Black Moon Rising Page #4

Synopsis: A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this thief is discovered in his attempt, he hides the tape inside a prototype car, but unfortunately there is someone else interested in this vehicle.
Genre: Action, Thriller
Director(s): Harley Cokeliss
Production: Starmaker Entertainment
  1 nomination.
 
IMDB:
5.4
Rotten Tomatoes:
30%
R
Year:
1986
100 min
251 Views


IT SHOULD WORK.

IT SHOULD WORK.

[ Timer Beeps ]

I WANT TO SHOW YOU

SOMETHING.

THIS IS THE MAN WHO

GOT INTO THE OUTER GARAGE...

THE NIGH YOU BROUGHT THE CAR IN,

THE NIGHT YOU WERE FOLLOWED.

DO YOU KNOW THIS MAN ?

NOT REALLY.

WHAT DO YOU THINK

HE WAS LOOKING FOR ?

- YOU'RE ASKING ME ?

- DO YOU HAVE ANY IDEAS ?

NO.

THIS NEXT TAPE WAS JUS BROUGHT IN FROM ONE OF OUR

REMOTE SURVEILLANCE UNITS.

YOU BASTARD !

- YOU BETRAYED ME.

- I ONLY WISH I HAD !

REAL NINA.

LET'S SEE THE REAL NINA.

STOP IT. STOP IT !

DON'T TURN AWAY, NINA.

LET'S ALL WATCH THIS TOGETHER.

LET'S SEE HOW YOU REPAID ME

FOR EVERYTHING I DID FOR YOU.

I OWE YOU NOTHING !

I GAVE YOU A LIFE.

YOU GAVE ME YOUR LIFE !

AND YOU GRABBED AT IT.

I WAS ON THE STREET.

I WOULD'VE GRABBED AT ANYTHING.

YOU KNOW HOW I FOUND HER ?

SHE WAS SLEEPING

IN A BURNED-OUT HOTEL, AND

SHE TRIED TO STEAL MY CAR.

MY CAR ! AND SHE

ALMOST GOT AWAY WITH IT.

SHE WAS A NATURAL.

DO YOU REMEMBER THAT ?

DO YOU REMEMBER THAT !

I REMEMBER:

WHEN I WAS DESPERATE.

GET HER OUT OF HERE.

GET THE TRUTH OUT OF HER.

[ Grunts, Panting ]

YOU TRY IT !

[ Earl ]

WHAT'S THAT FOR ?

[ Quint ]

VACCINATIONS.

I HOPE TO HELL:

THIS THING WORKS.

LASER BEAM WILL BLIND

ALL THEIR TV CAMERAS.

YOU KNOW, IT'S CRAZY

GOING IN THERE ALONE

IN YOUR CONDITION.

ONE OF US SHOULD BE

GOING IN THERE WITH YOU.

I'LL NEED BOTH OF YOU

TO GET ME OUT OF THERE.

[ Clears Throat ]

WITH THE CAR.

I AM THE DRIVER HERE !

I'M THE ONE THAT SHOULD

BE HANDLING THE BLACK MOON.

SEE IF YOU CAN HANDLE THAT.

EARL.

I DON'T KNOW IF I

COULD KILL A MAN OVER A CAR.

THEY DID.

REMEMBER THAT.

TIME TO SYNCH UP.

GENTLEMEN...

WE GO PRECISELY 15 MINUTES...

FROM...

[ Beeping ]

NOW.

READY ?

GO.

REPORT TO SECURITY CENTER

AT ONCE.

MAINTENANCE,

REPORT TO SECURITY.

WHAT IS IT ?

THE PERIMETER CAMERAS--

WHAT'S WRONG WITH THEM ?

WELL, THEY WERE--

RUN A SYSTEMS CHECK.

I THINK THEY GOT RATS

DOWN HERE, EARL.

THERE. THERE IT IS.

IT HAPPENED AGAIN.

[ Lock Buzzes ]

HEY ! HEY !

WHERE ARE YOU GOING ?

HEY !

[ Grunts ]

WHAT DO WE DO NOW ?

YOU'LL SEE.

[ Quint Gasps ]

OH, DAMN.

[ Grunting ]

[ Gasps ]

[ Grunting ]

[ Grunting Continues ]

THIS IS THE ONE.

ALL RIGHT, DO IT.

GOT IT.

RECORD IT.

THAT'S ENOUGH FOR A LOOP.

NOW REPLAY.

GOOD. LET'S GO.

ANY TROUBLE:

WITH THE MONITORS ?

- NO. WHAT'S UP ?

- YOU TELL ME.

[ Nina Shouting ]

GUARD !

OPEN THIS DOOR !

[ Pounding ]

OPEN THIS DOOR !

[ Quint ]

HEY !

- WHAT ARE YOU DOIN' ?

- GET ME OUT OF HERE.

STAND BACK.

[ Grunts ]

TAPE THAT GRATE BACK.

HOW'RE YA DOIN' ?

I'M OKAY.

NO, DON'T.

[ Crying ]

- LOOK AT THAT.

- MUST BE A SHORT CIRCUIT.

- HI.

- HI.

[ Grunts ]

WELL ?

OKAY.

[ Lock Buzzes ]

NINA ?

COME ON.

WHAT'S THE PROBLEM ?

IT'S BEEN A WHILE SINCE

I WORKED ON ONE OF THESE.

IT'S OBSOLETE.

LET ME TRY.

WE'VE STILL GOT PROBLEMS,

MR. RYLAND.

- THERE SHE IS.

- WHO'S THAT WITH HER ?

