Black Moon Rising Page #3

Synopsis: A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this thief is discovered in his attempt, he hides the tape inside a prototype car, but unfortunately there is someone else interested in this vehicle.
Genre: Action, Thriller
Director(s): Harley Cokeliss
Production: Starmaker Entertainment
  1 nomination.
 
IMDB:
5.4
Rotten Tomatoes:
30%
R
Year:
1986
100 min
259 Views


DID YOU THINK ABOUT THAT ?

I BROUGHT IN HALF

YOUR GODDAMN ORDER.

THIS IS A BUSINESS, NINA.

WE DON'T TAKE TROPHIES.

FINE.

DO WHATEVER YOU WANT WITH IT.

I HAVE YOUR PERMISSION,

DO I ?

QUITE A CAR.

WHY IS THAT CAR:

IN THERE ?

I ASKED YOU A QUESTION.

ASK MR. RYLAND.

- OPEN THE DOOR, RICHARD.

- ONE MOMENT.

[ Intercom Beeps ]

WHAT ?

[ Richard ]

NINA WANTS TO LEAVE.

WHERE ARE YOU GOING ?

JESUS CHRIST. OUT.

- I WANNA SEE YOU.

- LATER.

- NOW.

- NO.

NINA ! NINA ! NINA !

NINA, WHERE THE HELL

ARE YOU GOING ?

NINA, ARE YOU OUT OF YOUR MIND ?

[ Tires Screech ]

I'M NOT GOING TO OPEN

THE DOOR.

[ Tires Screeching ]

NINA, STOP !

STOP RIGHT NOW !

[ Ryland Shouting,

Indistinct ]

I WON'T OPEN IT !

NINA !

[ Tires Screeching ]

[ Car Door Closes ]

ALONE IN A CROWD

SEARCHING EVERY FACE

FOR CLUES:

WANNA SCREAM YOUR NAME

OUT LOUD:

OH, YOUR LOVE IS SO MUCH

LIKE YOU:

SHOOTING BB's EVERYWHERE

HE DOESN'T KNOW

YOU'VE GOT AN OPEN WOUND

IN YOUR BIG HAND

AND NOW I'M READY

TO GO, GO, GO

I WANNA DANCE TONIGHT

DON'T WANNA TALK TOO MUCH

I WANNA LOVE TONIGHT

THIS FEELING DEEP IN ME

THAT KEEPS ME:

- SLEEPING WITH THE ENEMY

- HI.

SLEEPING WITH THE ENEMY

[ Engine Starts ]

WHERE YOU GOING ?

DOWNTOWN.

FINE.

NICE CAR.

THANK YOU.

MY DAD HAD A STUDEBAKER.

HE LOVED IT.

HOW ABOUT THAT ?

- YOU LIKE CARS, DON'T YOU ?

- NICE ONES.

SOME FRIENDS OF MINE

HAD A NICE CAR.

REALLY VERY SPECIAL.

GOT STOLEN.

AW, THAT'S TOO BAD.

THEY'RE HOPING TO GET IT BACK.

WHAT WILL THEY DO--

YOUR FRIENDS ?

I DON'T KNOW.

THEY'RE TRYING TO DECIDE.

THERE'S NOT MUCH TIME.

HMM, I KNOW HOW THAT IS.

ANY IDEAS ?

ME ? WHY ?

JUST MAKING CONVERSATION.

MUST BE A WAY.

MUST BE A COUPLE OF WAYS.

WHAT DO YOU WANT ME TO SAY ?

[ Ryland ]

WHATEVER YOU LIKE.

TELL ME ABOUT YOURSELF.

WHAT'S THIS FOR ?

FOR ME.

WHERE'S YOUR FAMILY ?

I DON'T KNOW.

WHERE'S YOURS ?

YOU'RE NOT IN CONTAC WITH THEM ?

[ Sighs ]

YEAH, RIGHT.

SO YOU'RE ALONE HERE.

WHEN I WANNA BE.

TRY TO RELAX.

WE'RE JUST TALKING.

I KNOW.

WHERE DID YOU LEARN

TO HANDLE A CAR ?

BOYFRIEND.

[ Sighs ]

OTHER THAN THAT,

HE WAS A JERK.

YOU'RE VERY GOOD.

YEAH, I GOT A GREAT FUTURE.

YOU SAY THA LIKE YOU DON'T BELIEVE IT.

YEAH, I DO.

I'M SPECIAL,

AND YOU NOTICED.

AS A MATTER OF FACT,

I DID.

EVERYONE DOES.

JUST HOW MANY NAMES

HAVE YOU GOT ?

HOW MANY WIGS HAVE YOU GOT ?

- TEA ?

- YEAH.

