Black Moon Rising Page #2

Synopsis: A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this thief is discovered in his attempt, he hides the tape inside a prototype car, but unfortunately there is someone else interested in this vehicle.
Genre: Action, Thriller
Director(s): Harley Cokeliss
Production: Starmaker Entertainment
  1 nomination.
 
IMDB:
5.4
Rotten Tomatoes:
30%
R
Year:
1986
100 min
235 Views


AND F*** YOUR BRAINS OUT ?

I'D SAY YOU'RE IN FOR A LONG

AND LONELY NIGHT.

WELL, YOU CAN'T BLAME ME

FOR TRYING, HUH ?

I NEVER BLAME ANYONE

FOR TRYING.

GIRLS ARE SO NEUROTIC.

THEY DON'T EVEN KNOW

WHAT THEY WANT ANYMORE.

HELLO.

I'LL JUST BE A MINUTE.

[ Grunts ]

I THINK YOU LIKE ACTION.

IT'S RIGHT THERE,

RIGHT IN YOUR EYES.

HELLO. I WILL TAKE THE KEYS

TO THE ROLLS-ROYCE,

THE EXCALIBUR--

I BET WHEN YOU WALKED IN HERE

YOU THOUGHT,

"I WOULDN'T MIND MEETING SOMEONE

NEW AND INTERESTING TONIGHT."

THE ASTON MARTIN

AND THE TWO MERCEDES.

WHAT WOULD YOU SAY IF I SAID

I'D LIKE TO TAKE YOU HOME--

[ Car Engine Starting ]

WHAT IS GOING ON HERE ?

OH, MY GOD,

THEY'RE STEALING THE--

THEY'RE STEALING THE CARS !

[ Chattering, Shouting ]

[ Tires Screeching ]

STOP THEM !

THE PHONE IS DEAD.

[ Screeching Continues ]

WELL, I GUESS THAT'S IT.

THANK YOU FOR YOUR HELP.

PUT HIM SOMEWHERE SAFE.

[ Computers Starting Up ]

TURBO PRESSURE.

IGNITION.

[ Police Dispatcher,

Indistinct ]

[ Horns Honking ]

[ Horn Honking ]

[ Honking Continues ]

[ Engine Dying ]

[ Black Moon Engine

Whirring ]

[ Engine Starting ]

[ Engine Stops ]

[ Car Door Opens, Closes ]

I'M SORRY, MA'AM.

WOULD YOU MOVE BACK, PLEASE ?

[ Police Dispatcher,

Indistinct ]

[ Chattering ]

OH !

LOOK, IT'S

AN EXPERIMENTAL CAR, OFFICER.

IT'S CALLED THE BLACK MOON.

YEAH, WE LOSE 3,000 CARS A DAY.

THERE'S ONLY ONE OF THESE.

THAT'S 125 EVERY HOUR.

OFFICER, WE'VE GOT EVERYTHING

THAT WE OWN TIED UP IN THIS CAR.

NOW, GIVE US A BREAK.

LOOK, I'M SORRY, MISTER, BU WE'RE DOING EVERYTHING WE CAN.

YOU'RE A LITTLE LATE.

I WAS HERE. I LEFT.

- WHERE'S THE CASSETTE ?

- SOMEBODY STOLE IT.

SOMEBODY STOLE IT ?

MM-HMM.

I'LL GET IT BACK FOR YOU,

THOUGH. I NEED SOME HELP.

- THAT'S NOT THE WAY IT HAPPENS.

- IT IS NOW.

YOU MOTHERF***ER.

LET ME TELL YOU SOMETHING.

YOU GOT NO HELP, NO NOTHIN'.

WHAT YOU GOT IS EXACTLY 72 HOURS

TO LAY THAT CASSETTE IN MY HAND.

IF YOU DON'T,

I'M GONNA TAKE ALL THE HEA THAT COMES DOWN ON MY HEAD,

AND I'M GONNA TRANSFER I TO YOUR BODY.

YOU UNDERSTAND:

WHAT I'M SAYING ?

THREE DAYS.

FRIDAY MORNING.

BE IN TOUCH.

HEY, WHAT ABOUT MY MONEY ?

[ Grunts ]

DON'T F*** WITH THE GOVERNMENT.

HOW WOULD YOU GENTLEMEN

LIKE TO GET YOUR CAR BACK ?

NOW IF WHAT YOU SAY IS TRUE,

WE HAVE TO CONTACT THE POLICE.

WHAT ARE THEY GONNA DO ?

LOOK, MISTER, I DON'T HAVE

ANY IDEA WHAT YOUR PROBLEMS

MAY BE, BUT--

THERE'S NOTHING THEY CAN DO.