THERE'S SOMETHING

GOING ON IN THE GARAGE.

SOUND THE ALERT.

[ Alarm Blaring ]

OH, NO !

- THEY'VE SEEN US.

- THAT'S IT.

WHAT'S THAT ?

LET'S GO.

I GOT IT.

[ Alarm Continues ]

CAREFUL WITH THOSE BRAKES !

I DROVE IT, REMEMBER ?

- NOT BAD.

- THANK YOU.

[ Tires Screeching ]

THREE !

[ Automatic Gunfire ]

ARMED.

- KEEP THEM AWAY FROM THE DOOR.

- WHAT ABOUT THE DOOR ?

I HOPE YOU KNOW:

WHAT YOU'RE DOING,

AND I'VE BEEN HERE BEFORE.

[ Tires Skidding ]

- YOU TRIED TO BLOW IT ?

- THAT'S NOT IN THE BLUEPRINTS !

I TRAPPED HIM.

ANY IDEAS ?

I AM WIDE OPEN TO SUGGESTIONS.

OH, SH*T !

PUSH THEM BACK.

FORCE THEM IN !

- NO, NOT THIS WAY !

- WHAT ?

- FREIGHT ELEVATOR !

- CLOSE IT !

NOW TAKE THEM:

TO THE UNFINISHED FLOOR.

HOW DO WE STOP:

THIS THING ?

WE CAN'T !

HOLD IT ! STOP !

VERY IMPRESSIVE.

WHAT NOW ?

WE JUST STAND HERE

AND STARE AT EACH OTHER ?

IT'S OVER.

THE GAME IS OVER.

YOU'VE DONE WELL.

YOU GAVE MY SECURITY SYSTEM

QUITE A WORKOUT.

POINTED OUT SOME PROBLEMS.

YOU, SIR,

BEHIND THE WHEEL.

WE'VE NEVER MET, BUT I'VE

ADMIRED YOUR PERFORMANCES.

YOU'LL BE REMEMBERED.

- I WISH THERE WERE A COUPLE

OF WAYS WE COULD DO THIS.

- THERE'S ONLY ONE WAY.

YOU, NINA, STEP OUT OF THE CAR

AND WALK AWAY FROM HIM.

WE'LL CALL THIS EPISODE...

AN UNFORTUNATE BREAKDOWN

IN COMMUNICATIONS.

FOR BOTH OF US.

GIVE ME YOUR GUN.

GET DOWN !

WATCH IT !

[ Engine Winding Down ]

CONGRATULATIONS, QUINT.

YOU JUST GAVE:

A WHOLE NEW MEANING TO THE TERM

"BREAKING AND ENTERING."

I'LL BE TAKING THAT.

GET HIM.

NOW, LET'S SEE.

YOU LET GO !

WHERE WAS IT WE LEFT OFF ?

[ Both Grunting ]

[ Grunts ]

GODDAMN BASTARD !

SHUT UP, B*TCH !

GIVE ME YOUR GUN.

I NEED YOUR GUN.

GIVE HIM SOME ROOM.

YOU'RE JUST NO A WINNER, MARVIN.

YOU'RE NOT EVEN A RUNNER-UP.

BETTER WATCH THAT GUY.

HE'S A CRIMINAL.

- NICE JOB, QUINT.

- THANKS.

HOUR AND A HALF TO SPARE.

- NEXT TIME.

- THERE WON'T BE A NEXT TIME.

YEAH ?

YEAH... HONEST.

HMM.

OH, NO !

WHAT DO I TELL THE ITALIANS ?

FORGET THE ITALIANS, EARL.

LET'S CALL BOEING.

[ Siren Wailing ]

[ Sirens Wailing ]

[ Groaning ]

[ Groaning ]

[ Sighs ]

HOW'RE WE GONNA DO THIS ?

ARE YOU SURE:

YOU'RE UP TO IT ?

[ Laughing ]

THEY BEAT ME UP.

THEY DIDN'T KILL ME.

[ Groaning Continues ]

I THINK...

IT MIGHT BE A GOOD IDEA

IF YOU JUST LIE STILL,

GIVE YOUR BODY:

A CHANCE TO REST.

[ Sighs ]

TELL ME SOMETHING.

YEAH.

ARE YOU GLAD:

YOU RIPPED THAT CAR OFF ?

YEAH.

ME TOO.

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John Carpenter

John Howard Carpenter (born January 16, 1948) is an American filmmaker, screenwriter, musician, and composer. Although Carpenter has worked with various film genres, he is associated most commonly with horror, action and science fiction films of the 1970s and 1980s.Most films of Carpenter's career were initially commercial and critical failures, with the notable exceptions of Halloween (1978), The Fog (1980), Escape from New York (1981), and Starman (1984). However, many of Carpenter's films from the 1970s and the 1980s have come to be considered as cult classics, and he has been acknowledged as an influential filmmaker. The cult classics that Carpenter has directed include Dark Star (1974), Assault on Precinct 13 (1976), The Thing (1982), Christine (1983), Big Trouble in Little China (1986), Prince of Darkness (1987), They Live (1988), and In the Mouth of Madness (1995). He returned to the Halloween franchise as both composer and executive producer for the horror sequel Halloween (2018). Carpenter is also notable for having composed or co-composed most of his films' music; some of them are now well-known, with the main theme of Halloween being considered a part of popular culture. He won a Saturn Award for Best Music for the film Vampires (1998). Carpenter has released three studio albums, titled Lost Themes (2015), Lost Themes II (2016), and Anthology: Movie Themes 1974–1998 (2017). more…

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