Best Laid Plans Page #6

Synopsis: Bryce (Josh Brolin) is a successful man who returns to his tiny hometown for a visit. While there, he runs into his old friend Nick (Alessandro Nivola). The two decide to go out for the night. When they enter a bar, Bryce encounters Kathy (Reese Witherspoon), a blonde temptress whom he eventually takes home for the night. When he awakens, Kathy informs him that she is underage and threatens to tell the police that Bryce has committed statutory rape. Bryce panics and decides to tie her up and hide her away in the basement. He then makes a call to Nick. Unbeknownst to Bryce, Kathy is actually Nick's girlfriend Lissa. The two had schemed to use Bryce's money to pay off a $15,000 debt they owe small-time hood Jimmy (Terrence Howard).
Genre: Crime, Drama, Thriller
Director(s): Mike Barker
Production: Twentieth Century Fox
  1 win.
 
IMDB:
6.2
Metacritic:
40
Rotten Tomatoes:
43%
R
Year:
1999
92 min
231 Views


Kidnapping.

She's bringing that|against me, too?

Us, Bryce! Us.

Wicked f***ing|b*tch. B*tch!

Here. Come here.

Wait!

You done?

[Flushes Toilet]

Hey...

I screwed it.|I'm sorry.

She's whacked.

I know.

There's no way you could reason|with someone like that.

God, I'd like|to kill the girl.

She showed up at the bar|alone, right?

Yeah, I think.

Didn't seem like|she knew anybody there,

and nobody would remember you|two leaving together, right?

No, the bartender|saw her kiss me.

I mean, why? What|are you suggesting?

Television:
Tropico, the time|has come for you to pitch in.

Bryce.

Hey, are you in this?

It has the production|value of bad porn.

Bryce, you prick.

What?

Why'd you call me?

Why did I call you?

Yeah. Huh?

I called you|because I needed help.

You're a sly one, man.

You're a f***ing|sly one!

I'm not trying|to be sly.

Talk to me.

I needed your advice!

Then stop f***ing|patronizing me!

I know what you're doing!

Tropico Recycling.|Together...

What?

You have been playing me|for the fool all night,

ever since I walked in|that door.

''What are you|suggesting, Nick?''

Oh, you are sweet.

If you want to kill her,|then say so,

but don't|play games with me.

Kill her?

It's why I got the call--

to give you the nerve.|It's out in the open now.

Don't pussyfoot around.

I-- I...|Kill her?

Yes, Bryce.

I couldn't do that.

You couldn't.

Well, we couldn't.

I can't believe that|you're even saying this.

I mean, actually kill her?|Take her life?

No, the other sense|of the word ''kill.''

What are you doing?

I'm looking|for a pillow.

What for?

There.

Have yourself a time.

This is not|why I called you.

Why else? You were|looking for an alternative

to letting her go?

What other alternative|did you think I'd suggest?

Consciously or not,|this is what you want.

This is why|you called me.

Can we really do this?

Come here.

Sit.

Can we do this?|Yes, I think we can.

No one can associate you|with the girl.

There are no witnesses|to your meeting except me,

and I'm your alibi|for the entire evening.

No, no. I mean,|can we really...

I mean,|she's-- she's--

She's a person, I know,|with an actual life,

and we're talking|about ending it.

You're right. That's...|That's pretty horrible.

But remember, we're talking|about 3 lives here--

hers and both of ours.

I just want to do|what's right.

I do, too.

And this is a moral issue,|but it's also a practical one.

The greatest good for|the greatest number of people.

It's a tough one, granted.

We save her, we screw us,|and vice versa,

But think--|Who's worth saving here?

Who's created this problem?

Someone is going to|get hurt, Bryce.

It's just|a question of who.

Anyway.

It's your decision to make.|I'll stand by whatever you say.

OK.

I guess I'll do it.

No, no, no. I'll do it.

You sure?

That's why you called.

What's that?

It's what|it looks like.

She gave you that?

It's weird|because I remember her

being really into it,|screaming like a champ.

I must have been|doing something right.

I need the key|now, Bryce.

What?

Handcuffs.

Oh.

[Exhales]

I'll be back|in a couple minutes.

What now?

You die.

Oh, God.

Huh!

All right.

[Alarm Ringing]

Oh! Sorry.

[Alarm Stops]

You need a hand?

No. I got her.

Sh*t. I forgot|her purse.

