Bullets Over Broadway Page #6
- R
- Year:
- 1994
- 98 min
- 3,141 Views
- I don't care.
You wanna get slapped here or do
you want me to take you outside
and we'll straighten this out?
It's up to you.
[ David ] Warner Purcell remains
good-spirited and a joy to work with.
And what discipline. Although,
I notice he no longer has just
a cup of hot water and lemon.
[ Eden ] lf you start it off
at that level--
Well, what are we going to do
about that canine-loving ingenue?
- Did you cast her because
you thought she was attractive?
- She's pretty...
but more importantly, she has a certain
perkiness that the character requires.
She's perky. She makes you
wanna sneak up behind her with
- It's a beautiful apartment.
- Josette.
- My beaker of martinis.
- Your taste is exquisite.
My taste is superb.
My eyes are exquisite.
What justifiable confidence.
- I think at some point you're
going to have to fire Olive.
- I'm afraid that's not possible.
Oh, how can you take her butchering
your poetry? I know I couldn't stand it.
No one in his right mind is
going to believe she's a doctor,
not even a veterinarian.
- [ Chuckles ]
- I understand, but it's a compromise
I have to live with...
and if I want the play to open,
I have to find a way to live with it.
I plan on reducing the scope of her role
if her bodyguard will let me.
Can you believe
that character?
Imagine, traveling with
your own private Neanderthal.
- I wasn't aware that you opened
The Master Builder.
- Oh, well.
I had forgotten that
you won that drama award.
- Here's to your play.
- Oh, thank you. Our play.
To an ideal world
with no compromise.
Oh, my gosh,
look at this view!
A million blinking lights.
A million broken hearts.
- You know what's down there?
- What?
- Broadway.
- Ah. That's your street.
Mm-hmm. Yes, that's my street,
but I'd like to give it to you.
- That is, if you want it.
- Who wouldn't want it?
I want you to write a play for me.
Oh, I mean when all this is over.
- Really?
- Your next play, I want you to create
- I'm honored.
- But it must have size...
an important woman.
- A Borgia. A Curie. You name it.
- Yes!
- I'll dedicate myself to it.
- Oh, and while you're at it...
if you could just have
a look at that scene in Act ll.
If she succeeds in seducing
the Lieutenant instead of
being rejected a second time...
- it could add some variation
to the character.
- Yes, that's a wonderful idea.
The heart is "labyrinthinine..."
a maze beset with brutal pitfalls
and mean obstacles.
David, I can't say that line. It doesn't
make sense. It's stupid. I don't get it.
- It's just a stylish way
of expressing a particular idea.
- Idea? What idea?
The agony of love.
The difficulty of relating.
- Why do you have to make it
so hard to say?
- Just say the line.
- No, I can't say it.
It's a mouthful of "ghibberish."
- Gibberish!
- I can't say it, and I will not say it.
- Just do the line.
No! I'm not making
a fool of myself.
[ Cheech ]
She's right, it stinks.
Oh-ho, Jesus,
another party heard from.
It's a stupid way of talkin',
and nobody talks like that.
- I don't believe this is happening.
- Frankenstein is right.
When I want your opinion,
I will ask for it.
I can't stand to listen to this
garbage. Every day I sit back there...
and I hear the same bullshit
over and over again.
Then leave.
No one asked you here.
[ Helen ]
Oh, David, take it easy.
Where did you study play writing?
Was it Sing Sing?
"A maze beset
by brutal pitfalls--"
Hey, Olive, I memorized it,
and I'm tellin' ya...
it comes to me all the time,
and it stinks on f***in' hot ice!
- That's it. I quit. This is crazy.
- [ Warner ] David.
- Oh, please, I have a little hangover!
- I am famished.
Everyone, everyone,
why don't we take lunch? An hour?
- [ Mr. Woofles Barking ]
- You don't wanna
say the goddamned line...
- don't say the goddamned line!
- Oh, look at you, Mr. Temperamental.
[ Helen ] lf that rat on a leash
barks one more time--
-He sounds melancholy. Is he melancholy?
-You can trim the line.
- Because she can't handle it?
- Because you said yourself
you were having trouble with it.
- So you agree with the gorilla?
- David, for Christ sake! It's one line!
- It's not going to wreck the scene.
- That's not the point!
Suddenly I'm taking suggestions from a
strong-arm man with an I.Q. of minus 50.
I've had it!
- David, for goodness' sake. Come on.
- Look who's here.
Oh, God!
Get my rifle!
I guess I'm just hypersensitive because
maybe deep down, I agree with the goon.
I don't know. My nerves are shot.
- No. Just calm yourself.
Helen, the play is not working.
It's not working, and it's in my
writing. It's not just Olive.
That's the reason we have rehearsal.
That's the reason we go out of town.
You have such a wonderful attitude.
I'm so lucky.
The best part of this project every day
is that I get to come to work...
and see you and be with you
and work with you.
- I don't mean to spoil the day.
- Then let's not.
Sit down here.
I'm going to show you something.
Okay.
This is my favorite spot
in the park.
And in winter,
when it's covered with snow...
at about 4:
30 in the afternoon,when it's just getting dark
and the lights come on...
it's all misty.
And you can just see the silhouettes of
the Manhattan skyline through the trees.
And it's magical.
It's magical.
Helen, I think I'm falling
in love with you.
Don't.
- I don't know if I can help it.
- David, please, we must be strong.
I've kept a check on my feelings
for so long, but there's
so much that I want to say.
- What are words?
- Oh, gosh.
David, everything meaningful
is in some unexplainable form.
It's-- It's more primordial
than mere language.
- I'm not sure I follow that one.
- Oh, be silent.
- Be silent.
- Helen--
No, let's just sit here
holding our thoughts.
Not revealing them.
Be still.
Let the birds have their song.
Let ours for now remain unsung.
You're amazing.
[ "Ain't Misbehavin"' ]
Stop it.
Stop it.
- I'm not in the mood!
- What do you mean
you're not in the mood?
Honey, you better get in the mood,
'cause he's payin' the rent.
Shut up, Venus!
Just what I said: I'm not in the mood.
- Do I have to be in the mood
every time you are?
- Stop puttin' on the airs.
- I'm not puttin' on airs.
- I never knew you when you wasn't
ready for a little action.
Well, today, I'm not ready for action.
I'm tired. Rehearsal is hard.
- Get your motor goin'.
- No!
- Hey, I brought you somethin'.
- What?
- Huh?
- Hmm.
What do ya say?
Come on.
- Nickie.
- Oh, I got a great bottle
of French wine.
Joey Foster
made it himself.
Pasadena. I'm pooped.
Let's misbehave
There's something wild
about you, child--
to watch rehearsal.
She was very excited to meet the cast,
especially Warner Purcell.
- Warner, Warner, Warner.
This is Ellen. My girlfriend.
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"Bullets Over Broadway" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/bullets_over_broadway_4814>.
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