Brief Encounter Page #8

Synopsis: At a café on a railway station, housewife Laura Jesson meets doctor Alec Harvey. Although they are both already married, they gradually fall in love with each other. They continue to meet every Thursday in the small café, although they know that their love is impossible.
Genre: Drama, Romance
Director(s): David Lean
Production: Universal Pictures
  Nominated for 3 Oscars. Another 3 wins.
 
IMDB:
8.1
Rotten Tomatoes:
90%
NOT RATED
Year:
1945
86 min
7,015 Views


You! And I'll trouble you

to get out of here double quick.

Disturbing the customers and

making a nuisance of yourselves.

Here, where's the fre,

where's the fre?

- What's going on in here?

- Mr. Godby,

these gentlemen are annoying me.

- What? We haven't done nothing,

have we, Johnnie?

- All we did was ask for drinks.

- They insulted me, Mr. Godby.

- We never did anything of the kind.

- Just having a little joke, that's all.

- Hop it, both of you.

- We've got a right to stay here

as long as we like.

- You heard what I said. Hop it.

Now, look here. What is this, a free

country or a bloomin' Sunday school?

I checked your warrants at the gate.

Your train's due in one minute. Hop it.

- Now, look here...

- Aw, come on, Johnnie. Come on.

- Don't argue with the poor basket.

- Hop it.

Cheerio, Mother.

And if them sandwiches were made

this morning, you're Shirley Temple.

- Thank you, Albert.

- What a nerve... talking to you

like that, Mrs. Bagot.

Be quiet, Beryl. Pour me out a nip

of Three Star. I'm feeling quite upset.

- I have to get back to the gate.

- I'll be seeing you later, Albert.

Okay.

The train

now arriving at platform three...

is the 5:
43 for Ketchworth.

- I really must go home.

- I'm going back to the flat.

- I must go home.

I really must go home.

- I'm going back to the flat.

I'm going home.

Excuse me.

I've forgotten something.

Darling.

It's raining.

It started just as I turned out

of the High Street.

You had no umbrella,

and your coat's wet.

You mustn't catch cold.

That would never do.

- I look an absolute fright.

- Let me put that down for you.

Thank you.

I hope the fre will

perk up in a few minutes.

- I expect the wood was damp.

- Yes, I expect it was.

Do sit down, darling.

I got right into the train and then

got out again. Wasn't it idiotic?

We're both very,

very foolish.

- Alec, I can't stay, you know.

Really, I can't.

- Just a little while.

Just a little while.

Quickly, quickly!

I must go.

- Here, through the kitchen.

There's a tradesman's staircase.

- Is that you, Alec?

- Yes.

- You're back early.

- Yes, I felt a cold coming on,

so I denied myself

the questionable pleasure of dining...

with that arch-arguer Roger Hinchley

and decided to come back to bed.

- Inflamed membranes are

unsympathetic to a dialectic.

- What'll you do about food?

I can always ring down to the restaurant

if I want any later on.

- We live in a modern age,

and this is a service flat.

- Yes, yes, of course.

It caters for all tastes.

You know, my dear Alec, you have hidden

depths which I never even suspected.

- Look here, Stephen...

- Oh, for heaven's sake, Alec.

No explanations or apologies.

I am the one who should apologize

for returning so inopportunely.

It's quite obvious to me that you were

interviewing a patient privately.

Women are frequently

rather neurotic creatures,

and the hospital atmosphere

is upsetting to them.

By the rather undignifed scuffling

which I heard when I came into the hall,

I gather that she beat

a hasty retreat down the back stairs.

I'm surprised at this farcical streak

in your nature, Alec.

Such carryings-on are quite unnecessary.

After all, we've been friends for years,

and I am the most

broad-minded of men.

I'm really very sorry,

Stephen.

I'm sure that the whole situation

must seem inexpressibly vulgar to you.

Actually,

it isn't in the least.

However, you're perfectly right:

Explanations are unnecessary,

particularly between friends.

- I must go now.

I'll collect my hat and coat.

- Very well.

- Good-bye.