THERE'S NO PROOF.

IT'S JUST MY WORD.

LOOK AT THOSE TOWERS.

THIS IS A HUGE OPERATION,

GENTLEMEN.

THEY MUST HAVE GOTTEN TEN CARS

LAST NIGHT, AND THAT'S PROBABLY

JUST AN AVERAGE HAUL.

FROM THE LOOKS OF THAT GARAGE,

THIS WHOLE PLACE IS A FORTRESS.

WHICH YOU CAN CRACK.

HELL, YES.

GOOD LUCK.

YOU'LL NEVER SEE THAT CAR

AGAIN, BOYS.

DAMN IT, EARL. WHAT ARE

WE GONNA TELL THE POLICE ?

WE DIDN'T SEE ANYTHING. HE DID.

EARL, WHAT IF HE'S RIGHT ?

KNOCK, KNOCK.

[ Hammers Banging,

Machines Whirring ]

RYLAND WANTS YOU.

THE CAR'S OKAY ?

YEAH.

I HAD TO TEAR OUT ONE IGNITION.

[ Sighs ]

IS HE UPSTAIRS ?

YEAH.

RYLAND'S LOOKING FOR YOU.

I KNOW, I KNOW.

PUT IT WITH THE OTHERS.

THIS WILL BE MY SHOWCASE.

LOUNGE OVER THERE.

OFFICES,

COMMUNICATION CENTERS,

COMPLETE BUSINESS FACILITIES.

WHEN THE SECOND TOWER IS OPEN,

THE WHOLE COMPLEX

WILL BE UNIQUE.

NOTHING LIKE IT ANYWHERE.

MOST IMPRESSIVE.

THANK YOU.

SO WHAT'S THE PROBLEM ?

THE PROBLEM IS:

YOU'RE NOT DELIVERING

WHAT YOU PROMISED TO ME.

MY CLIENTS ARE MOST PARTICULAR.

THEY'RE USED TO THE BEST.

WELL, THAT'S

WHAT THEY'RE GETTING.

AH, MOST OF THE CARS

ARE DAMAGED. MY INSPECTORS

HAVE UNCOVERED MANY FLAWS.

MY PEOPLE INSPECT THEM TOO.

I'M TELLING YOU

WHAT IS THE CASE.

ARE YOU ?

ARE YOU SAYING:

I WOULD LIE TO YOU ?

I WAS TALKING:

WITH MOLINA.

OH, NO, NO, NO.

MOLINA. NO.

[ Speaks Spanish ]

MOLINA IS A BIG CHICO !

THE MAN DOESN'T HAVE

A SHRED OF HONOR.

ESE HOMBRE, HUH,

WHAT DOES HE KNOW ?

HE THINKS YOU MIGHT HAVE

DIFFICULTIES IN OTHER AREAS.

MY BUSINESS IS OF NO CONCERN

TO YOU.

WE HAVE AGREEMENTS

I EXPECT YOU TO LIVE UP TO.

DON'T COME HERE

WITH SPURIOUS EXCUSES

ABOUT DAMAGED CARS.

[ Chuckles ]

YOU AND MOLINA.

[ Spanish ]

YOU DESERVE EACH OTHER.

YOU OWE ME $420,000.

YOU GIVE ME CARS I CANNOT SELL,

I HAVE NO RESPONSIBILITY.

I'M GOING TO COLLECT IT.

ONE WAY OR ANOTHER.

THAT'S A THREAT TO ME ?

DON'T THREATEN ME.

I DON'T FEAR YOU.

YOU HAVE MANY BIG DREAMS, BU IN HEART, YOU'RE A LITTLE MAN.

[ Spanish ]

HE'S CRAZY. LOCO !

WHY DO YOU WORK:

FOR SUCH A MAN, HUH ?

[ Spanish ]

MR. MOLINA CALLED.

NOT NOW.

[ Spanish ]

[ Spanish Continues ]

[ Elevator Stops ]

WHAT IS THAT ?

HE'S WATCHING.

[ Grunts ]

[ Men Shouting ]

THIS IS FOR THE ELECTRIC,

AND THIS IS FOR THE PIPES.

YES, YES, YES. OKAY.

AND I WANT YOU TO SIGN

FOR THE FORMS THERE.

HEY, QUINT.

- IRON JOHN.

- WE'RE A LITTLE BUSY RIGHT NOW.

WILL YOU GE THE HELL OUT OF H--

[ Gasping ]

[ Gasping ]

THIS IS THE ONLY WAY THEY'LL

LET ME GET THE JOB FINISHED.

HOW LONG:

HAVE YOU BEEN BACK ?

NOT LONG.

- I DON'T FREELANCE ANYMORE.

