Beetlejuice Page #22
- PG
- Year:
- 1988
- 92 min
- 10,390 Views
DELIA:
Well, we don't want to
steal focus from Cathy's
ghosts. But maybe we
could set up something
out in the barn. He
could use my sculptures
and do a kind of
environmental piece.
DELIA pulls the BMW into a parking space in front of the DRY
CLEANERS.
From the middle of which shine out two YELLOW SNAKE'S EYES.
As the eyes gradually humanize, and the steam dissipates, we see
BEETLE JUICE as an OLD WOMAN, operating a steam press at the back
of the dry cleaning establishment. In tight grey curls, a
flowered dress, and practical shoes, BEETLE JUICE looks like a
old New England shopkeeper.
DELIA comes in the front door, and throws several strange-looking
outfits across the counter, and looks about impatiently.
BEETLE JUICE/OLD WOMAN
Be with in a moment, dear.
DELIA waits two seconds, and then in a voice that is still trying
to be pleasant:
DELIA:
I hate to be a nuisance,
but this isn't the only
stop I have to make today.
BEETLE JUICE / OLD WOMAN cuts the power on the steam press, and
comes to the front of the shop between two long mechanized racks.
He is walking with a limp and a cane.
I'm sorry -- I don't move
as quickly as I used to.
I lost four toes last
winter. Frostbite. You
never think it can happen
to you till it happens
to you.
DELIA does not want to hear more of this story.
DELIA:
I have to have these by
Saturday.
BEETLE JUICE examines the avant-garde outfits.
They are dresses,
aren't they, dear?
DELIA:
(Wondering if that was a dig)
You know how to take care
of material like this, don't
you?
I've been running this place
for twenty-six years, ever
since Dad died. Dad was my
second husband. He had a
He was planting that big
spruce in front of...
DELIA:
Do you deliver?
I'll bring them out myself.
Piloted by the fuming DELIA, the BMW screeches away from the dry
cleaners. Halfway down the block, the BMW scatters an entire
troupe of Brownies.
BEETLE JUICE / OLD WOMAN stands behind the counter, his old
woman's face a death mask, with YELLOW SNAKE'S EYES embedded it.
Behind him, the DRY CLEANING RACKS spin around wildly with an
UNEARTHLY CLATTER.
INT:
STEAM ROOM - NEW YORK ATHLETIC CLUB -- DAYFull of steam. CHARLES and OTHO, swathed in towels, sit sweating
on benches.
OTHO:
What are you in town for?
CHARLES:
I'm arranging the catering
for Saturday night.
OTHO:
Oh let me go with you.
CHARLES:
and a tapas room, and your old
chocolate construction.
OTHO:
Christ, how much is that
going to cost? Chocolate
constructions don't come
cheap, and once you start
lines you're talking real
money.
CHARLES:
Otho, what difference does
it make? I'm writing this
whole party off my taxes.
And Delia's writing it off
of hers. Our whole goddamn
lives are deductible. Taxes
are just a game that you play
against the IRS and I always
make sure that I win.
OTHO:
I wish somebody'd teach me how to
play.
CHARLES:
It's easy. You just learn how to
make them play by your rules. (Beat)
Feels like it's getting hot in here.
Let's go.
CHARLES and OTHO get up and leave the steam room.
At the far end of the room is a sudden, agitated billowing of
steam.
BEETLE JUICE, with STARING YELLOW EYES, steps forward. He is
wearing a perfectly pressed, perfectly dry three-piece pin-
striped suit. He's wearing round wire-frame glasses, and a
narrow-brimmed hat. He is carrying a briefcase, with the
initialled monogram IRS.
He walks out of the steam room.
BEETLE JUICE / IRS, unnoticed, passes the shower room, where
CHARLES and OTHO are slowly turning under adjoining taps.
He passes a row of lockers, attracting the notice of a deeply
tanned YUPPIE jock, who is about to open his locker.
As BEETLE JUICE / IRS leaves, the YUPPIE turns back to his now
open locker, just in time to be CLOBBERED ON THE CHIN by a boxing
glove that shoots out of the locker on a spring. The YUPPIE is
smashed against the opposite wall of lockers.
The other men in the locker room do double-takes.
-----------------------------------------------------------------
EXT:
HOUSE -- DAYThe day of the party. Caterers vans pulled up. Workmen are
putting out table, and erecting a lighting system that wouldn't
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Beetlejuice" Scripts.com. STANDS4 LLC, 2024. Web. 21 Oct. 2024. <https://www.scripts.com/script/beetlejuice_274>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In