WHAT EXACTLY DO YOU

EXPECT ME TO DO FOR YOU ?

NOTHING.

NOT A THING.

DON'T LIE... PLEASE.

WHY DON'T YOU TELL ME

ABOUT YOUR FRIENDS ?

[ Sighs ]

I DON'T REALLY HAVE ANY FRIENDS.

DO YOU ?

WHAT ABOUT THOSE PEOPLE

YOU WORK FOR ?

WHO DO YOU MEAN ?

COME ON. WE OUGHTA

TRY TO TRUST EACH OTHER.

WE HAVE A LO IN COMMON, YOU KNOW.

WHAT ?

WE'RE BOTH THIEVES.

AND WHAT DO YOU STEAL ?

THIS AND THAT.

ACTUALLY, AS SOON AS MY CURREN OBLIGATIONS ARE TAKEN CARE OF,

I'M RETIRING.

AND WHAT DO RETIRED

THIEVES DO ?

THEY GET AWAY.

WHERE TO ?

I DON'T KNOW.

HOW ABOUT RIO ?

WHY HAVE YOU:

BEEN FOLLOWING ME ?

I NEED THAT FUNNY-LOOKING CAR.

WHAT MAKES YOU THINK

I'D HELP YOU ?

YOU HAVE AN HONEST FACE.

FORGET IT.

I WON'T LET YOU USE ME.

FIRST THE GUY LAST NIGHT,

NOW THIS.

DEAL WITH 'EM.

WHAT ARE WE DOING HERE ?

WHY DON'T WE JUST TALK

TO THAT FELLOW ?

HE WAS RIGHT ABOU THE COPS, WASN'T HE ?

[ Earl On Monitor ]

THESE SECURITY CAMERAS ARE

FOCUSING ON THE CENTER AISLE.

NOW, IF WE STAY

TO THE SIDE--

EARL !

STOP YOUR DAMN WHINING !

IF THE POLICE WANT EVIDENCE,

THEN WE'LL GET IT FOR THEM.

I THOUGHT I TOLD YOU

TO USE THE TELEPHOTO LENS.

THE DETAILS HAVE GOTTA BE

RAZOR SHARP, RIGHT DOWN

TO THE LICENSE NUMBERS.

HUH ? IT'S NO GOOD.

IN THE CAR.

[ Mutters ]

GO.

YOU STAY HERE:

AND WAIT FOR TYKE.

I'M GOING DOWN.

[ No Audio ]

[ Screaming ]

EARL !

[ Screams ]

EARL !

WE CHANGED OUR MINDS.

[ Quint ]

SOME OF THIS IS RELIABLE,

AND SOME OF IT ISN'T.

WE'LL GET THE ACCURATE FLOOR

PLANS FROM IRON JOHN TONIGHT.

HE TOLD US YOU WORKED

ON THE ALARMS.

I CONSULTED.

A GERMAN PUT IT IN.

PLUS, UH, WHAT'S HIS NAME ?

RYLAND.

HE, UH-- HE THREW IN

A FEW WRINKLES OF HIS OWN.

IT'S TIGHT.

THAT'S WHY WE'RE HERE.

YOU KNOW THAT ONE OF THE TOWERS

ISN'T OPEN YET ?

YEAH. WE'VE BEEN

LOOKING AT THAT. WE THOUGH WE MIGHT BE ABLE TO USE IT.

THEY DON'T CONNECT.

THERE'S NO DIRECT LINK.

WE'LL MAKE A DIRECT LINK.

I KNOW YOU'RE A HOTSHO AND ALL THAT, QUINT,

BUT, UH, THIS PLACE--

I DON'T KNOW.

JUST WHAT IS I YOU WANT TO TAKE OUT OF HERE ?

A CAR.

JOHN ?

[ Machine Humming ]

JOHN ?

[ Gun C*cks ]

- THESE WHA YOU'RE LOOKIN' FOR ?

- [ Grunts ]

IT'S TIME TO MAKE

A DEAL, QUINT.

YOU BEEN DEALING

WITH JOHN, MARVIN ?

WE DIDN'T WANT TO.

WE WERE SMARTER THAN THAT.

I WANT THAT CASSETTE. YOU KNOW

YOU'RE GONNA GIVE IT TO ME.

- EVENTUALLY.

- [ Grunts, Groaning ]

SO WHY MAKE IT PAINFUL ?

[ Grunting Continues ]

GET HIM OUTTA HERE.

GET HIM !

[ Groaning Continues ]

COME ON !

COME ON.

[ Indistinct Shout ]

[ Chuckles ]

YEAH.

QUINT, HOLD OUT A WHILE.

THIS IS FUN.

KICK HIS BUTT !

