Born to Kill Page #6

Synopsis: In Reno a man kills a girl he likes and her boyfriend out of jealousy; it may not be the first time. A woman whose divorce has just come through finds the bodies but decides not to become involved. The two meet next day on the train to San Francisco unaware of this link between them. They are attracted to each other, and the relationship survives his marriage to her half-sister for money and status. It even survives the woman discovering that he was the murderer, though she may not realise how easily someone who has killed this way before can do so again.
Director(s): Robert Wise
Production: WARNER BROTHERS PICTURES
 
IMDB:
7.3
Rotten Tomatoes:
80%
APPROVED
Year:
1947
92 min
328 Views


- How'd you find out about him?|- He was at your wedding.

It occurred to me it might be awkward|if he went around asking questions...

...even though the whole thing|is ridiculous. So I decided to stop it.

- That isn't why you went.|- It is.

- You're lying.|- Take it easy, Sam. I don't think she is.

- Whose side are you on, anyway?|- Oh, Sam.

You certainly make it tough for people|who are on your side.

What did she say|that detective's name was?

Arnett.

Mrs. Kraft, please.

- 618.|- Thank you.

- Deal.|- Gotta add up.

- Why?|- Find out who won.

- I won.|- Who says?

- Don't argue!|- You won.

- How's the search coming along?|- That's what I'm gonna find out.

- Shut that, will you? Cold's eating into me.|- Pleasure, pleasure.

Well, did you ever get around|to playing cards with Virginia?

- Virginia?|- I thought so.

You're no Casanova with women.|Those were all lies you fed me.

You're a poor substitute for Laury.

- Are you calling me a liar?|- Yes. You're a liar, all right.

And you are a cheat.

What makes you say that?

- Can I help you?|- Yes.

Well, the 10 of diamonds|we were looking for.

Why, sure enough. Yes.

- See who it is.|- Yeah.

Oh, it's you. That's all.

Take you on tomorrow,|and I'll beat you again.

Yeah, in a pig's eye.

Quite a delightful surprise,|your coming to San Francisco.

But a needless trip, if I may say so.|May I help you?

I've got nothing to keep me in Reno.

And I wanted to be on the spot|when you caught the skunk.

Now, Mrs. Kraft, I didn't say|he was here.

- What made you come here, then?|- Look, a certain young man came here.

This young man I remembered seeing|outside Mrs. Palmer's house...

...at police headquarters, at the funeral|parlor where Mrs. Palmer was laid out.

Poor Laury. I hope she's in heaven now.

Although I don't know as Laury|would have much fun up there.

Go on, this man you saw|at the funeral parlor, is he the one?

No. But he gave me a lead.

What good's a lead? It's high time|you found out something.

Mrs. Kraft...

...in a few days, either my suspicions|will be verified...

...and we will have our quarry...

...or I will have failed you.

Which will be exceedingly painful|to a man of my integrity.

It won't hurt half as much as me|to lose my $500.

Speaking of money,|I have a little expense account...

...which I thought I'd leave with you,|for traveling and incidentals.

Boy, you really blow yourself|with those incidentals, don't you?

All right, Mrs. Kraft.

Thank you.

- Yes?|- How do you do, Mrs. Kraft?

Who are you?|Take your foot out of my door.

What I wanna talk to you about|concerns Laury Palmer.

Thank you.

Well?

Now, you don't expect me to tell you|just like that. It's not feasible.

How much is it gonna cost me?

Well, I'm not gonna do much,|so I won't need much.

- A C-note should make me very happy.|- Now, I suppose.

No. I'll prove to you|I'm strictly on the level.

Tonight will be all right, after I show you|what you're looking for.

Fair enough.

How come you got ahold|of this information?

Through underworld connections,|like it says in the newspapers.

- I'm a bad boy.|- You are, huh?

- Have some beer.|- No, thanks. Beer makes me sleepy.

