Beetlejuice Page #16
- PG
- Year:
- 1988
- 92 min
- 10,385 Views
ADAM:
(Pleased) I certainly did.
CATHY:
And this used to be your house,
I bet.
BARBARA:
very good idea if you told your
parents or your sister that
we're up here.
ADAM:
Unless you think we could scare
them.
CATHY:
Why do you want to scare
everybody?
ADAM:
We want to frighten you away.
So that you'll move out.
CATHY:
You don't know my family very
well, do you? (Beat) I like
it up here. Can I visit you
sometimes?
-----------------------------------------------------------------
EXT:
HOUSE -- DAYLike all the other shots, but there's a quality of waiting about
it. Full sun.
Shaded by a tree.
Heavily in shadow.
INT:
BASEMENT -- DAYShadowed, potentially filled with terror as are all basements in
horror movies. CAMERA moves over to a little shed-like room in
the corner. Noise of a FAST-MOVING CLOCK.
DELIA shrieks. Going through the dirty clothes, she's just come
across the sheets with the eye-holes cut in them.
DELIA:
Lydia! Cathy! Cathy!
INT:
DARKROOM -- DAYA photograph coming up in the developing tank -- the ghosts in
the hallway.
LYDIA:
Oh my God... oh sh*t...
No feet...
INT:
DOWNSTAIRS HALLWAY -- DAYLYDIA, pounding up from the basement with the wet print, collides
with DELIA, rushing down from the second floor with the scissored
sheets.
LYDIA:
Oh God, Delia. They were
ghosts! Ghosts! They didn't
have any feet!
DELIA:
Lydia, I'm going to kill you,
honest to God I'm going to kill
you. I'm going to lock you in
that basement like you were a
goddamned hyacinth.
LYDIA stands open-mouthed with the wet photograph. DELIA turns
on her heel and storms up the stairs.
DELIA (cont)
Cathy! Cathy! I'm going to
kill you too.
INT:
CHARLES'S OFFICE -- DAYLater in the day. LYDIA has calmed down, changed clothes. She
now has a number of the prints. CATHY's there too, looking at
the prints, saying nothing, and certainly not giving away the
fact that she talked to the ghosts.
CHARLES is seated before the word processor, vainly trying to
work.
LYDIA:
Can you believe it? I mean,
this is the weirdest --
CHARLES:
Lydia, I don't know what it
is with you and these practical
jokes, but --
LYDIA:
CHARLES:
This is air-brushing. This is
a result of that class you took
in air-brushing last fall. It's
pretty good, but I've seen better.
The door of the room flies open, and there stands DELIA, carrying
several sets of sheets.
DELIA:
I want you two girls to know
outlet in Winter River. Which
means that Otho and Evelyn
-- our very first overnight
guests in this house -- are going
polyester blend.
She flings the sheets at LYDIA and CATHY.
LYDIA:
Delia, look at these pictures.
Please. Just for a minute.
this house.
CATHY:
There are. I've seen them.
The family stare at her for a minute.
CATHY (cont)
I talked to them. They're
very nice. (Beat) Their names
are Adam and Barbara, and they
live --
In the midst of this, DELIA explodes.
DELIA:
I can't believe you two are doing
this to me! Ghosts. Ghosts.
Otho and Evelyn will be here in
half an hour and I haven't even
begun to salt the ducks and
you are coming to me with this
bullshit about ghosts! I can't
believe that you two are trying to
undermine my self-esteem in this
way.
She storms out of the room.
CHARLES looks at his two daughters.
CHARLES:
Great. Fabulous. It's going to
be a terrific evening. I can tell
already.
He goes out, after DELIA.
CATHY is left alone with LYDIA. LYDIA flings the photographs at
CATHY.
LYDIA:
You jerk. That would have believed
me if you hadn't thrown in all that
other crap. They'll never listen
to me now.
LYDIA storms out.
CATHY:
But it's true. They're...
She's all alone in the office.
One of the printers sputters to life, and begins to spew out
pages.
CATHY slowly walks out of the room, looking through LYDIA's
photographs.
ADAM and BARBARA are looking at the photographs.
CATHY:
Those are the pictures my
sister took, and even when
she showed them to Mom and
Dad, they didn't believe
you were real. And then I
said I had met you, and they
still didn't believe us.
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