:
Hi there Mr. Andersson. Now how can
I help you?
41.
She takes a seat beside him. She notices him watching the
male resident.
KRISTY:
Oh. That’s Frank. He used to be the
play by play guy for the Winnipeg
Jets.
Grant watches him as he goes, still doing a play by play of
his every movement. Dumbfounded.
GRANT:
Really.
Kristy smiles.
KRISTY:
He loved his job too much to
retire.
She shrugs.
KRISTY:
Frank’s on the second floor.
GRANT:
I just... My wife has always been a
different sort of person. And I’m
wondering. I was told that
Alzheimer's can’t be confirmed
until after... And on the way here
today, she just... We passed the
conservation area where we went on
a walk last spring. There were
these gorgeous flowers. These skunk
lilies.
KRISTY:
Those are beautiful aren’t they.
GRANT:
They really made an impression you
see. And today, even though the
whole place was covered in snow,
she said “Oh. Remember.” Now that
was quite recently. About nine
months ago. Isn’t the short term
memory the thing that goes first?
42.
KRISTY:
Well. Yes. But not all at once. And
what’s comforting is the long term
memory sometimes stays for quite a
long time.
Grant looks uncomfortable.
GRANT:
Yes. Her long term memory seems
very intact.
This has a weight to it. She looks at him carefully.
Absorbing his tone.
GRANT:
When she said that. About the skunk
lilies. It was all I could do not
to turn the car around. What if...
What if all this is just
her...being herself? She’s so young
to...
Kristy lets him think in silence for a moment.
KRISTY:
She is young. And this is hard. No
doubt about that. A month is a real
long time. Between you and me, I
don’t know about the policy myself.
I think it makes it easier on the
staff is what I think. But look.
Here’s my pager number. You can
call me whenever you want. Call
every day if you feel like it. I’ll
let you know how she’s doing. And
I’ll keep a special eye on her.
She sees he’s still nervous.
KRISTY:
Look. We’re pretty nice around
here. I don’t know about the ones
in charge. But the ones that will
be in direct contact with Mrs.
Andersson. We’re a pretty nice
bunch if i do say so myself.
He sighs.
GRANT:
I don’t know what to do.
43.
Madeleine enters again.
MADELEINE:
Mr. Andersson. Here’s a note from
Mrs. Andersson. She asked that I
pass it along.
He opens it up. It reads: “Go now. I love you. Go now. Fona.”
He stares at the spelling mistake.
GRANT:
(whispering)
Okay. Okay.
He turns to Kristy.
GRANT:
Thanks so much.
He leaves the building. Kristy looks after him
compassionately.
74 EXT COUNTY ROAD -JANUARY 2004- MORNING 74
K.d. Lang’s version of “After the Goldrush” plays over the
next several scenes.
Grant drives home sadly. He passes the Skunk Lily Hollow.
Looks at it solemnly.
74A INT ANDERSSON’S BEDROOM - JANUARY 2004- NIGHT 74A
Grant reads from a book on Alzheimer’s. This voice over
continues over the next few scenes.
GRANT (V.O.)
Throughout much of the thinking
brain, gooey plaques now crowd
neurons from outside the cell
membranes, and knotty tangles
mangle microtubule transports from
inside the cells.
75 INT MEADOWLAKE DINING AREA -JANUARY 2004- MORNING 75
Kristy introduces Fiona to the man in the wheelchair with the
vacant eyes. She greets him warmly. Sits down beside him.
76 INT ANDERSSON’S KITCHEN -JANUARY 2004- NIGHT 76
Grant does the dishes. When he goes to put the frying pan
away he pauses. Looks at it. Then puts it in a cupboard.
44.
77 EXT LAKE JANUARY 2004- MAGIC HOUR 77
Grant skis around the lake all by himself. He skis around and
around as the sun goes down and leaves the sky pink over a
countryside that seems to be bound by waves of blue-edged
ice. He stops on the other side of the lake from the house.
Stares at the house. Extremely wide shot of Grant standing
alone in the snowy field staring at his lonely cottage.
GRANT (V.O.)
All told, tens of millions of
synapses dissolve away. Because the
structures and substructures of the
brain are so highly specialized,
the precise location of the
neuronal loss determines what
specific abilities will become
impaired. It is like a series of
circuit breakers in a large house
flipping off one by one.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Away from Her" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/away_from_her_995>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In