Just hang in there|a little longer.

I'll have you out|in two seconds.

I don't know if I want|to go through with this.

It's just a little longer.|Just hang in there, OK?

Nick, please.

Bryce:
|What are you doing?

What do you mean?

No, you're not|coming with me.

Yeah, I am.

No. I don't want you.|I can't use you.

What are you|going to do?

There's an incinerator|at the recycling plant.

I'm going to|put her in it.

Is that safe?

Nobody arrives|at work till 9:00,

now get out.|Come on.

Wait!|What about her car?

All right,|what about it?!

If they report her missing,|the police will track the car.

When they find it, they'll|ask around the Nocturne.

OK, fine.|I'll move it.

You'll need the keys.

You have them?

Look, I can't|stay here alone!

I just can't stay here.

I-- I need to eat|something.

OK.

I'll drop you off|to eat.

Then I'll deal|with the girl...

and then I'll deal|with her car.

OK?

OK.

OK.

[Starts Engine]

Isn't there a minimum|speed limit or something?

Man On Radio:
|# Glow worm, glimmer, glimmer #

# Lead us, lest too far|we wander #

# Love's sweet voice|is callin' yonder #

# Shine, little glow worm|glimmer, glimmer, hey #

#And don't get|dimmer, dimmer #

# Light the path|below, above #

#And lead us on|to love #

Ha ha ha!

What?

This song.

What about it?

It's all about sperm.

No, it's not.

Oh, come on.

'' Light the path that|leads us on to love''?

This little glow worm is like|Rudolph, the Red-Nosed Sperm,

leading|all the other sperm up.

Of course it is.

[Turns Off Radio]

You know, not|everything in the world

revolves around f***ing.

No,just most things.

No, they don't.

They revolve around|money and power

and sometimes spite.

You know what?|That's history's view.

Literature's view is|it's all about f***ing.

[Siren]

Oh, sh*t.

Nick, turn around.

Nick!

Goddamn it, Bryce,|calm the f*** down!

Sh*t, Nick.|Nick, turn around!

Calm down.|Calm down.

Slow down!|Slow down!

All right, we got a car|coming through!

Clear a lane there!|Clear a lane!

[Men Shouting]

Keep moving there.|Keep moving.

Let's get some hands|over here!

Pull around|to the left there.

You guys, over here.

Get that hose|straightened.

Bryce:
Nick? Nick, there's|a car following us.

Nick:
Keep it up,|Bryce.

Drunk and paranoid|looks good on you.

Sh*t! I think|it's a cop, Nick.

They're going to stop us.|What if they stop us?

What if they check|the trunk?

Shut the f*** up!

See?|It's not a cop.

Nick?

Man:
Time's up,|motherf***er!

Aah! Aah!

Get out|of the f***ing car!

Bryce:
Please!|Please! Please!

No! No! No!|No! No! No!

Don't hit--|Don't hit-- Don't hit me!

Don't hit me!|Don't hit me!

[Engine Revving]

You f***!

I'll f***ing kill you,|you son of a b*tch!

Ugh!

Nick!

Nick!

What are we|going to do now?

They just took the car!|They're going to find her!

Lissa, Lissa, Lissa,|Lissa, Lissa, Lissa...

Nick!

Nick, what are we|going to do?

Quiet!

Nick, they're going to--

They're going to|call the police.

Bryce,|they're car thieves.

They're not going to|call the police.

Nick, get up!

Come on.

Nick, get up.

Nick.

Nick, what--

I'll take care of it.

Just go home, OK?|Just go home.

But--

Just--Just...

[Telephone Rings]

[Ring]

Nick, Answering Machine:|This is Nick. Leave a message.

I'm here.|I'm here. I'm here.

[Beep]

Hello?

Man:
We got|something of yours.

Got two things|of yours, actually.

What do you|want me to do?

Stop checking your ass|out in the mirror.

You coming?

Man:
Boy, you got|a funny idea about chivalry.

When me and my lady|go driving,

she always rides|up front with me.

I thought our date|was Sunday.

It was.|I bumped it up.

Thought you might be getting|a little flighty.

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Ted Griffin

Ted Griffin is an American screenwriter whose credits include Ravenous, Matchstick Men, and Ocean's Eleven. Born in Pasadena, California, Griffin graduated from Colgate University in 1993. more…

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Submitted on August 05, 2018

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