Black Moon Rising

Synopsis: A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this thief is discovered in his attempt, he hides the tape inside a prototype car, but unfortunately there is someone else interested in this vehicle.
Genre: Action, Thriller
Director(s): Harley Cokeliss
Production: Starmaker Entertainment
  1 nomination.
 
IMDB:
5.4
Rotten Tomatoes:
30%
R
Year:
1986
100 min
251 Views


COFFEE ?

ALL RIGHT, FREEZE !

ONE MOVE AND YOU'RE BOTH

DEAD MEN.

YOU HEAR ME, A**HOLE ?

THIS SOMETHING NEW FOR YOU ?

SHUT UP !

SHUT YOUR GODDAMN MOUTH !

HEY, FINE. NO PROBLEM.

THERE'S THE CASH REGISTER,

AND RIGHT UP THERE'S

THE TELEVISION CAMERA.

AND THERE'S A NICE FULL-FACE

SHOT. HOW ABOUT A PROFILE ?

- LOOK, THERE'S A COUPLE

OF WAYS WE CAN DO THIS.

- I TOLD YOU TO SHUT UP !

FINE. I'M JUST SAYING YOU GOTTA

THINK THESE THINGS THROUGH.

YOU DON'T JUST COME

WALKIN' INTO SOMEPLACE,

WAVIN' A GUN AROUND AND EXPEC THE WORLD TO PUT UP WITH THAT.

-IT'S NOT ACCEPTABLE BEHAVIOR.

-YEAH ? ARE YOU GONNA STOP ME ?

HELL, NO.

GO RIGHT AHEAD.

YOU PROBABLY GO A MINUTE OR TWO.

[ Siren Wailing ]

MAYBE YOU DON'T.

JUST TRYING TO HELP YOU, SON.

[ Siren Continues ]

[ Sighs ]

THAT BOY'S GO A BAD ATTITUDE.

[ Engine Stops ]

[ Door Buzzes ]

[ Whispering ]

DAMN IT !

[ Door Buzzes ]

[ Alarm Blaring ]

[ Alarm Continues ]

HOLD IT RIGHT THERE !

HEY, QUINT.

KNOW THAT GUY ?

[ Rumbling ]

[ Man On Radio ]

CHECK YOUR READINGS.

[ Driver ]

ROGER.

STANDING BY.

SECONDARY BOOST. CHECK.

PRESSURE STEADY.

ACTIVATING STABILIZERS.

APPROACHING RED LEVELS.

- [ Driver ]

STAGE TWO CONFIRMED.

- LOOKING GOOD.

[ Computer Beeping ]

HERE GOES !

YEEHAHA !

THAT'S IT ! THAT'S IT.

[ Shouting, Hooting ]

[ Radio News Announcer ]

THE LUCKY DOLLAR CORPORATION.

SECURITY GUARDS SHOT IT OU WITH A BURGLAR WHO ESCAPED,

APPARENTLY EMPTY-HANDED.

THE LUCKY DOLLAR CORPORATION

IS CURRENTLY THE OBJEC OF A FEDERAL GRAND JURY PROBE,

LOOKING INTO POSSIBLE

RACKETEERING AND TAX--

[ Bells Ding ]

OH. AH.

MORNIN'.

MORNING.

SAY, YOU HEADED TO L.A. ?

THAT'S RIGHT.

COULD YOU GIVE ME A LIFT ?

I DON'T THINK SO.

[ Man ] HEY,

COULD YOU HELP ME HERE ?

[ Man ] WHAT DO YOU WANT ?

DO YOU KNOW WHICH FREEWAY

I WOULD TAKE--

WHERE ARE YOU GOING ?

I'M LOOKING FOR THIS PLACE

IN LOS ANGELES, IN HOLLYWOOD,

YOU KNOW ?

WELL, HOLLYWOOD'S THAT WAY.

I KNOW WHAT DIRECTION IT'S IN.

THAT'S NOT WHAT I'M ASKING.

WHAT DO YOU NEED ?

LOOKING FOR THIS PLACE

IN HOLLYWOOD CALLED THE BETSY.

IT'S A REAL FAMOUS SPOT.

SHOWIN' OFF

OUR CAR THERE TONIGHT.

GONNA BLOW THEIR GODDAMN MINDS.

WELL, IT'S RIGHT THERE,

JUST OFF THE FREEWAY,

STRAIGHT UP.

YOU BEEN THERE ?

NO, TOO RICH FOR MY BLOOD.

THANKS A LOT.

HEY, CAN I HELP YOU ?

JUST LOOKIN'.

IT'S A HELL OF A CAR.

GLAD YOU LIKE IT.

TYKE, CHECK THE BACK.

[ Engine Starts ]

LET'S GO.

