Carry on England Page #7

Synopsis: Captain S. Melly takes over as the new Commanding Officer at an experimental mixed sex air defence base. It's 1940 and England is under heavy bombardment, but the crew seem more interested in each other than the enemy planes above. Captain Melly plans to put a stop to all this, and becomes the target of a campaign to abandon his separatist ideals...
 
IMDB:
3.6
NOT RATED
Year:
1976
89 min
296 Views


I thought a spot of gun drill, sir.

All right. Let's shoot off.

(Both chuckle heartily)

(Laughs sarcastically)

You f...

Fall in at the gun emplacement!

Move yourselves!

BLOOMER:
Come on. Move yourselves!

Get them bodies moving!

13-13 Battery, at the double...

...stop for nothing, take posts!

Watch it! Aarrghh!

Better get him out of there, Sergeant Major.

Sir.

Steady, sir. Excuse the familiarity, sir.

(Back cricks)

Aahh! Ohhh!

Got yourself in a bit of a hole there, Melly.

Hole! Ha ha ha ha!

- Permission to carry on, sir.

- Please do.

MELLY:
You two men there.

- It doesn't need two men to lift one shell.

- You couldn't call us two men, sir.

More like one and a half.

- It doesn't need one and a half.

- These things is heavy, sir.

- A man could do himself a mischief.

- Rubbish!

Come on. Hand it to me.

- Over to you, Sergeant Major.

- Tiger, darling, let me.

Don't say darling in front of officers.

But I couldn't bear it if you strained something

before we'd even...

you know...

I do not know.

Well, let me teach you.

I find these things awfully exciting.

I don't know why.

- Take that thing out of there!

- She's rammed it up. Let it stay up.

In that case, sir, gun loaded, sir.

Bearing 270!

(Rhythmic honking)

Call Melly, will you?

Sir. Captain Melly!

Sir?

Surely, in the interests of efficiency,

you shouldn't have someone with... those...

doing... erm... that.

Do you know, sir, you're right.

Yes, well, I always try

and keep abreast of things.

Oh, droll, sir. Very droll.

- Hiscock?

- I beg your pardon.

Gunner Hiscock! Replace those...

...her, will you?

Yes.

Carry on, Sergeant.

- QE 30.

- Gun ready for firing, sir.

Right, stand by!

Fire!

(Phut)

Hardly went off with a bang, eh, Melly?

Carry out drill for misfire!

Breach jammed, sir.

Jammed? Get out of my way!

Put up a bit of a black there, Melly.

- Permission to take a shower.

- Where are you going to take them?

Not this shower, sir.

Hot shower.

Yes. Well, I must admit, you do look a bit grimy.

Carry on with the brigadier's inspection,

Sergeant Major.

Hah!

Shall we commence in the mess, sir?

Seem to be in it already.

Ha ha ha. Humpf!

It will start working soon.

He'll turn bright blue

as soon as he gets in the open air.

Hee-hee hee-hee!

If you could see your way clear, sir, to grant me

a transfer, I would be eternally grateful.

I would do anything, sir.

Any mission you care to suggest.

I could parachute into Germany. Kill Hitler.

Captain Melly resuming duty, sir.

- Melly?

- Sir?

Melly, last time I saw you, you were black.

Now you've turned blue.

Blue?

Blue. Mirror.

- Blue as a baboon's arse.

- Ha ha! Oh...

Permission to have another shower, sir.

- Granted.

- Carry on with the inspection, Sergeant Major.

Hah!

On the other hand, sir,

if you does not fancy me knocking off Hitler,

how about that fat slob of an Italian

ice cream merchant Musso-bloody-lini?

- Are you a coward, Sergeant Major?

- Me, sir?

You want to go gallivanting off,

trying to kill Hitler and Mussolini

and sneak out from under

this very tough job here?

Only a suggestion, sir.

Bloody ashamed, you should be. What's this?

Games room, sir.

What's the name of this game, Sergeant Major?

- Unarmed combat... sir.

- Oh?

What the sergeant major means, sir, is... Ahem!

...is that you can never be sure

when them Nazi paratroopers might land, sir.

And we must be ready for them.

By fighting with ladies?

Ah, sir, we heard... about them nuns, sir.

You know, sir. Them nuns when the Frogs

was done. With Tommy guns up their habits.

Those nuns, Sergeant Major,

were German soldiers in disguise.

What we was doing, sir,

was getting used to the feel

of fighting something in skirts.

Mm-hm. What do you say, Carstairs?

Mm-hm.

- Can you explain that, Sergeant?

- Well, sir. This is erm...

well, a mixed battery, sir.

And er... well, in a mixed battery, you have to er...

