Bamboozled
INT. APARTMENT - MORNING
WE are in the living quarters of PIERRE DELACROIX. The
windows overlook the Brooklyn Promenade and the majestic
lower Manhattan skyline.
DELACROIX (V.O.)
Bonjour, my name is Pierre Delacroix.
I'm a television writer, also a
showrunner, a creative person.
We see a tall figure move in and around the space.
DELACROIX (V.O.) (CONT'D)
I'm one of those people responsible
for what you view on your idiot box.
CLOSE ON:
Monogrammed cuff sleeve - the initials P.D.
2.
DELACROIX (V.O.) (CONT'D)
The problem is not enough of you
have been watching.
CLOSE ON:
Monogrammed shirt pocket - the initials P.D.
DELACROIX (V.O.) (CONT'D)
With the onslaught of the internet,
video and interactive games, nine
hundred channels to choose from and
whatnot, our valued audience has
dramatically eroded.
CLOSE ON:
Razor cuts a path through a white foam on a black face.
DELACROIX (V.O.) (CONT'D)
To put it in much more simple
terms...
Delacroix YELLS.
DELACROIX (V.O.) (CONT'D)
Like rats fleeing a sinking ship.
CLOSE ON:
The handsome face of Pierre Delacroix.
DELACROIX (V.O.) (CONT'D)
People tuning out by the millions.
Delacroix turns to the CAMERA and addresses US.
DELACROIX (CONT'D)
Which is not good.
EXT. TENEMENT - LOWER EAST SIDE - MORNING
The tenement building is boarded up, condemned, bombed out,
but a home, a shelter nonetheless.
INT. TENEMENT - MORNING
People to our surprise live in here. It is a commune. The
homeless, people who have been left out, forgot about,
written off, and don't matter. The fringes of society.
CHEEBA, a skinny Puerto Rican male, tries to wake a
slumbering body under a mass of old newspapers.
3.
CHEEBA:
Yo, let's get to it. You don't
dance, we don't eat. Simple as that.
The mass begins to move.
CHEEBA (CONT'D)
That's right. We slow. We blow.
We snooze. We lose.
MANRAY, a young African-American dread-lock male, and Cheeba
are getting set up in front of the entrance to the
CONTINENTAL NETWORK SYSTEM building. CNS is one of the
fledgling, upstart new networks, trying to battle with ABC,
NBC, CBS, FOX, WB, and UPN.
ANGLE ON:
Entrance. Cheeba is putting the portable floor down on the
sidewalk. Manray sits on the curb, taking the sneakers off
and putting on his tap shoes; bottle caps are on the soles
of the shoes instead of real taps.
CHEEBA:
Good morning, ladies and gentlemen.
I know everybody is in a hurry to
work, ready to begin another day in
this rat race. But don't sleep us.
I'm Cheeba and I introduce to you
the world renown MANRAY, the man
with the educated feet.
Manray takes a small bow. A few, not many, people have
stopped to look.
CHEEBA (CONT'D)
As we continue our world wind tour,
we would like to give you a little
somethin', somethin' before you go
off to make that money. I give you
Manray.
CLOSE ON:
Manray, who starts to do his thing, and when he starts doing
his thing attention must be paid.
ANGLE ON:
Crowd, as Manray gets busy, people gather to watch.
ANGLE ON:
4.
Delacroix, he is about to walk into the CNS building but
stops to check out Manray.
CLOSE ON:
Manray, he pounds out some intricate steps and freezes at
the end of the move.
ANGLE ON:
Crowd, who applaud as Cheeba unfolds a brown shopping bag
and holds it out in front of them.
CHEEBA (CONT'D)
Thank you very much but please
don't go without giving us some
cheddar, cheese, money. We prefer
two's than fews.
People are digging into their pockets.
CHEEBA (CONT'D)
I would like to add that both of us
are homeless. Not that it means
anything.
A WOMAN is about to dump some change in the brown paper bag.
