Carnage Page #9

Synopsis: Carnage is a 2011 black comedy-drama film directed by Roman Polanski, based on the Tony Award winning play God of Carnage by French playwright Yasmina Reza. The screenplay is by Reza and Polanski. The film is an international co-production of France, Germany, Poland, and Spain. It stars Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly.
Genre: Comedy, Drama
Production: Sony Pictures Classics
  Nominated for 2 Golden Globes. Another 7 wins & 18 nominations.
 
IMDB:
7.2
Metacritic:
61
Rotten Tomatoes:
71%
R
Year:
2011
80 min
$2,200,000
Website
6,042 Views


57.

MICHAEL:

What's ridiculous? What, have you

lost your mind, too, now? Their son

beats the sh*t out of Ethan and

you're in my face over a hamster?

PENELOPE:

What you did with that hamster was

wrong, you can't deny that.

MICHAEL:

I don't give a f*** about the

hamster!

PENELOPE:

You'll have to give a f*** tonight

when your daughter gets home.

MICHAEL:

Bring her on! I'm not going to be

told how to act by a nine-year-old

snotnose brat!

ALAN:

Now I agree with him there, one

hundred percent.

PENELOPE:

That's pathetic.

MICHAEL:

Watch it, Penelope, watch it. I've

kept my shirt on up till now, but

you're pushing me over a line.

NANCY:

And Ethan?

MICHAEL:

What about Ethan?

NANCY:

Is he sad too?

MICHAEL:

Ethan's got other things on his

plate, if you ask me.

PENELOPE:

Ethan wasn't so attached to Nibbles.

MICHAEL:

What kind of p*ssy name is that

anyway?!

NANCY:

If you feel no remorse, why should

our son?

58.

MICHAEL:

You know what? All this consultation

and consideration sh*t, I'm sick to

death of it. We were nice to you. We

bought tulips. My wife dressed me up

as a liberal, but the truth is I got

no patience for this touchy-feely

bullshit and I’m a temperamental son

of a b*tch.

ALAN:

We all are.

PENELOPE:

No. No, I'm sorry. We are not all

temperamental sons of b*tches.

ALAN:

Not you, of course.

PENELOPE:

No, not me! Thank heavens!

MICHAEL:

Not you, darjee, not you. You're so

evolved. You never go off half-

cocked.

PENELOPE:

Why are you being so aggressive with

me?

MICHAEL:

I'm not being aggressive. I’m being

honest.

PENELOPE:

Yes you are aggressive, and you know

it.

MICHAEL:

You put this little bash together and

I let you recruit me...

PENELOPE:

You let me recruit you?

MICHAEL:

Yes.

PENELOPE:

That is so disgusting.

MICHAEL:

No, it's not. You're an advocate for

civilized behavior, well that's fine

with me.

59.

PENELOPE:

I'm an advocate for civilized

behavior, you bet I am! And it's a

good thing somebody is!

(on the verge of

tears:
)

You think it's better to be a son of

a b*tch?

ALAN:

All right, all right...

PENELOPE:

(still about to cry:)

That's OK to criticize someone for

not being a temperamental son of a

b*tch?

NANCY:

Nobody said that. Nobody criticized

you for that.

PENELOPE:

You did!

(she cries)

ALAN:

We did not.

PENELOPE:

What was I supposed to do? Sue you?

Never talk to you and tear you to

pieces through the insurance company?

MICHAEL:

Stop it, Penny.

PENELOPE:

Stop what?!

MICHAEL:

You're blowing this all out of

proportion.

PENELOPE:

I don't care! You do everything you

can to avoid the pettiness and you

wind up humiliated and completely

alone!

ALAN’s cell vibrates again.

ALAN:

Yes.

WALTER (O.S. - TEL)

It’s spreading like wild fire.

It’s out everywhere.

60.

ALAN:

Let them prove it!

WALTER (O.S. - TEL)

Yeah.

ALAN:

Prove it!

WALTER (O.S. - TEL)

Without some kind of response...

ALAN:

From where I sit, the best thing for

us to do is nothing!

MICHAEL:

We’re born alone and we die alone!

Who wants a little Scotch?

WALTER (O.S. - TEL)

You know I keep going over this in

my mind, Alan. The victims

ALAN:

Walter, I'm in a meeting right now.

I'll call you when I get back to the

office.

He hangs up.