- OH, I KNOW. I HEARD ABOUT IT.

[ Laughs ]

YOU JOINED THE FEDS.

THEY OFFER A REAL GOOD

PENSION PLAN, JOHN.

[ Laughing ]

THAT'S, UH, RYLAND TOWERS.

- I BUILT PART OF THE FIRST ONE.

- I KNOW. I GOT THIS

FROM THE HALL OF RECORDS.

THE COMPLEX WAS BUILT OVER

A BRANCH OF THE SEWER SYSTEM

THAT WAS SEALED OFF AS UNSAFE.

THEY GOT PERMITS FOR EVERYTHING.

THAT ED RYLAND--

HE'S GOT CONNECTIONS.

WELL, HE USED A LOT MORE

FOUNDATION MATERIAL

THAN HE NEEDED.

HE GOT, UH, TOO MUCH ELECTRICAL

EQUIPMENT BY 50%.

AND HIS FIRST SUBMITTED PLAN

CALLS FOR THREE ELEVATORS, PLUS

AN EXPRESS UP TO THE PENTHOUSE.

OVER HERE HE'S GO AN EXTRA FREIGHT ELEVATOR

WITH EXTENDED CAPACITY.

LIKE I SAID,

I BUILT PART OF THE FIRST ONE.

WHAT ARE YOU LOOKING FOR ?

THE REAL BLUEPRINTS

AND FLOOR PLANS.

ESPECIALLY FOR THE LOWER LEVELS

AND THE PARKING GARAGE.

PLUS ANYTHING ON THE ALARMS.

I HAD A FEW LITTLE PROBLEMS

LAST TIME OUT.

YEAH, THEY GO SOMETHING NEW EVERY WEEK.

FRENCH. EMILE FRENCH.

HE WAS A CONSULTAN WITH SECURITY.

[ Whispers ]

EMILE FRENCH.

- SOUNDS LIKE YOU'RE GOING IN.

- I GOT THREE DAYS.

YOU GOT ALL THE TIME

IN THE WORLD.

[ Laughing ]

[ Gasps ]

I'VE NEVER SEEN

ANYTHING LIKE IT.

THIS IS:

THE CATALYTIC CONVERTER--

BREAKS DOWN THE WATER.

RUNS ON HYDROGEN ?

RUNS ON SOMETHING.

IT'S SO LIGHT.

YEAH. IT MUST BE

A COMPOSITE OF SOME KIND.

INTERESTING MACHINE.

WHAT IS IT ?

IT'S AN INTERESTING MACHINE.

WHAT AM I SUPPOSED

TO DO WITH IT ?

NOTHING.

IT'S MINE.

I SEE.

YOU'RE MAKING

THESE DECISIONS NOW ?

JUST THIS ONCE.

GOOD. FOR A MOMENT,

I THOUGHT YOU WERE AFTER MY JOB.

I UNDERSTAND:

THERE WAS A PROBLEM LAST NIGHT.

WHAT DO YOU MEAN ?

A GUY TRIED TO FOLLOW ME.

I LOST HIM.

DID YOU ?

YES.

THERE WAS A MAN IN THE OUTER

GARAGE RIGHT AFTER YOU GOT IN.

COINCIDENCE ?

I LOST HIM.

SO IT WAS A COINCIDENCE.

A CAR LIKE THIS ATTRACTS

A LOT OF ATTENTION.

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John Carpenter

John Howard Carpenter (born January 16, 1948) is an American filmmaker, screenwriter, musician, and composer. Although Carpenter has worked with various film genres, he is associated most commonly with horror, action and science fiction films of the 1970s and 1980s.Most films of Carpenter's career were initially commercial and critical failures, with the notable exceptions of Halloween (1978), The Fog (1980), Escape from New York (1981), and Starman (1984). However, many of Carpenter's films from the 1970s and the 1980s have come to be considered as cult classics, and he has been acknowledged as an influential filmmaker. The cult classics that Carpenter has directed include Dark Star (1974), Assault on Precinct 13 (1976), The Thing (1982), Christine (1983), Big Trouble in Little China (1986), Prince of Darkness (1987), They Live (1988), and In the Mouth of Madness (1995). He returned to the Halloween franchise as both composer and executive producer for the horror sequel Halloween (2018). Carpenter is also notable for having composed or co-composed most of his films' music; some of them are now well-known, with the main theme of Halloween being considered a part of popular culture. He won a Saturn Award for Best Music for the film Vampires (1998). Carpenter has released three studio albums, titled Lost Themes (2015), Lost Themes II (2016), and Anthology: Movie Themes 1974–1998 (2017). more…

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Submitted on August 05, 2018

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