Brief Encounter Page #7

Synopsis: At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible.
Genre: Drama, Romance
Director(s): David Lean
Production: Universal Pictures
  Nominated for 3 Oscars. Another 3 wins.
 
IMDB:
8.1
Rotten Tomatoes:
90%
NOT RATED
Year:
1945
86 min
6,527 Views


I want my dinner.

You go on down.

I won't be fve minutes.

- Number, please?

- Ketchworth 3-7, please.

Ketchworth 3-7.

- Hello?

- Hello, is Mrs. Norton there, please?

- Yes. Will you hold on?

- Yes, I'll hold on.

- Hello?

- Hello? Is that you, Mary?

Oh, Laura! Fancy hearing from you.

I thought you were dead.

No, I haven't seen you for ages.

Listen, my dear,

will you be a saint and back me up

in the most appalling domestic lie?

- As bad as all that?

- My life depends on it.

Well, today, I went into Milford,

as usual, to do my shopping.

With the special intention

of buying a far too expensive

present for Fred's birthday.

Well, Spink and Robson's

hadn't got what I wanted,

which was one of those clocks

with barometers and everything in one,

but they rang up their branch in

Broadham and said there was one there,

so I hopped on the 1:30 train

and went to get it.

- Go on.

- Well, this is where

the black lie comes in.

Fred asked me if I'd had a good day,

and I said yes,

and that you and I had lunch and

that you had gone to see your in-laws...

and I had gone

to the pictures.

- If you run into him,

don't let me down, will you?

- Darling, of course not.

- I'll do as much for you, I promise.

- Let's really lunch one day.

- Yes, that'd be lovely.

- What about next Thursday?

No, I can't on Thursday. That's

my Milford day. What about Friday?

- Fine, better make it here.

- All right, perfect.

You know what my cook's like.

It'll have to be early.

Yes, all right.

- Good-bye.

- Good-bye.

That week was misery.

I went through it

in a sort of trance.

How odd of you not to have

noticed that you were living

with a stranger in the house.

Thursday came at last.

I had arranged to meet Alec

outside the hospital at 12:30.

- Hello.

- Hello.

I thought you wouldn't come.

I've been thinking all week

that you wouldn't come.

I didn't mean to really,

but here I am.

I hadn't been inside the Royal

since Violet's wedding reception.

It all seemed very grand.

He actually ordered

a bottle of champagne,

and when I protested, he said

that we were only middle-aged once.

We were very gay during lunch and

talked about quite ordinary things.

Fred, he really was charming.

I know you would have liked him

if things had been different.

As we were going out he said

that he had a surprise for me...

and that if I would wait

in the lounge for five minutes,

he'd show me what it was.

He went out

and down the steps at a run,

more like an excited schoolboy

than a respectable doctor.

Suddenly out of the dining room

came Mary Norton and that rich

over-made-up cousin of hers.

They must have been

in the dining room all the time...

and seen Alec and me

and the champagne and everything.

Laura! So it was you after all.

Hermione said it was.

- How are you?

- You know how shortsighted I am.

I peered and peered

and still couldn't be sure.

I never saw you at all. How awful of me.

I expect it was the champagne.

I'm not used to champagne for lunch

or for dinner either, but Alec insisted.

Alec? Alec who, dear?

Alec Harvey, of course.

Surely you remember the Harveys.

I've known them for years.

- No, I don't think I ever...

- He'll be back in a minute.

You'll probably recognize him

when you peer very closely.

He looks very charming

and very attentive.

He's a dear. One of the nicest people

in the world and a wonderful doctor.

- Oh, Alec, you remember

Mrs. Norton, don't you?

- I'm afraid I don't.

It's no use, Laura.

We've never seen each other

before in our lives, I'm sure.

How absurd. I made certain

he and Madeleine were there

when you dined with us...

just before Christmas

last year.

- Alec, this is Mrs. Rolandson.

- How do you do?

- Horrid weather, isn't it?

- Yes.

Of course, one can't really

expect spring at this time

of the year, can one?

No.

