Between Two Worlds Page #3
- APPROVED
- Year:
- 1944
- 112 min
- 390 Views
IT'S LUCKY.
O.K.
I'M SUPERSTITIOUS.
LAUGH, JOE, LAUGH.
ALL I KNOW IS:
I'M A GUY
THAT WAS TORPEDOED
THREE TIMES-
THREE TIMES, AND HERE
I AM TO TELL THE TALE.
YES, SIR, THIS HOHOKUS
IS GOING TO TAKE ME
RIGHT BACK TO A CERTAIN
TO A CERTAIN LITTLE WIFE
NAMED CONNIE:
WITH A CERTAIN LITTLE
SOMETHING IN HER ARMS.
WELL, FOR CRYING
OUT LOUD,
TALK. SAY SOMETHING.
YOU CAN TALK,
CAN'T YOU?
WHAT IS IT?
DON'T YOU...
DON'T YOU KNOW?
DON'T I KNOW WHAT?
DON'T YOU
REMEMBER ANYTHING?
WHAT ARE YOU:
TALKING ABOUT?
THE RAID.
YEAH, YEAH,
THE RAID. SO WHAT?
WE GOT HERE ON TIME,
DIDN'T WE?
SPIT IT OUT.
I DON'T KNOW
HOW TO TELL YOU.
EXCUSE ME.
TO DINNER NOW?
HEY, STEWARD?
YES, SIR?
ANSWER ME YES OR NO.
IS EVERYTHING O.K.?
WHAT, SIR?
WHY, CERTAINLY.
WHAT DO YOU MEAN?
NOTHING. NOTHING.
COME HERE. I WANT TO
SEE YOU ABOUT SOMETHING.
THAT COUPLE-
THEY'RE KIND OF NERVOUS.
COZY THEM ALONG.
MAKE THEM FEEL GOOD,
YOU KNOW, CHEERY.
I UNDERSTAND, SIR.
RELY ON ME.
O.K.
SO LONG, KIDS.
RELAX NOW.
JUST RELAX.
JUST LEAVE EVERYTHING
TO HOHOKUS,
AND IT'LL BE ALL RIGHT.
JUST RELAX.
I'M AFRAID YOU'VE
DISTURBED HIM, HENRY.
YOU SEE,
HE DOESN'T KNOW.
THE REST OF THEM,
THEY DON'T KNOW EITHER.
WHO ARE YOU?
THE STEWARD.
HOW DO YOU MEAN:
"STEWARD"?
WHY, I'M HERE TO TAKE
CARE OF THEM AND YOU.
IT'S MY JOB.
WHY DON' THE OTHERS KNOW?
WHY DON'T THEY UNDERSTAND?
WE DID.
WELL, IT WAS DIFFEREN WITH YOU, WASN'T IT?
AFTER ALL,
YOU WERE FULLY AWARE
OF WHA YOU WERE DOING.
YES, IT'S TRUE...
BUT THE SAILOR,
THE OTHERS,
THEY THINK THEY'RE ALIVE
ON AN OCEAN VOYAGE.
WHY DON'T YOU
TELL THEM?
AND SHOCK THEM? THROW THEM INTO PANIC?
NO. THEY HAVE TO FIND OUT FOR THEMSELVES
IN THEIR OWN TIME,
IN THEIR OWN WAY.
THAT'S WHY
WE TAKE PAINS-
THEIR LUGGAGE,
EVERYTHING IN ORDER.
WE TRY TO:
REASSURE THEM,
GIVE THEM NO SIGN.
BUT THAT'S NOT RIGHT,
NOT FAIR.
IT WILL BE KINDER
TO TELL THEM NOW.
I CAN'T.
I MUSTN'T.
THEN I WILL.
YOU WON'T, HENRY.
TO STOP ME?
NONE. NONE AT ALL.
BUT YOU WON'T,
HENRY.
WON'T YOU JOIN
THEM ALL AT DINNER?
NO! NO!
I WISH YOU WOULD,
HENRY.