- I don't like it.|- Me, I love it.

I love it the best in the world.

I loved Laury too.

Yeah, I'm at the barren tail end of my life,|and Laury was all I had.

Laury and the bottle.

Well, there's nothing I can do|for the bottle...

...but I'm sure not gonna let Laury down.|- That's right. You and Laury stick together.

Mrs. Kraft, here's a map of San Francisco|and vicinity.

You see this corner I've marked here?

I better write it down for you.

You pick up a cab tonight|and drive out there...

...alone.

- I'll be waiting for you.|- What time?

Eleven o'clock.

Remember, glamour girl,|I'll do this on just one condition.

- What's that?|- That you don't make any passes at me...

...when you get me out there.|I'm a very shy kid.

Yes?

Are you turning in right away?

No. I was just going to read. Did you|want to see me about something?

Yes.

I wanted to talk to you about Sam.

He's a great guy, Sam,|but he's kind of impulsive.

Well, he's the sort of guy that punches|first and asks questions later.

Now, you...

I think you're different.|I think you figure things close.

So that's why I took a chance on having my|head beat open and came in here tonight.

The way I see it, it's not feasible|for you and Sam to keep on...

Well, what I mean is...

...Sam's married to a lovely little wife,|and you're engaged to Mr. Grover.

- Right, I am.|- Don't get mad.

I am getting mad. I resent people marching|into something that doesn't concern them.

You think it doesn't.|It concerns me if it concerns Sam.

Suppose you discuss it with Sam, then.

I tried to tell you about him.|He won't listen to what I have to say.

And I'm not interested.

Well, I got it off my chest, anyhow.

- Good night.|- Good night.

- Who is it?|- It's me, Sam. Can I come in?

Yeah.

Well, I found the client.

She's at the Felton Hotel.|Her name's Kraft.

- She was Palmer's pal.|- Yeah?

I got everything fixed.|I'm gonna meet her in a little while.

What a glamour girl.

- Sam.|- What?

Are you sure this is the way|you want it handled?

- Why?|- I just asked.

- I don't mind, if it's the most feasible way.|- I'm sure this is how I want it handled.

Okay.

Have you figured out what|we're gonna do with the detective?

- No.|- Well, don't let it worry you.

We've come through|everything so far, haven't we?

- Yeah.|- So long.

So long, Mart.

- How much?|- Two-seventy, please.

- Keep the change.|- Thank you.

Are you sure this is the corner?

There are no buses or streetcars|around here if you get stuck.

- This is it, all right.|- Okay, lady.

- Hi, glamour girl.|- Hello.

Well, now that we're both here,|we can be on our way.

- On our way?|- We've got a little bit of a walk.

Out there.

- You don't mind, do you?|- I sure do mind.

I ain't built for gallivanting around|in the sand.

I'll help you if the going gets rough.|You can depend on me, glamour girl.

This is pulling my legs out|of their sockets.

- How much further do we go?|- No further.

Well, I don't see a thing here.|What have you got to show me?

The moral is, don't hire detectives.

Take it easy, glamour girl.

You shouldn't feel so bad.|You've lived a long life.

You're no spring chicken, you know.

Glamour girl. Who is it?

- It's me, Mart. Your old pal Sam.|- What's the matter with you, Sam?

Sam, what's this all about?

Sam, take that knife away. What did I do?|I was out here tonight for you.

- In Helen's room for me too, I suppose.|- I was. I was trying to save you trouble.

- In her room?|- It wasn't like it looked.

- It wasn't. I swear, Sam.|- Wasn't it?

Sam, take that knife away|so I can talk to you.

I knew you'd listen to me, Sam.

Here's how it was, Sam...

You're crazy, Sam.

Mrs. Brent. Mrs. Brent.

The police are downstairs, Mrs. Brent.

They say Mr. Waterman|was murdered last night.

I'll be right down.

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Eve Greene

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Submitted on August 05, 2018

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