[ Grunting, Panting ]

GET UP !

[ Grunts ]

[ Grunting Continues ]

QUINT, THAT'S PATHETIC.

YOU GOT A REPUTATION

TO UPHOLD.

[ Grunts ]

HOW ABOUT THAT ONE,

BIG GUY ?

WHERE'S HE GOING ?

DON'T KNOW.

HUH ?

NOW, COME ON OUT !

DRAG HIM OUT HERE.

I TOLD THESE BOYS ALL ABOUT YOU.

YOU'RE LETTIN' ME DOWN.

[ Indistinct Shouting ]

[ Gasps, Coughing ]

[ Tires Screeching ]

[ Tires Screeching ]

[ Speaking Italian ]

[ Gasping, Coughing ]

I WAS DRIVING BY

AND I SAW YOUR LIGHTS.

I THOUGHT I'D SAY HELLO.

[ Screams ]

I'M SORRY.

IT'S GONNA HURT A LITTLE BIT.

IT ALREADY HURTS.

[ Coughs ]

YOU'RE ENJOYING THIS,

AREN'T YOU ?

A LITTLE.

[ Chuckles ]

[ Coughing, Gasping ]

[ Sighs ]

OH, THANK YOU.

I HAVEN'T ASKED WHAT HAPPENED

BECAUSE I DON'T WANT TO KNOW.

I HAVE PROBLEMS OF MY OWN.

WITH YOUR BOSS, RYLAND ?

NAME KEEPS COMING UP.

[ Coughing ]

JUST HOW BADLY:

DO YOU WANT THAT CAR ?

LOOK AT ME.

[ Door Opens, Closes ]

[ Chuckles ]

OKAY, YOU'VE BLOWN THE LOCK.

WHAT ARE YOU GONNA DO

WITH THOSE WIRES ?

THEY'RE ALL A TRAP.

ANY ONE OF THEM WILL TRIP

THE ALARM.

SO NOW WHAT ?

COME ON, ARTIE.

YOU WORKED FOR NASA,

FOR CHRIST'S SAKE.

OKAY. SO NOW

THE ALARM IS OFF.

NICE GOIN'.

[ Door Opens ]

JESUS ! WHAT THE HELL

HAPPENED TO YOU ?

[ Quint ]

GENTLEMEN, TIMING

IS OF THE ESSENCE.

THIS BUILDING:

IS ONE OF THE MOST SECURE

BUILDINGS I'VE EVER SEEN.

THERE'S NO WAY IN.

THE WEAKNESS IS THIS BUILDING.

THE UNFINISHED BUILDING

WITH NO SECURITY SYSTEM

OTHER THAN DEPUTY DOG.

IF I CAN GET UP TO THE TOP

OF THIS BUILDING HERE,

I CAN GET TO THE TOP

OF THAT ONE THERE...

AND YOU CAN COME IN

FROM THE BOTTOM.

[ Earl ]

WE'LL GO DOWN THE CABLE ACCESS

TUNNELS UNDER THE GARAGE.

AND WE'LL CUT INTO

THE VIDEO CABLE HERE,

MAKE A LOOP OF THE EMPTY GARAGE,

BYPASSING THE CAMERA HERE,

AND THEN FEED IT BACK

INTO THE MONITORING SYSTEM.

THAT'LL GIVE US A CLEAR SHO AT THE FALSE WALL HERE.

[ Quint ]

IF OUR TIMING IS RIGHT,

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John Carpenter

John Howard Carpenter (born January 16, 1948) is an American filmmaker, screenwriter, musician, and composer. Although Carpenter has worked with various film genres, he is associated most commonly with horror, action and science fiction films of the 1970s and 1980s.Most films of Carpenter's career were initially commercial and critical failures, with the notable exceptions of Halloween (1978), The Fog (1980), Escape from New York (1981), and Starman (1984). However, many of Carpenter's films from the 1970s and the 1980s have come to be considered as cult classics, and he has been acknowledged as an influential filmmaker. The cult classics that Carpenter has directed include Dark Star (1974), Assault on Precinct 13 (1976), The Thing (1982), Christine (1983), Big Trouble in Little China (1986), Prince of Darkness (1987), They Live (1988), and In the Mouth of Madness (1995). He returned to the Halloween franchise as both composer and executive producer for the horror sequel Halloween (2018). Carpenter is also notable for having composed or co-composed most of his films' music; some of them are now well-known, with the main theme of Halloween being considered a part of popular culture. He won a Saturn Award for Best Music for the film Vampires (1998). Carpenter has released three studio albums, titled Lost Themes (2015), Lost Themes II (2016), and Anthology: Movie Themes 1974–1998 (2017). more…

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Submitted on August 05, 2018

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