[ Engine Starts ]

[ Car Approaches ]

[ Bell Dings ]

GOOD MORNING.

MORNING.

YOU HEADED FOR L.A. ?

I COULD BE.

[ Cars Approaching ]

- HOW ARE YOU DOING, QUINT ?

- A LITTLE CAR TROUBLE.

- YEAH, I SEE.

- I DON'T HAVE WHA YOU'RE LOOKING FOR, MARVIN.

WHY DO I THINK YOU DO ?

YOU HAVE BAD INFORMATION.

YOU ALWAYS DO.

MR. QUINT AND I GO BACK A-WAYS.

WE USED TO BE...

WHAT, IN COMPETITION ?

I NEVER CONSIDERED YOU

COMPETITION, MARVIN.

OH, THAT'S NOT NICE, QUINT.

WE HAD OUR MOMENTS.

YOU MUST'VE HAD YOURS

IN PRIVATE. NOW HANG ON.

COUPLE OF WAYS:

WE CAN DO THIS NOW, BOYS.

[ Truck Approaching ]

[ Jukebox:
Rock ]

[ Pool Balls Cracking ]

I'M GETTIN' TOO OLD

FOR THIS.

PUT IT AWAY AND GET OUT.

THINGS HAVE CHANGED.

I NEED MONEY AND A PASSPOR RIGHT AWAY.

WHERE'S THE CASSETTE ?

ON DEPOSIT.

I'LL HAVE IT FOR YOU.

YOU WOULDN'T BE THINKING

ABOUT GOING BACK INTO BUSINESS

FOR YOURSELF, WOULD YOU, QUINT ?

ONLY IF I HAVE TO.

LIEUTENANT JONES IN COUR FRIDAY MORNING, 9:00.

THOSE TAX RECORDS

ARE EXHIBIT A.

HE WANTS THEM THERE.

YOU REMEMBER MARVIN RINGER ?

WE ALMOST HIRED HIM.

THEY TOLD US YOU WERE BETTER.

HE WAS THERE LAST NIGHT, AND

I THINK HE TOOK IT PERSONALLY.

HOW DID HE SPOT YOU ?

THAT'S NOT THE POINT.

- YOU'RE LOSING YOUR TOUCH.

- THE POINT IS,

YOU WERE SUPPOSED TO HAVE

CHECKED THEIR PERSONNEL LIST.

MARVIN RINGER:

IS A REAL PROBLEM FOR ME.

WE HAVE MUTUAL ACQUAINTANCES.

- IF YOU F***ED UP,

DON'T TRY TO PUT IT ON US.

- I GOT YOUR CASSETTE, OKAY ?

- SO WHAT ARE WE TALKING ABOUT ?

- WE'RE TALKING ABOUT MONEY.

MY PRICE HAS DOUBLED.

YOU ARE A THIEF.

CALL IT HAZARD PAY.

I WANT THE MONEY, THE I.D.

AND THE PASSPORT...

TONIGHT AT 8:
30 IN A HIGH-DOLLAR

JOINT CALLED THE BETSY.

[ Man ]

AS YOU CAN SEE, DOCTOR,

IT'S QUITE A REVOLUTIONARY

DESIGN, ISN'T IT ?

EARL HERE USED TO BE

NUMBER THREE MAN AT NASA.

THERE WERE A COUPLE OF KRAUTS--

HOLD IT, BILLY.

THAT'S ENOUGH.

NOW, AFTER THE MARS PROJEC WAS CANCELLED, DOCTOR,

THEN I STARTED WORK ON MY OWN.

I'VE ALWAYS HAD AN INTERES IN ALTERNATIVE FUELS.

IT INVOLVES:

A HYDROGEN COMPOUND ?

OH, NOT A COMPOUND, DOCTOR.

HYDROGEN SPLIT OFF FROM WATER.

BUT ORDINARY TAP WATER.

THE CONVERTER'S RIGHT HERE

IN THE ENGINE.

IT'S LIKE SCIENCE FICTION, NO ?

A JET CAR.

UH--

[ Clears Throat ]

EVEN THE BODY'S UNIQUE.

IT'S MADE UP OF KEVLAR--

THE SAME MATERIAL THEY USE

FOR BULLETPROOF VESTS.

WHEN WE GO IN THERE, I WANT YOU

TO KEEP AN EYE ON THIS BABY, AND

I MEAN BOTH EYES, YOU GOT IT ?

ANYBODY COMES WITHIN

BREATHING DISTANCE, I WANT YOU

TO COME AND TELL ME ABOUT IT.

OKAY ? GOOD MAN.

SHE'S A BEAUTY,

ISN'T SHE ?

OH, FABULOUS.

SHE YOURS ?

I DRIVE HER.

REALLY ?

OH, YEAH.

