Brief Encounter Page #6

Synopsis: At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible.
Genre: Drama, Romance
Director(s): David Lean
Production: Universal Pictures
  Nominated for 3 Oscars. Another 3 wins.
 
IMDB:
8.1
Rotten Tomatoes:
90%
NOT RATED
Year:
1945
86 min
7,015 Views


We decided we'd go

to the botanical gardens.

Do you know, I believe we should

all behave quite differently...

if we lived in a warm,

sunny climate all the time.

We shouldn't be so withdrawn

and shy and difficult.

Oh, Fred, it really was

a lovely afternoon.

There were some little boys

sailing their boats.

One of them looked like Bobby.

That should have given me

a pang of conscience, I know,

but it didn't... I was enjoying myself,

enjoying every single minute.

Alec suddenly said that he was

sick of staring at the water...

and that he wanted to be on it.

All the boats were covered up,

but we managed to persuade

the old man to let us have one.

He thought we were raving mad.

Perhaps he was right.

Alec rode off at a great rate,

and I trailed my hand

in the water.

It was very cold,

but a lovely feeling.

You don't row

very well, do you?

I'm going to be perfectly honest

with you... I don't row at all,

and unless you want to go round

and round in ever-narrowing circles,

you'd better start steering.

Oh, we had such fun, Fred.

I felt gay and happy

and sort of released.

That's what's so shameful

about it all.

That's what would hurt you

so much if you knew...

that I could feel

as intensely as that...

away from you,

with a stranger.

- Oh, look out! We can't get through!

- Pull on your left!

Oh. Oh, dear, I never could

tell left from right.

I'm most awfully sorry.

You know the British have always

been nice to mad people.

That boatman thinks we are quite dotty,

but look how sweet he's been.

Tea, milk, even sugar.

Thank you.

You know what's happened,

don't you?

Yes.

Yes, I do.

I've fallen in love

with you.

Yes, I know.

Tell me honestly. Please tell me

honestly if what I believe is true.

- What do you believe?

- That it's the same with you...

that you've fallen in love too.

- It sounds so silly.

- Why?

- I know you so little.

- It is true, though, isn't it?

- Yes, it's true.

- Laura.

No, please, we must be sensible.

Please help me to be sensible.

We mustn't behave like this. We must

forget that we've said what we've said.

- Not yet, not quite yet.

- But we must. Don't you see?

Listen, it's too late now

to be as sensible as all that.

It's too late to forget

what we've said,

and anyway, whether we'd said it or not

couldn't have mattered.

We know.

We've both of us known for a long time.

How can you say that?

I've only known you for four weeks.

We only talked for the frst time

last Thursday week.

Last Thursday week. Has it been

a long time for you since then?

- Answer me truly.

- Yes.

How often did you decide that you were

never going to see me again?

- Several times a day. Oh, Alec.

- So did I.

I love you.

I love your wide eyes...

and the way you smile

and your shyness...

- and the way you laugh at my jokes.

- Please, don't.

I love you. I love you.

You love me too.

It's no use pretending

it hasn't happened, because it has.

Yes, it has.

I don't want to pretend anything either

to you or to anyone else,

but from now on,

I shall have to.

That's what's wrong, don't you see?

That's what spoils everything.

That's why we must stop

here and now talking like this.

We're neither of us free to love

each other. There's too much in the way.

There's still time,

if we control ourselves

and behave like sensible human beings.

There's still time to...

There's no time at all.

- There's your train.

- Yes.

I'll come over

to the platform with you.

No, Alec, not here.

Someone will see.

I love you so.

Do you think we might

have that down a bit, darling?

Hi, Laura.

- Yes, dear?

- You were miles away.

Was I?

Yes, I suppose I was.

Do you mind if we turn that down

a little? It really is deafening.

No, of course not.

I shan't be long over this,

darling, then we'll go to bed.

You look a bit tired, you know?

Don't hurry.

I'm perfectly happy.

How can I possibly say that?

"Don't hurry.

I'm perfectly happy. "

If only it were true.

Not, I suppose, that anybody

is ever perfectly happy, really.

But just to be ordinarily contented,

to be at peace.

It's such a little while ago, really,

but it seems an eternity...

since that train

went out of the station,

taking him away

into the darkness.

I was happy then.

As I went back through

the subway to my own platform,

I was walking on air.

When I got into the train,

I didn't even pretend to read.

I didn't care whether people were

looking at me or not. I had to think.

I should have been utterly wretched and

ashamed. I know I should, but I wasn't.

I felt suddenly

quite wildly happy,

like a romantic schoolgirl,

like a romantic fool.

You see, he'd said he loved me,

and I had said I loved him.

And it was true.

It was true.

I imagined him holding me

in his arms.

I imagined being with him in all sorts

of glamorous circumstances.

It was one of those absurd fantasies,

just like one has when one is a girl,

being wooed and married

by the ideal of one's dreams.

I stared out of that

railway carriage window into the dark...

and watched the dim trees

and the telegraph posts slipping by,

and through them,

I saw Alec and me.

Alec and me...

perhaps a little younger than we are

now, but just as much in love...

and with nothing in the way.

I saw us in Paris,

in a box at the opera.

The orchestra was tuning up.

Then we were in Venice, drifting along

the Grand Canal in a gondola...

with the sound of mandolins

coming to us over the water.

I saw us traveling

far away together,

all the places

I've always longed to go.

I saw us leaning on the rail of a ship,

looking at the sea and stars,

standing on a tropical beach

in the moonlight...

with the palm trees

sighing above us.

Then the palm trees changed into those

pollarded willows by the canal...

just before the level crossing,

and all the silly dreams

disappeared,

and I got out at Ketchworth

and gave up my ticket...

and walked home as usual,

quite soberly

and without wings...

without any wings at all.

When I had changed for dinner and was

doing my face a bit... Do you remember?

I don't suppose you do,

but I do.

You see, you didn't know that that was

the first time in our life together...

that I had ever lied to you.

It started then...

the shame of the whole thing,

the guiltiness, the fear.

- Good evening, Mrs. Jesson.

- Hello, dear.

- Had a good day?

- Yes, lovely.

- What'd you do?

- Well, I shopped and had lunch

and went to the pictures.

- All by yourself?

- Yes.

Uh, no, not exactly.

What do you mean,

"not exactly"?

Well, I went to the pictures by myself,

but I had lunch with Mary Norton.

She couldn't come to the pictures

'cause she had to see her in-laws.

They live just outside

Milford, you know?

So I walked with her to the bus

and then came home on my own.

I haven't seen Mary Norton for ages.

How is she looking?

Very well, really.

A little fatter, I thought.

Hurry up with all this beautifying.

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Noël Coward

Sir Noël Peirce Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever, Private Lives, Design for Living, Present Laughter and Blithe Spirit, have remained in the regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musical theatre works (including the operetta Bitter Sweet and comic revues), screenplays, poetry, several volumes of short stories, the novel Pomp and Circumstance, and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain. Coward won an Academy Honorary Award in 1943 for his naval film drama, In Which We Serve, and was knighted in 1969. In the 1950s he achieved fresh success as a cabaret performer, performing his own songs, such as "Mad Dogs and Englishmen", "London Pride" and "I Went to a Marvellous Party". Coward's plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. He did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, published posthumously. The former Albery Theatre (originally the New Theatre) in London was renamed the Noël Coward Theatre in his honour in 2006. more…

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Submitted on August 05, 2018

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    "Brief Encounter" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/brief_encounter_4686>.

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