ARE MANAGED HERE.
YOU MIGH EVEN HELP ME.
HELP YOU?
TO HELP YOU?
I DIDN'T.
I JUST THOUGH YOU MIGHT WANT TO.
TELL ME...
WILL YOU TELL ME
ONE THING NOW?
IF I CAN.
WHERE-WHERE ARE WE
SAILING FOR?
WHERE ARE YOU:
SAILING FOR?
TO HEAVEN:
AND TO HELL.
DOES THA SEEM STRANGE?
YOU'LL SOON UNDERSTAND, MY DEAR.
IN A WAY, THEY ARE REALLY
BOTH THE SAME PLACE.
HEY, WHAT ARE YOU
DOING HERE, HIDING OUT?
JUST SITTING.
WHY DON'T YOU GO
DOWNSTAIRS AND EAT?
WHAT ARE YOU AFRAID OF?
BUT I LIKE IT HERE
AT NIGHT.
EVERYONE LIKES A BI OF NATURE NOW AND THEN.
MESELF, I'VE ALWAYS
LIVED IN THE CITY,
BUT WHA I REALLY WANTED
WAS A COTTAGE BY THE SEA WITH A GARDEN-
A REGULAR GARDEN WITH
GERANIUMS AND ROSES.
YEAH.
TELL ME...
YOU'VE BEEN SITTING HERE
FOR SOME TIME,
HAVEN'T YOU?
I HAVE.
DID YOU SEE ANY OTHER
PASSENGERS AROUND HERE?
NO.
ANY OF THE, UH,
SHIP'S CREW,
OFFICERS, ANYBODY?
MY, YOU'RE VERY INQUISITIVE, AREN'T YOU?
HAVE YOU SEEN THEM?
WHY, NO, BUT WHY
SHOULD THAT DISTURB YOU?
WE SHOULDN'T BE ONES
TO FUSS AND FRE:
OVER LITTLE THINGS,
SHOULD WE?
NOW, I KNOW
THE VERY THING:
THAT WILL SET EVERYTHING
RIGHT FOR YOU AGAIN.
YOU DO? WHAT?
A GOOD HOT MEAL.
ISN' THAT THE TRUTH?
TO A TEE.
TAKE ME DOWN TO DINNER.
NOW, I INSIST.
YOU'RE SENSITIVE,
YOU'RE SHY,
EASILY OFFENDED.
NOW CONFESS.
ISN'T IT SO?
MY GOODNESS, LADY.
YOU KNOW, SOMETIMES I GE TO FEELING SO SENSITIVE,
I COULD BUST OUT CRYING.
ONLY OF COURSE,
FUNDAMENTALLY,
BY DISPOSITION.
ALL RIGHT, LADY,
COME ON.
PLEASE, HENRY,
STAY WITH ME ALONE.
YOU SAID I JUST A WHILE AGO.
A WORLD:
ALL TO OURSELVES.
YOU SAID IT.
YES, I KNOW, BUT WHA CAN THEY DO TO US HERE?
HOW CAN:
THEY HARM US?
THEY CAN STILL:
SEPARATE US.
I LOVE YOU, DARLING.
YOU MUSTN'T BE
AFRAID.
I'M NOT AFRAID...
THAT'S MY GIRL.
MY ANN.
LOVE IN BLOOM.
HOW OLD ARE YOU?
EIGHT? NINE?
GOOD EVENING.
DON'T YOU EAT?
DON'T YOU HAVE TO
BOTHER WITH IT?
IS IT TOO SORDID?
IS IT TRUE WHAT THEY SAY,
HONEY?
IS IT TRUE?
THE WAY IT FEELS,
I MEAN.
IS IT ALL:
IT'S CRACKED UP TO BE?
DOES IT PAY?
I IMAGINE:
I WOULDN'T KNOW.
I...I DON'T-
NEVER MIND.
LET'S LET IT GO.
I'M JUST A SUCKER
FOR THE REAL THING
WHEN I SEE IT.
