Born to Kill Page #5

Synopsis: In Reno a man kills a girl he likes and her boyfriend out of jealousy; it may not be the first time. A woman whose divorce has just come through finds the bodies but decides not to become involved. The two meet next day on the train to San Francisco unaware of this link between them. They are attracted to each other, and the relationship survives his marriage to her half-sister for money and status. It even survives the woman discovering that he was the murderer, though she may not realise how easily someone who has killed this way before can do so again.
Director(s): Robert Wise
Production: WARNER BROTHERS PICTURES
 
IMDB:
7.3
Rotten Tomatoes:
80%
APPROVED
Year:
1947
92 min
328 Views


- Work is fine, but what you want...|- All right, skip it.

- Sam, it's such a silly...|- I said, skip it, and I meant skip it.

Hello, Sam. Hello, darling.

- Have a good trip?|- Yes, wonderful.

Yes, until I spoiled it|with my crazy notion.

Sam wants to run the paper.

Darling, if you'd had any business|experience at all...

But you've been a fighter and managed|a cattle ranch or two.

How could you know anything|about running a newspaper?

I told Sam if he'd only take a job|in the office to start with...

...till he learned the business...

Look, Sam, you wouldn't suddenly...

Georgia and I can settle this|without anybody else butting in.

Sam, Fred's part of the family.

- He has a right to butt in, as you call it.|- So he doesn't like it.

Only because it doesn't make sense, Sam.|Does it to you, Helen?

No, it doesn't.

- I'm sorry I made a scene.|- Oh, now.

It's just that I...

I don't know.|I can't stand fighting with Sam.

- Easy does it, Georgia.|- It won't seem so tragic in the morning.

No, I suppose it won't. Good night.

- Night.|- Night.

- Well, I'll call you tomorrow.|- Fred.

- You're angry with me.|- No.

- Sure not?|- Yes.

You do see that I can't cancel|that invitation, don't you, darling?

Yes.

Well, aren't you gonna kiss me|good night?

Good night, Helen.

Helen.

Helen.

Why were you against me tonight?

You don't know what I have in me.|You don't know what I can do.

I can run that paper, and better|than most, if I had a chance.

- I believe you could.|- Then why were you against me?

Because Fred was.

And you love Fred desperately.

I love Fred.

You love Fred.

Why this sudden passion|to run the paper?

I'd be on top.

I could make people or break them.

I could do that. Do you understand?

Yes. I think I do.

Sure you do.

Because your roots are down|where mine are.

I knew that the first time I saw you.

Soul mates, huh?

Stop laughing.

Well, for a man who's just returned from|his honeymoon with an attractive wife...

...you're very ardent.

What's wrong with you?|You know how I feel about Georgia.

- Do I?|- Unless you're a fool.

She means no more to me|than Fred to you.

Very interesting.

- I must get this milk to Georgia.|- He means nothing to you. Say it.

- He does, though.|- What? What, Helen?

Fred is peace and security.

- It's his money, then.|- Yes, partly.

All my life I've lived on other people's|money. Now I want some of my own.

But there's another kind of security|that Fred can give me.

Without him,|I'm afraid of the things I'll do.

Afraid of what I might become.

Fred is goodness and safety.

And what am I?

You?

You're strength, excitement...

...and depravity. There's a kind of|corruptness inside of you.

That would drive most women off.

- Yes.|- But not you. You have guts.

Georgia told me how you found those two|in Reno. You had guts then.

- You didn't yell or faint.|- No.

And it wasn't only finding them dead,|it was the way they were dead.

The kid jammed in the doorway,|the Palmer dame under the sink.

- Blood on her hair.|- Blood all over. You didn't yell.

No, I didn't.

Helen.

Oh, there you are.

- What are you doing here?|- I'm moving in.

- Whose idea was that?|- Helen suggested it.

Good night.

You sure picked a fine time to bust in.

I need a drink.

Hello, I want to speak to Albert Arnett|in Reno, please.

Do you know the number?|- Yes.

What is the number, please?|- 22-766.

Who's calling, please?|- I'm Mrs. Brent.

Thank you. I'll call it.|- Thank you.

You got a good-Iooking wife with|all the dough not locked up in the mint.

- Play it close to your vest.|- Meaning what?

Leave Helen alone.

- Why?|- I just told you.

Not that I blame you, of course.|Helen's a creamy dish, but she's...

I ever catch you looking at Helen,|I'll tear your throat out.

- Oh, Sam...|- Never mind the "Oh, Sam."

Just remember what I told you.

No, I don't want to talk to anyone else|in Reno.

Just find out where Mr. Arnett|can be reached in San Francisco, please.

- What's wrong?|- Helen. She just phoned a guy in Reno.

- Reno?|- I don't get her.

I don't get her at all.

- Maybe I was a fool. I would have sworn...|- What?

Maybe not. Maybe she is against me.

I don't know. She puts herself|in my arms and tries to trap me.

- She feels and digs and looks inside of me.|- Sam, Sam, take it easy.

We'll work it out somehow.|Just take it easy.

"Where every prospect pleases,|and only man is vile."

That quotation occurs to me|quite often in my profession.

Mr. Arnett, I've been very curious|to know what progress you've made...

...since I last saw you.

I've done rather well.

How well?

My investigation concerning Mr. Wild|is almost complete.

And when you fill in what's missing...?

I shall turn everything over to my client,|who, I believe, will inform the police.

Naturally, I'm deeply interested.

- After all, it does concern my brother-in-law.|- So it does.

And it would be very trying|for all of us...

...if he were linked up with anything like...|- Like murder?

Unfortunately, Mr. Wild is already|linked up with it.

In fact, I would go so far as to say|that not only is he linked up with it...

...but he's the chief performer|in this case.

I presume that so far your client|knows nothing.

Your presumption is correct.

- Mr. Arnett, I...|- It's quite all right, Mrs. Brent.

I am a man of integrity, but I'm always|willing to listen to an interesting offer.

- Well, I'm prepared to pay handsomely.|- Good.

Obstructing the wheels of justice|is a costly affair.

- Five thousand dollars should do it.|- Fifteen thousand dollars should do it.

I think you're basing your demands|on false premises, Mr. Arnett.

- I am not a rich woman.|- I know that.

But your sister is very rich.

So is Mr. Grover,|whom you are planning to marry.

Seven thousand.

Fifteen.

I doubt very much if I can manage|to get it.

In that case, I shall have to|forge ahead with my inquiry.

And may I remind you that Nevada courts|have rather puritanical views.

Why, some of our more|impassioned juries even insist...

...that a man who commits murder|pay with his life.

You know, Mrs. Brent,|I'm a simple man.

And I'm somewhat confused about|your motive in protecting Mr. Wild.

He's my sister's husband.|It should be quite obvious.

He was your sister's husband when|I came to your house the first day...

...and you had no intention|of protecting him then.

In fact, you went out of your way|to supply me with information...

...which might assist me.

Of course,|Mr. Wild is a most attractive man...

...and I suppose even a sister-in-law...

...on sufficient acquaintance...

...might succumb to his charms.

Good night.

Good night.

Has it occurred to you?

Neither of us looks like|a scoundrel, do we?

- Where have you been?|- That's my affair.

Where have you been?

Seeing a man called Albert Arnett.|He's a detective.

Seeing him about what?

He has a client who thinks you committed|a murder. I told him that was fantastic.

I knew you hadn't committed|any murder.

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Eve Greene

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Submitted on August 05, 2018

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