- Perhaps you'll let me

have my latchkey back.

I only have two,

and I'm so afraid of losing them.

You know how absentminded I am.

- You're very angry, aren't you?

- No, Alec, not angry, just disappointed.

I ran until I couldn't run any longer.

I leant against a lamppost

to get my breath.

I was in one of those side roads

that lead out of the High Street.

I know it was stupid to run,

but I couldn't help myself.

I felt so utterly humiliated

and defeated and so dreadfully,

dreadfully ashamed.

After a moment or two

I pulled myself together...

and walked on

in the direction of the station.

It was still raining,

but not very much.

I suddenly realized

that I couldn't go home,

not until I had got myself more under

control and had a little time to think.

Then I thought of you waiting at home

and the dinner being spoilt,

so I went into the High Street and found

a tobacconist and telephoned to you.

Do you remember?

Hello, Fred, is that you?

Yes, dear, it's me, Laura.

Yes, everything's perfectly all right,

but I shan't be home to dinner.

I'm with Miss Lewis.

Miss Lewis, dear. You know,

the librarian I told you about at Boots.

Y- Yes, I can't explain in any detail

because she's outside the box now.

I met her in the High Street a little

while ago in a terrible state.

Her mother's been taken ill,

and I've promised to stay

with her until the doctor comes.

Yes, I know, but she's always

been awfully kind to me,

and I feel so sorry for her.

No, I'll get a sandwich, but

ask Ethel to leave me some soup

in a saucepan in the kitchen.

Yes, of course,

as soon as I can.

All right. Good-bye.

It's awfully easy to lie when you know

that you're trusted implicitly...

so very easy

and so very degrading.

I started walking

without much purpose.

I turned out of the High Street

almost immediately.

I was terrified

that I might run into Alec.

I was pretty certain that he'd

come after me to the station.

I walked for a long while. Finally,

I found myself at the war memorial...

you know, it's right

at the other side of the town.

It had stopped raining altogether,

and I felt stiflingly hot,

so I sat down

on one of the seats.

There was nobody about,

and I lit a cigarette.

I know how you disapprove

of women smoking in the street...

I do too, really...

but I wanted to calm my nerves,

and I thought it might help.

I sat there for ages...

I don't know how long...

then I noticed a policeman

walking up and down a little way off.

He was looking at me

rather suspiciously.

Presently he came up to me.

Feeling all right, miss?

- Yes, thank you.

- Waiting for someone?

No. No, I'm not

waiting for anybody.

Don't go and catch cold now. It's a damp

night for sitting about on seats.

I'm going now anyhow.

I've got to catch a train.

You're sure you feel

quite all right?

Quite, thank you.

Good night.

Good night, miss.

I walked away, trying to look casual,

knowing that he was watching me.

I felt like a criminal.

I walked rather quickly back

in the direction of the High Street.

I got to the station 15 minutes

before the last train to Ketchworth.

And then I realized that I'd been

wandering about for over three hours,

but it didn't seem to be

any time at all.

Stan, you are awful.

- See ya in the yard.

- All right.

- I'd like a glass of brandy, please.

- We're just closin'.

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Noël Coward

Sir Noël Peirce Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise".Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever, Private Lives, Design for Living, Present Laughter and Blithe Spirit, have remained in the regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musical theatre works (including the operetta Bitter Sweet and comic revues), screenplays, poetry, several volumes of short stories, the novel Pomp and Circumstance, and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works. At the outbreak of the Second World War Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain. Coward won an Academy Honorary Award in 1943 for his naval film drama, In Which We Serve, and was knighted in 1969. In the 1950s he achieved fresh success as a cabaret performer, performing his own songs, such as "Mad Dogs and Englishmen", "London Pride" and "I Went to a Marvellous Party". Coward's plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. He did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn, his long-time partner, and in Coward's diaries and letters, published posthumously. The former Albery Theatre (originally the New Theatre) in London was renamed the Noël Coward Theatre in his honour in 2006. more…

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Submitted on August 05, 2018

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    "Brief Encounter" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/brief_encounter_4686>.

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