Bullets Over Broadway Page #2
- R
- Year:
- 1994
- 98 min
- 3,125 Views
at the Cotton Club. I ran into him.
- And no hitches?
- Well, uh--
We'll meet tomorrow and discuss it,
all right? Luxor Baths. Noon.
Are you nuts? You think I'm gonna let
some amateur play the lead in my play?
Did I say "lead"?
Did I say "lead," Mr. Genius?
- Some guy's girlfriend 'cause
he's puttin' up the money?
- Did I say "lead"?
I said a part, a role.
- The psychiatrist? It's a key role.
- What key role?
- It's a small part. Key role!
- Who is this woman anyway?
Olive Neal? I don't even know what
she looks like, much less can she act.
He says she's the stuff
that stars are made of.
That's 'cause he's in love with her.
And who is he anyway?
- His name is Nick Valenti.
- How-How-- How do I know
that name? What's he do?
- Ah, he's got his finger
in a number of pies.
- I don't like the sound of this.
- Look, you wanna
get your play on or not?
- I gotta meet her first.
- So you'll meet her.
- I'm conflicted.
-You'll meet her. That's all I'm saying.
-The psychiatrist is not small.
It's not the lead. It's-- It's a
small part. Who do you see in the lead?
- I don't know.
Oh, sure. I mean, she'd be great.
But can we get her?
Why can't we get her? She's been in
nothin' but flops the past three years.
Yeah, but she's
a major actress.
[ Chuckles ]
Was.
She'd be great.
I mean, really, she's brilliant.
- She possess the necessary fire.
For the part, she'd be great.
- I'm glad you think so.
- Think we can get her?
- I sent the script
to her agent, Sidney Loomis.
- You did?
- Did I do wrong? Did I do wrong?
- No, no.
- Did I do wrong not checking
with you first?
- Not at all.
- If so, I stand corrected. I mean that.
- No, really.
- Helen Sinclair... really.
- Get it out.
- She's great.
- Well, all we can do
is hope for the best.
You must be joking!
You want me to play some frumpy
housewife who gets dumped for a flapper?
Don't you remember who I am?
Don't you know who you represent?
- I'm Helen Sinclair!
- Definitely! You are
definitely Helen Sinclair.
I look at you and I say Helen Sinclair!
But who better to play that role?
- Under whose direction? Some novice!
- He's the author.
- Of two flops.
- Julian says it was the directors
that messed up those projects.
Julian Marx! I do plays put on
by Belasco or Sam Harris.
Not some Yiddish pants salesman
turned producer.
My ex-husband used to say,
"lf you're gonna go down,
go down with the best of them."
- Which ex-husband?
- Oh, I don't know which ex-husband.
The one with the moustache.
Listen to me. Authors are very often
the best directors of their own works.
She's dowdy! Sid, the ingenue
has all the hot lines.
Even the female psychiatrist
is a better role.
But the role of Sylvia Poston
is the lead.
Sylvia Poston.
Even the name reeks of Orbach's!
I do Electra!
I do Lady Macbeth!
I do plays by Noel and Phil Barry
or at least Max Anderson.
Helen, listen to me. This is
a major part in a serious play.
And let's face it, Helen. You have
not been in a hit in a long time.
- In a long, long, long time.
- I'm still a star!
I never play
frumps or virgins.
You're a star because you're great,
and you are a great star.
- But let me tell you somethin'.
- [ Bell Rings ]
In the last couple of years...
you're better known as an adulteress and
a drunk-- I say this in all due respect.
I haven't had a drink
since New Year's Eve.
- We're talkin' Chinese New Year's.
- Naturally.
Still, that's two days, Sid.
You know how long that is for me?
- What is it, Josette?
- [ Woman ] Some flowers.
Well, bring them here,
will you?
The offers are not pourin' in
like they used to.
They're from David Shayne.
"As a small artist to a greater one.
That you merely consider my play...
is all the fulfillment
I require.
Hmm.
- What's he like?
- I hear he's terrific.
- I have to be billed over the title.
- Where else?
- Approval of the leading man.
The star's dressing room.
- This is not even a question.
Approval of
all photos of me.
Oh, it's still not
a very glamorous role.
But maybe I could meet with David.
Maybe we could go over the script.
Maybe there's a few ways
we could find to brighten her up. Hmm?
Why am I nervous?
- That was sad. Clara Bow had it rough.
- She's a doll.
- I'd do anything to be in a movie.
- You're pretty enough.
Do you think you could
ever speak to Mr. Valenti?
- Mr. Valenti knows everybody.
He'll do the right thing.
- That's right.
I hear he's gonna make Olive Neal
[ Gunshots ]
Go, go, go!
Where'd it happen?
Who'd they get?
Oh, Jesus!
All right, I'm gonna be
at Olive's for about an hour.
You get some more guys downstairs
and call me back on the Masucci thing.
-This is for Leo Kustabeck, you hear me?
-[ Olive ] Hey!
- You said this was the lead.
It's a smaller part.
- All right.
- I got no time now.
- It's a smaller part.
I don't believe it.
- They just got Vinny and Sal
outside a movie house.
- I counted the lines.
I'm just backing her up.
- You hear what I said?
- I'm tired of backing people up.
I wanna be the lead.
- Julian says you're a doctor.
- A doctor. I don't wanna be
a doctor. I wanna be the lead.
- A head doctor. It's a big part.
A head doctor,
but it ain't the lead.
- So don't try and snow me.
- You'd squawk if they
hung you with a new rope.
- I know a lead when I see a lead,
and this ain't the lead.
- A lead is on every single page.
A lead has lots of scenes.
- Hello? Oh, Vito.
- Ya heard? Get everybody
together at the garage.
- I don't get to kiss nobody.
- No, I want it done today!
What is it with you?
- Hey!
- You wanna take your business
outta here? We got guests!
- Call me back.
- I got trouble here.
- I don't care about your trouble.
- What am I supposed to do?
Just foot the bills around here?
- I don't care.
- And I want my say with
this Broadway big shot too.
- Okay, just don't embarrass me.
- I'm lookin' out
for your interests, okay?
- [ Woman ] Miss Olive?
- There's a Mr. Marx and--
- I know, I know. Send 'em in, Venus.
- Listen. When they get here...
- What?
- charm 'em a little, baby.
- You're the one that
needs charm lessons.
- I told them you're a great actress.
- I am a great actress.
Nick Valenti!
- [ Valenti ] David, how are you?
- Hello. I'm Olive.
- This is Olive Neal.
- Charmed, charmed, charmed.
- Come on in. Come on.
- Come on in.
- Hey, Dave, she read your play.
She thinks it's great.
- Yes, I read your play.
It's thrilling, turbulent,
a page turner.
Charmed, charmed,
charmed, charmed.
Just needs a break.
- What have you been in, Miss, uh--
- Olive. Olive. Olive.
- Call me Olive, honey.
- You smoke?
- No.
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