Bordertown Page #3
- Down this way...
and that's where you got
on the factory bus.
Well, we're early.
Let's wait.
And when a factory bus comes by,
that'll be our bus.
This city is very ugly.
It's hot.
Not like my home.
It's very green there.
- You miss your home?
- Mucho.
Why don't you tell me about it?
I came from Oaxaca.
I love my land.
It's...
my heart, my soul.
But they took the land away.
- Who took the land away?
- The government.
We cannot pay the taxes, so...
they tell us, go to the border
and work in the maquiladoras.
Make money to keep your land.
The government and the factories
take everything.
All the money is for them.
For us, nothing.
My father went to the U.S. To work.
I haven't seen him in many years.
But what can we do?
We have no land.
We cannot go home.
Nothing.
I'm sorry.
It's very sad.
But tell me about you.
- About me?
- Yeah.
I tell you about me,
now you tell me about you.
All right.
How many children do you have?
I don't have any children.
I'm not married.
- No children?
- No.
But why?
- 'Cause I work.
- My mother work and she has children.
I have a different kind of work.
It's called a career.
And what is that?
A career. Okay.
A career is a kind of work
that you want more than anything...
and you give up
everything to get it.
And when you get it...
you realize that it's not that great
and you have no life.
I don't understand.
That makes two of us.
- There it is!
- Okay.
I got it.
Oh, my God.
Oh, God.
It's the end of a shift.
There's gonna be a lot of buses.
Maybe we'll be able to identify
Then I'll follow the buses,
take photographs of the drivers.
You can identify them and then,
and then we'll have our man.
Ready? Now!
- That's it!
- You get it?
I got it.
Go, go. You got him.
Let's go. Come on.
- So.
- Just walk.
the other side and get some more?
Oh, sh*t. Come on!
Come on. Come on!
Stay here!
Come here, come here!
Run!
Down!
- Teresa!
- Yes?
- Come here, please.
- Yes.
- Lauren'll stay with you tonight.
- What happened?
- She can't go back to her hotel.
- Not tonight.
I have a party tonight.
At the Salamanca house.
I have to go.
Can you cancel it?
Hold on.
Don't.
Take Lauren with you.
No one will know she's there.
I'll get these guys off her trail.
Excuse me a second.
Laurie, please, do as I say.
Promise me.
- Are you gonna be safe?
- I can take care of myself.
Give me your hotel key.
I'll get your things.
- I'll see you later. Bye.
- Okay.
I hope you realize how much he's
jeopardizing his own life for you.
Yeah, I know.
- Is Eva here?
- Yes. She's inside.
We should take her with us
tonight, too, don't you think?
- No. We can't.
- Why?
It's gonna be bad for her.
- No.
- Why?
You don't understand.
These people are rich and...
- she's gonna feel so uncomfortable.
- Somebody just tried to kill us.
I'm not leaving Eva alone tonight.
We can't leave her alone, okay?
Relax.
You look beautiful.
- Doesn't she look beautiful?
- You look so beautiful. You do.
Is that Senator Rawlings?
What is he doing here?
Celebrating the 15th birthday
of Don Philippe Salamanca's daughter.
And so is the governor,
the archbishop...
and the heads of some American
and Japanese companies.
Really? Who is
the Salamanca family?
Let's just say that the Free Trade
Agreement couldn't happen...
without the support
of the Salamanca family.
Excuse me.
- This whole party is for her?
- Yeah.
She's lucky.
Yeah.
She's lucky.
Perfect.
- What happened?
- It's Juanes!
Oh, my God.
- Why don't you go up there?
- No.
- Yes, get close.
- No.
- Eva, go meet him.
- No...
- I'm gonna take her up there.
- No!
Yes.
Particularly extravagant for a girl's
I don't know. The chance
to catch Juanes' sweaty vest...
can only come once in a girl's life.
Please allow me to introduce myself.
Marco Antonio Salamanca.
- People call me just Marco.
- I'm Lauren Adrian.
I'm a friend of Teresa Casias'.
Thank you for allowing us
into your lovely home, Marco.
- You're American.
- Yes.
- You new to Juarez?
- Yes.
Listen.
I'd love to show you
a sight of Juarez...
that I'm sure you've
never experienced.
So, now I'm seeing a sight
I like right now.
that is more exciting
and mysterious.
- Sounds dangerous.
- No, no.
Just incredibly thrilling.
Well, if I ever have
the urge for a tour, Marco...
I know I can find you.
- What's your name?
- Eva.
- Something's wrong.
- What?
Hey, you okay?
Let's get her out of here. Teresa.
Let's get her back to your house.
No!
You're safe! Eva?
Eva? Eva.
It's me.
No. Baby. Baby.
How's she doing today?
Is she feeling better?
She's not well.
I had to call back that doctor.
- What are these, pictures?
- Yes.
Lauren, I don't think
you want to torment her.
I wouldn't do that.
And after I saw the second killer,
her life is in danger.
- We didn't see any killer.
- Yes, we did!
You didn't see any killer
because there is no second killer.
- What are you talking about?
- The psychologists are convinced...
that Eva imagined
the second killer.
I don't care what the doctors say.
I was there. I saw it.
She comes from an Indian culture.
Her people...
often don't distinguish real things
from the things they imagine.
- Are you saying she's crazy?
- No! She's not crazy.
She believes what she says.
But this doesn't mean that it's true.
I saw the look on that man's face.
- He recognized her.
- No, please.
- That is the man...
- Don't!
Don't. This is my house and this
stops here. I can't deal with this.
- You wanted this story, too.
- No!
Your story is destroying her.
And, God, Lauren.
You can be killed too.
You understand that? They tried it
before and they will kill you.
I cannot do this anymore.
Please, just leave.
- I'm sorry. Did we wake you up?
- Are they photos of the bus drivers?
- It's not important right now.
- It is important.
- Eva. Please. You need to heal.
- No, Teresa.
The only thing
that will heal me...
the only thing that will
give me back my life...
is to find my attackers.
Lauren is helping me.
And we are gonna find them
together. Right?
This is the road
where Eva was raped.
This is where I want you to be.
You and the police.
Eva identified the bus driver.
His name is Domingo Esparza.
They drive the victims out here
and then meet the other attacker.
I'll go undercover into the factory
he worked for and pose as a worker.
If we know who this Esparza is,
just have him arrested.
If we have him arrested, we have
no chance of catching the second guy.
He's already seen Eva.
He'll come after her.
I'm going into the factory as bait.
It's our only chance to catch both.
You can't. We have to warn too many
people. The police'll never allow it.
That's why you'll only tell them
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"Bordertown" Scripts.com. STANDS4 LLC, 2024. Web. 22 Nov. 2024. <https://www.scripts.com/script/bordertown_4506>.
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