PENELOPE:

That's the thing. I am living with a

totally negative person.

ALAN:

Who's negative?

MICHAEL:

Me.

PENELOPE:

This was the worst possible idea! We

should never have had this meeting at

all!

MICHAEL:

I told you so.

PENELOPE:

You told me so?

MICHAEL:

Yeah.

PENELOPE:

You told me that you didn't want to

have this meeting?!

61.

MICHAEL:

I didn't think it was a very good

idea.

MICHAEL crosses to the liquor cabinet, pulls out a bottle

of scotch.

NANCY:

It was a good idea.

MICHAEL:

Oh come on!

(holding up the

bottle:
)

Who wants some?

PENELOPE:

You told me it wasn't a good idea,

Michael?!

MICHAEL:

As I recall.

PENELOPE:

As you recall!

ALAN:

Maybe just a sip.

NANCY:

Don't you have to go?

ALAN:

At this point in the game, I may as

well have a drink.

MICHAEL pours two glasses of scotch and hands one to ALAN.

PENELOPE:

Look me in the eyes and tell me again

we didn't both agree to this!

NANCY:

Calm down, Penelope, calm down. This

is going nowhere.

PENELOPE:

Who said not to touch the cobbler

this morning? Who said we should keep

the rest for the Cowan's? Who said

that?!

ALAN:

That was very nice of you.

MICHAEL:

What's that got to do with it?

62.

PENELOPE:

What do you mean what has it got to

do with it?!

MICHAEL:

Guests are guests.

PENELOPE:

You're lying, you're lying! He’s

lying!

ALAN:

You know my wife actually had to drag

me here today. When you grow up with

a certain John Wayne idea of manhood,

the impulse in this kind of situation

is not to talk it through.

MICHAEL:

Ha, ha!

NANCY:

I thought the role model was Ivanhoe.

ALAN:

Same basic concept.

MICHAEL:

Another aspect.

PENELOPE:

Another aspect! Just how much are you

going to humiliate yourself, huh?

NANCY:

I can see I dragged him here for

nothing.

ALAN:

What did you expect, Doodle? That is

a ridiculous nickname. Some

revelation about universal values?

This scotch is unbelievable.

MICHAEL:

Ah! See that? 18 years old, single

malt, from a tiny place in Scotland

where they still grow their own

barley.

PENELOPE:

And the tulips, who went to get them?

All I said was it's too bad we didn’t

get any tulips. I never said anything

about going all the way up to

Sullivan at dawn.

63.

NANCY:

Don't get all bent out of shape over

this, Penelope, it’s not worth it.

PENELOPE:

He got the tulips! Him and only him!

Don't we get a drink?

NANCY:

Penelope and I would like a drink,

too.

Pause. Michael crosses to the bar.

Pretty funny when you think about it,

a devotee of Ivanhoe and John Wayne

but he's scared to pick up an ittybitty

mouse.

MICHAEL:

Stop with the hamster! Stop!

MICHAEL serves NANCY some scotch.

PENELOPE:

Ha, ha! You're right, it's laughable!

NANCY:

And her?

MICHAEL:

I don't think that will be necessary.

PENELOPE:

Pour me a drink, Michael.

MICHAEL:

No.

PENELOPE:

Michael!

MICHAEL:

No.

PENELOPE tries to tear the bottle away from him.

MICHAEL won't let her.

NANCY:

What is wrong with you, Michael?!

MICHAEL hands PENELOPE the bottle.

MICHAEL:

Fine, go ahead. Drink, drink, what

does it matter?

64.

NANCY:

Is drinking bad for you or

something?

PENELOPE:

It's great for me. At this point...

She pours herself a drink, takes a sip, breaks down crying.

ALAN:

Well... Now I don't know...

PENELOPE:

(to ALAN:
)

Mr. uh...

NANCY:

Alan.

PENELOPE:

Alan, you and I didn't exactly hit it

off but you see, I live with a man

who has decided once and for all that

life is synonymous with mediocrity.

It's very hard to live with a man

who's walled himself up in that idea,

who doesn't want to change anything,

who never gets excited about

anything.

Rate this script:5.0 / 1 vote

Yasmina Reza

Yasmina Reza (born 1 May 1959) is a French playwright, actress, novelist and screenwriter best known for her plays 'Art' and God of Carnage. Many of her brief satiric plays reflected on contemporary middle-class issues. more…

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