Well, we must be going.

I'm taking Hermione with me

to the in-laws as moral support.

- Good-bye, Dr. Harvey.

Good-bye, my dear.

- Good-bye.

- I do so envy you your champagne.

- Good-bye.

Good-bye.

- That was awful.

- Never mind.

They had been watching us

all through lunch. Oh, dear.

Forget it. Come out

and look at the surprise.

There at the foot of the steps

was a little two-seater car.

Alec had borrowed it

from Stephen Lynn for the afternoon.

I tried so hard to look pleased,

but it wasn't any good.

I kept thinking of those two

laughing and talking,

laughing and talking about us,

and I couldn't get them out of my mind.

When we were out in the real country...

a few miles beyond Brayfield...

we stopped the carjust outside

a village and got out.

There was a little bridge

and a stream,

and the sun was making an effort

to come out, but really

not succeeding very well.

We leaned on the parapet of the bridge

and looked down into the water.

I shivered,

and Alec put his arm round me.

- Cold?

- No, not really.

Happy?

No, not really.

I know exactly what

you're going to say.

That it isn't worth it.

That the furtiveness and lying outweigh

the happiness we might have together.

Isn't that it?

Something like that.

I want to ask you something,

just to reassure myself.

What is it?

It is true for you, isn't it?

This overwhelming feeling

we have for each other...

it's as true for you

as it is for me, isn't it?

Yes, it's true.

We must have stayed

on that bridge for a long time,

because when we got back to Stephen

Lynn's garage, it was getting dark.

I remember feeling as if

I was on the edge of a precipice.

I think Alec felt that too.

You see, we both knew

how desperately we loved each other.

Alec said he had to leave the keys

of the car in Stephen Lynn's flat...

and suggested

that I came up with him.

I refused rather too vehemently.

Alec reminded me that Stephen

wasn't coming back till late,

but I still refused.

I'm going back.

I'm going to miss my train.

- Back where?

- To Stephen's flat.

- Train Whistle Blowing]

- Oh, Alec.

Alec, I must go home now.

I really must go home.

A cup of tea, please.

- Good afternoon.

- Afternoon, lady.

- Afternoon.

- Couple of whiskeys, please.

- Very sorry. It's out of hours.

Well, just sneak 'em to us under

the cover of them poor old sandwiches.

Them sandwiches were fresh this morning,

and I shall do no such thing.

- Come on, be a sport.

- You can have as much

as you want after 6:00.

My throat's like a parrot's cage.

Listen.

I'm sorry. My license does not

permit me to serve alcohol out of hours.

That's fnal. You wouldn't want

to get me into trouble, would you?

Just give us the chance, lady. That's

all we ask. Just give us the chance.

- Beryl!

- Yes, Mrs. Bagot?

- Ask Mr. Godby to come here

a moment, will you?

- Yes, Mrs. Bagot.

- Oh, and who's he when he's at home?

- You'll soon see.

- Coming in here cheeking me.

- Come off it, Mother. Be a pal.

- I'll give you "Mother,"

you saucy upstart.

- Oi, who you callin' an upstart?

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Noël Coward

Sir Noël Peirce Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever, Private Lives, Design for Living, Present Laughter and Blithe Spirit, have remained in the regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musical theatre works (including the operetta Bitter Sweet and comic revues), screenplays, poetry, several volumes of short stories, the novel Pomp and Circumstance, and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain. Coward won an Academy Honorary Award in 1943 for his naval film drama, In Which We Serve, and was knighted in 1969. In the 1950s he achieved fresh success as a cabaret performer, performing his own songs, such as "Mad Dogs and Englishmen", "London Pride" and "I Went to a Marvellous Party". Coward's plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. He did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, published posthumously. The former Albery Theatre (originally the New Theatre) in London was renamed the Noël Coward Theatre in his honour in 2006. more…

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Submitted on August 05, 2018

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    "Brief Encounter" Scripts.com. STANDS4 LLC, 2024. Web. 25 Jul 2024. <https://www.scripts.com/script/brief_encounter_4686>.

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