I'M A PROFESSIONAL, YOU SEE.

AND I CAN TELL YOU,

AND I'M NOT JUST SAYING THIS,

THAT THIS HERE CAR IS THE SINGLE

MOST SENSATIONAL THING ON WHEELS

SINCE THE TURBO.

WOW. COULD I SEE HER ?

OH, YEAH.

[ Engine Stops ]

EXCUSE ME. SORRY.

[ Gasps ]

I'M SORRY.

[ Man ]

THIS IS NINA.

I WANT AN ORDER TO GO.

YOU'RE ONLY ON STAKEOUT.

NO, IT'S TOO RIPE.

STAND BY.

EXCUSE ME.

CAN I HELP YOU ?

HELL OF A CAR.

[ Chuckles ]

YES, SIR. HELL OF A CAR.

BETTER KEEP AN EYE ON IT.

YOU HAVE APPROVAL.

TWENTY MINUTES.

THANK YOU.

NOW LET US BE FRANK,

DR. MELATA.

I APPRECIATE THE INTERES THAT YOUR COMPANY HAS SHOWN

IN THE BLACK MOON.

BUT BEING AN AMERICAN,

I WOULD LIKE TO GIVE AN AMERICAN

MANUFACTURER THE CHANCE.

BUT I UNDERSTAND YOU HAVE

NOT SO MUCH ENCOURAGEMEN FROM YOUR AMERICAN COMPANIES.

I WOULDN'T SAY THAT--

NO, NO. AS YOU SAY,

LET'S BE FRANK.

YOUR BLACK MOON:

IS A FASCINATING PROTOTYPE,

BUT IT IS STILL A PROTOTYPE.

MUCH MORE TESTING IS NECESSARY.

MY ENGINEERS WILL BE HERE

ON FRIDAY, IN THREE DAYS.

THEY... HAVE SEEN THE REPORTS,

AND HERE THEY WILL LOOK

AND DECIDE.

IF THEY SAY YES,

I WILL MAKE MY OFFER--

A SUBSTANTIAL OFFER.

THE REST IS UP TO YOU.

I UNDERSTAND.

SCUSI.

[ Whispering, Indistinct ]

I APOLOGIZE.

IT SEEMS I MUST GO.

YOU'LL ARRANGE FOR FRIDAY ?

OF COURSE, DOCTOR.

BUONO.

PLEASE, ENJOY.

BUONANOTTE.

[ Glass Dings ]

ALLOW ME TO PROPOSE A TOAST...

TO THE BEST DESIGNER

AND MECHANIC IN THE WHOLE

DAMN WORLD.

SO WHAT DO YOU LIKE ?

TELL ME.

DRAFT.

- I THINK YOU LIKE ACTION.

- REALLY ?

IT'S RIGHT THERE.

RIGHT THERE IN YOUR EYE.

IS IT ?

I BET WHEN YOU WALKED IN HERE,

YOU THOUGHT,

"I WOULDN'T MIND MEETING SOMEONE

NEW AND INTERESTING TONIGHT."

I NEVER MIND MEETING

SOMEONE NEW AND INTERESTING.

DO YOU LIVE AROUND HERE ?

WHY ?

WHAT WOULD YOU SAY IF I TOLD YOU

I'D LIKE TO TAKE YOU HOME...

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John Carpenter

John Howard Carpenter (born January 16, 1948) is an American filmmaker, screenwriter, musician, and composer. Although Carpenter has worked with various film genres, he is associated most commonly with horror, action and science fiction films of the 1970s and 1980s.Most films of Carpenter's career were initially commercial and critical failures, with the notable exceptions of Halloween (1978), The Fog (1980), Escape from New York (1981), and Starman (1984). However, many of Carpenter's films from the 1970s and the 1980s have come to be considered as cult classics, and he has been acknowledged as an influential filmmaker. The cult classics that Carpenter has directed include Dark Star (1974), Assault on Precinct 13 (1976), The Thing (1982), Christine (1983), Big Trouble in Little China (1986), Prince of Darkness (1987), They Live (1988), and In the Mouth of Madness (1995). He returned to the Halloween franchise as both composer and executive producer for the horror sequel Halloween (2018). Carpenter is also notable for having composed or co-composed most of his films' music; some of them are now well-known, with the main theme of Halloween being considered a part of popular culture. He won a Saturn Award for Best Music for the film Vampires (1998). Carpenter has released three studio albums, titled Lost Themes (2015), Lost Themes II (2016), and Anthology: Movie Themes 1974–1998 (2017). more…

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Submitted on August 05, 2018

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    "Black Moon Rising" Scripts.com. STANDS4 LLC, 2024. Web. 18 Nov. 2024. <https://www.scripts.com/script/black_moon_rising_4188>.

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