Bamboozled Page #10
64.
The AUDIENCE is aghast. Mantan has picked up the pace.
He's tapping fast and furious.
MANTAN:
Cousins, I want all of you to go to
your windows. Go to your windows
and yell. Yell, I'm tired of the
drugs, the crack babies born out of
wedlock to crackhead aids infested
parents. I'm tired of the inflated
welfare rolls while good wholesome
Americans bring less and less of
their paycheck home every two weeks.
I'm tired, you're tired, we're all
tired of these so-called bible-
thumping God fearing, whore mongling
Professional athletes. Aren't you
tired of these basketball-dunking,
football-running, hop-hip rapping
ebonic-speaking sex offenders who
got ten kids from ten different
Ho's? I know I am and so is Sleep
'N Eat.
SLEEP 'N EAT
You tellin' the truth.
MANTAN:
Go to your windows and yell out,
scream with all the life you can
muster up inside your assaulted,
bruised and battered bodies. I'M
SICK AND TIRED OF N*GGERS AND I'M
Mantan stops dancing and collapses.
ON AUDIENCE:
They're stunned. They can't believe what they've heard,
what they've seen. What they've been witness to.
They look at the black people in the audience.
He starts to clap slowly.
ON AUDIENCE:
Slowly more black people begin to applaud. Slowly it sweeps
up into the black people.
65.
The WHITE AUDIENCE, of course, has been waiting to see how
their black brothers and sisters would react. Now feeling
comfortable and safe, they too being to join the applause.
ON AUDIENCE:
The applause changes into laughter. It is not nervous
laughter we hear, but straight out RIOTOUS LAUGHTER.
The laughter is contagious.
ON STAGE:
Mantan starts to move, he's coming back from the dead. He
slowly gets up from his prostate position as he HEARS:
A WAYBACK ALABAMA JIG played by the house band, THE PORCH
MONKEYS, led by musical director Levi. Mantan is joined on
stage by the other hoofers in the show: JUNGLE BUNNY,
SNOWFLAKE, SAMBO, AUNT JEMIMA, RASTUS, N*GGER JIM, plus
SLEEP 'N EAT. Each take turn as it evolves into an elaborate
DANCE NUMBER. The hoofers and the band are also in black
face.
ON AUDIENCE:
They are rolling down the aisles.
ON DELACROIX:
Delacroix looks like he has seen a ghost.
CLOSER:
He buries his face in his hands.
INT. DELACROIX'S APARTMENT - NEXT NIGHT
Delacroix is in the same position as the scene before. Face
buried in his hands.
ON PHONE:
DELACROIX:
Hello?
66.
EXT. STREETS - NIGHT
Dunwitty drives his Mercedes Benz CL 600 Coupe.
DUNWITTY:
Yo, DeLa, I just got the news from
the CNS brass. They saw some clips
from the pilot and they're rushing
it onto the air. Yo, we're a
midseason replacement, ordered 12
shows. We're on in 3 weeks. Didya
hear what I just said, Yo?
ON DUNWITTY:
DUNWITTY (CONT'D)
They didn't even view a rough cut,
just some scenes we quickly cut
together.
ON DELACROIX:
DELACROIX:
This has to be a big mistake.
DUNWITTY (O.S.)
The big mistake was my not believing
in your genius earlier. From the
gitgo, from jump street.
DELACROIX:
Hold on a sec, I got a call.
HE CLICKS OVER.
DELACROIX (CONT'D)
Hello, Mommy, let me get rid of
this other call.
INT. BENZ - CONTINUOUS
DELACROIX (O.S.)
I gots to go, it's my Moms.
DUNWITTY:
I want to meet her one day, please
tell her the great news. I'm OUT
like Vanilla Ice.
INT. ORCHID'S HOUSE - NIGHT
She is on the phone with her son.
67.
ORCHID:
Peerless, your father called.
INT. DELACROIX'S APARTMENT
DELACROIX:
I'll be right over.
INT. STREET - NIGHT
It's a warm summer night.
MANTAN:
So what's up with you?
SLOAN:
What do you want to know?
MANTAN:
The good stuff.
SLOAN:
I'm an asthmatic. Been one all my
life. Can't go anywhere without an
inhaler.
MANTAN:
What else?
SLOAN:
Are you trying to rap to me?
INT. ORCHID'S HOUSE
Delacroix sits at the kitchen table.
ORCHID:
He wants you to come and see him.
DELACROIX:
He said that?
ORCHID:
Yes he did.
DELACROIX:
Where is he?
ORCHID:
He's performing at some place
outside of Richmond, Virginia.
DELACROIX:
I can't go all the way down south.
68.
ORCHID:
Richmond is not all the way down
south.
DELACROIX:
I don't even know why you're still
concerned over him. Daddy's not
with you.
ORCHID:
Regardless, he still is your father.
DELACROIX:
It's gonna be hard for me to get
away with the show taking off.
ORCHID:
Even more reason to see him. He'll
be overjoyed with your success.
DELACROIX:
C'mon, Mommy. Daddy hasn't been
impressed with anything I've ever
done. From winning my fifth grade
Spelling Bee to the present.
ORCHID:
Peerless, last time, go see your
father.
EXT. PARK - NIGHT
Mantan and Sloan are sitting on a park bench, nothing is
being said. He sits up and starts to do a dance for her.
To her.
ON BENCH:
Mantan is doing that "Mating" tap dance.
SLOAN:
He puts his index finger over his mouth - "Quiet."
SLOAN (CONT'D)
You think that's gonna work, huh?
He quickly jumps up on the bench, does some intricate steps
then pulls Sloan up from her sitting position.
They kiss.
69.
EXT. I-95 SOUTH - MORNING
Delacroix is driving "down south."
INT. CAR - CONTINUOUS
Delacroix adjusts the mirror so he can see himself. HE
SPEAKS TO US through the MIRROR
DELACROIX:
I figured this was a good time to
get away. Just jump in my ride and
go. I always did my best thinking
when I was driving alone. I needed
to think out clearly what I was
going to do with this MANTAN - THE
NEW MILLENNIUM MINSTREL SHOW.
EXT. I-95 SOUTH
Delacroix is driving on his way to "Ole Virginny."
EXT. MAMA'S SUGAR SHAK - NIGHT
Delacroix pulls up in the parking lot of a rinky-kink,
funky, greasy BAR/CLUB/BAR-B-Q joint.
"MAMA'S SUGAR SHAK" - most the letters do not light up,
underneath it, "2-NITE - JUNEBUG."
INT. MAMA'S SUGAR SHAK
It's loud as hell as Delacroix enters this smoky, dark
establishment.
P.O.V. DELACROIX
This must be a big night in here because the PATRONS are
dressed to the nines. What's in style down here is a lot
different from what's happening en Nueva York. Many of the
men are dressed like PIMPS from 70's BLAXPLOITATION FILM,
the ladies like HOOTCHIE MAMAS from "Luke" video.
ON SUGAR SHAK:
Delacroix works himself through the crowded BAR/DISCO into
another small room.
ON COMEDY ROOM:
He walks into a small space where his father JUNEBUG is on
the stage.
70.
ON JUNEBUG:
He is a good-looking man, the only speckle of gray in his
hair betrays his age. As he walks around the small stage
doing his comedy stylings, he keeps a drink in one hand and
sips it often.
ON COMEDY ROOM:
Delacroix sits in the back so his father can't see him.
ON DELACROIX:
He looks around.
P.O.V. DELACROIX
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"Bamboozled" Scripts.com. STANDS4 LLC, 2024. Web. 24 Dec. 2024. <https://www.scripts.com/script/bamboozled_691>.
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