CHEEBA (CONT'D)
I said homeless. Ladies and
gentlemen. Senorita, do you know
what that means?
Cheeba looks at her and she quickly pulls out a 5-spot from
her purse and drops it into the bag.
CHEEBA (CONT'D)
Muchos gracias.
Cheeba works his way over to Delacroix.
DELACROIX:
Good morning, Cheeba.
CHEEBA:
Good morning to you, Mr. Delapot.
DELACROIX:
De-la-croix.
CHEEBA:
Y'know what I mean. Got a gig yet
for Manray and I yet?
5.
DELACROIX:
Not yet.
Delacroix hands Cheeba a ten dollar bill.
CHEEBA:
Gracias.
Delacroix moves towards the revolving doors of CNS.
DELACROIX:
Manray, Sloan says you're too
talented to be dancing on the street.
MANRAY:
INT. ELEVATOR - MORNING
Delacroix is the lone person of color in the elevator.
INT. CNS - MORNING
Delacroix gets off the elevator, takes out his ID, slips it
through the scanner and enters the reception area of CNS.
DELACROIX:
Good morning, Marie.
MARIE:
It's not gonna be a good morning
for you if you don't get into
Dunwitty's staff meeting.
DELACROIX:
What staff meeting?
MARIE:
The staff meeting that started 30
minutes ago.
INT. CONFERENCE ROOM - MORNING
Delacroix walks, or better yet, slithers into the staff
meeting that is already in progress. TWENTY WRITERS sit
around an oval table, all are Caucasian except Delacroix,
again he's the lone person of color, the "fly in the
buttermilk."
DUNWITTY, Senior V.P. of the Entertainment Division of CNS
looks at Delacroix and waits for him to sit down before he
continues.
6.
DUNWITTY:
Monsieur Delacroix, this very
important meeting commenced...
Dunwitty looks at his Rolex Chronograph - Daytona Model.
DUNWITTY (CONT'D)
...exactly thirty-two minutes ago.
DUNWITTY:
I'm sorry I'm late.
DUNWITTY:
Do you know how much information
can be dispensed in one minute alone?
DELACROIX:
I didn't find out about this very
important staff meeting until...
Delacroix looks at his Jaeger-LeCoultre.
DELACROIX (CONT'D)
Four minutes ago.
DUNWITTY:
So are you telling me everyone knew
about this get-together except you?
DELACROIX:
I wasn't told about this until
Marie informed me as soon as I got
off the elevator.
All eyes are on Delacroix and he feels it.
DUNWITTY:
People, you can attempt to pull a
Rodman like our friend Delacroix,
but I guarantee you'll be sent
packing just like him.
Dunwitty via remote turns off the lights and turns on an
overhead projector.
DUNWITTY (CONT'D)
These are the standings. Read 'em
and weep. As you can plainly see
the Continental Network System is
languishing.
CLOSE ON:
Ratings charts.
7.
DUNWITTY (O.S.) (CONT'D)
Look at 'em people. We are BOOTY,
CA CA. We are DOO-DOO. Doo-doo on
a stick, if you will.
CLOSE ON:
Dunwitty.
DUNWITTY (CONT'D)
I do not like to be the laughing
stock of the broadcast industry. I
have pride and people, you better
start getting some too. These
numbers have to go up.
Dunwitty turns on the lights. JOAN, one of the writers,
raises her hand.
DUNWITTY (CONT'D)
Question?
JOAN:
So what do you want us to do?
DUNWITTY:
What I want everyone to do is write
some material that is FUNNY. The
junk you've been writing is about
as funny as a dead baby. It's not
funny, it's not new. It's not sexy.
It, it, it...
CLOSE ON:
Fish.
FISH:
Sucks.
ANGLE ON:
Conference room.
DUNWITTY:
SUCKS. Thank you, Fish. This
meeting is over but I want everyone
to seriously think about what I
said and how you can deliver.
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"Bamboozled" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/bamboozled_691>.
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