SHE'S UNHAPPY,
HENRY.
I LIKED HER.
DO YOU THINK SHE WOULD
I DON'T THINK SO.
DO YOU THINK:
THE OTHERS WOULD?
I DON'T KNOW.
OH, ANN, COME
TO DINNER WITH ME.
YOU'LL SEE THERE'S
NOTHING TO BE AFRAID OF.
A TOAST. A TOAST.
THIS FEELS LIKE:
A REGULAR OCCASION,
A BENEFIT.
I WISH I HAD BROUGH MY TUXEDO WITH ME.
I GOT ONE.
SOME CLASS.
JUST TO OURSELVES.
A TOAST.
EVERYBODY LIFT UP
THEIR GLASSES.
EVERYBODY.
EVERYBODY! COME ON.
CAN'T YOU?
O.K.
BUNCH OF SOURPUSSES.
THE MINUTE:
SOMEBODY GIVES ME
A DIRTY LOOK. O.K.
DIDN'T GO SO WELL,
DID IT?
BENJAMIN?
EXCUSE ME.
YES, MY DEAR?
I WAS SAYING WE JUST MISSED MR. LINGLEY
THORNTON'S, DIDN'T WE?
OH, DEAR. MR. LINGLEY,
YOU MUST FORGIVE ME.
I COULDN'T HELP
OVERHEARING:
YOU'RE ON YOUR WAY
TO WASHINGTON.
SO ARE WE.
HOMES FOR BRITISH CHILDREN
OVERSEAS, YOU KNOW.
GREAT WORK. VITAL CAUSE.
MY HUSBAND IS CHAIRMAN
OF THE BOARD.
DEPENDING ON US SO.
SPEAK UP.
SAY SOMETHING.
HMM?
ENTER INTO:
THE CONVERSATION.
DON'T BE AFRAID.
DON'T WORRY
ABOUT ME, LADY.
GERANIUMS AND ROSES.
WHO'S
YOUR FRIEND?
PICKUP.
WHAT'S
SHE AFTER?
TAKES A FRIENDLY
INTEREST.
THINKS I'M SHY.
YOU CERTAINLY GO A LOVELY MOPE ON.
YOU LOOK KIND OF DREAMY
YOURSELF TONIGHT.
MY STYLE.
HEY, THAT DRESS.
MAXI, WHAT GOES ON
BEHIND THOSE:
GLITTERING EYES?
GO AWAY FROM ME,
DARLING.
TALK. TALK TO
YOUR FRIEND.
LEAVE ME ALONE.
BABY, WHAT KIND
OF MONKEY BUS-
WHO ARE THEY?
LOVE IN BLOOM.
I'VE SEEN THEM BEFORE,
BOTH OF THEM.
YEAH.
SURE.
THE STEAMSHIP OFFICE.
I'M GLAD YOU CAME,
HENRY.
I HAVE A TABLE:
FOR YOU HERE.
GO ON. READ IT.
READ IT.
"HEAR YE, HEAR YE.
TAKES GREAT JOY AND PRIDE
"IN ANNOUNCING
THAT THE MERGER:
"OF CONNIE MULLER
AND PETE MUSICK:
"HAS DECLARED
ITS FIRST DIVIDEND.
BETTY JO ANN.
WEIGHT 7 POUNDS, 3 OUNCES."
CUTE, HUH?
IT'S MY IDEA.
I TALK TOO MUCH,
DON'T I?
WHY DOES EVERYBODY HAVE TO KNOW
INTIMATE:
PERSONAL DETAILS.
LISTEN,
MY WIFE JUST BIRTHED.
I GOT A KID,
I CAN'T SIT. I CAN'T EAT.
I CAN'T DRINK.
I PESTER THEM.
I MAKE THEM GIVE ME
SPECIAL TRANSPORTATION PAPERS.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Between Two Worlds" Scripts.com. STANDS4 LLC, 2025. Web. 30 Jan. 2025. <https://www.scripts.com/script/between_two_worlds_3970>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In