- Mix it.

- Mix it.

Carstairs, you fancy yourself

at unarmed combat, don't you?

I know a trick or two, sir.

- Go on, then. Choose your opponent.

- Thank you, sir.

You. That man there.

- Me, sir?

- No, no. No! Not you, Bombardier.

I never fight a man with his glasses on.

I'll take them off, sir.

No, no. It'll be too dangerous.

Thank you. Back into line.

Sir.

You. That man over there.

Me, sir?

Yes, you.

Sir, why don't you try one of our young ladies?

- Eh?

- Good idea. Why not try one of her ladies?

TILLY:
Just to show how far advanced

in the game we are, sir.

- Ladies, well...

- Jolly good idea. Go ahead.

- Ffoukes Sharpe!

- Pardon?

- Sir!

- Sir.

- If I was you, sir...

- Yes, Sergeant Major.

How you wish you were me.

- No, sir, I think I should warn you...

- Don't worry, I shan't hurt her.

(Stifled chuckle)

Right, Ffoukes Sharpe. En garde!

What are they afraid of, what?

Stand by, Sergeant!

Oooh! Aarrghh!

Thank you, madam.

I wasn't ready, sir.

Come along, Carstairs. I think we've both hung

around here long enough, don't you?

Ha ha.

Whoever perpetrated that blue joke

is going to suffer.

Suffer! I'll murder 'em!

I'll make dog meat of 'em.

I'll show them who's wearing

the trousers around here.

(High-pitched voice) Good afternoon, sir.

I say, sir. That ATS private's

wearing a moustache!

That's no ATS private, Carstairs. That's Melly!

(Air raid siren)

13-13 Battery, take post!

Action stations, Carstairs. Action stations!

Is this the real thing, Sergeant Major?

Yes, lovely boy.

It is you against the Hun this time!

Move yourselves! Move yourselves!

Come on! Come on!

BLOOMER:

Sixpence for every one you shoots down.

Two bob if it is a German!

Come on! Come on! Move yourselves!

Move yourselves! Come on! Come on!

Here, did you see that?

Leonard, you cannot expect a brigadier

to expose himself.

I think perhaps we should go now.

Get those bloody guns ready!

MELLY:
Put those gas masks on!

No.1 detachment, take post!

Right! Stand by!

With respect, sir. You is improperly dressed.

If it wasn't for you, Sergeant Major,

I wouldn't be in this shape.

- I reckon they're Fokkers.

- Have you got it up?

- I beg your pardon?

- The shell, man. The shell!

- That's rammed up all right, sir.

- Then fire it!

Fire!

SPITFIRE PILOT:
Bloody hell!

Don't shoot at him. Shoot at them!

You dozy idle fool!

220-35-29!

Fire!

Fire!

190-30-28!

Shorthouse!

Get that shell in the breach!

Oh, for heaven's sake!

- Get out!

- Fire!

- We've got him, Sergeant Major.

- Let's hope it's one of theirs.

- Aaaaaahh!

- Well done, lads! Again!

Fire!

It's a hit, sir. It's a hit!

- Well done, Tiger.

- Thank you, Smelly... sir.

Do it again! Do it again!

MELLY:
Fire!

It's another hit, sir!

Well done, Jock.

Do it again!

Right, stand back, you two!

That's it. Fire!

You've done it. You've done it, my lovely boys!

- We did it! We did it!

- Leonard, you did it.

- No, we did it, Till.

- We did?

Take that message back to Hitler!

Ahhh!

A- haaaa!

Rate this script:0.0 / 0 votes

David Pursall

David spent his early life in Erdington (England), the son of an accountant; he was always interested in writing and had two murder mystery novels published by the time he was sixteen. So, on leaving school, he took an apprenticeship as a journalist and became a reporter working on a local Birmingham newspaper. His ambition was to move to London to work on a national newspaper but with the threat of war looming, he joined the Royal Service Voluntary Reserve of the Fleet Air Arm as a trainee pilot before taking an officer's course at The Greenwich Naval College. During the Second World War he spent the first three years flying, winning a DSC for bravery and then transferred to the Admiralty Press Division. It was whilst he was stationed in Sydney that he met Captain Anthony Kimmins, the well-known broadcaster on naval affairs, who inspired him to work in the film industry. In 1947, settling in London, he eventually landed a post as Publicity Director for The Rank Organization and, in collaboration with the iconic portrait photographer Cornel Lucas, handled the press relations for Rank film stars, some of those he mentioned include : Jean Simmons, Petula Clark, Diana Dors, Joan Collins, Jill Ireland and Brigitte Bardot. In 1956, he joined forces with long term writing partner Jack Seddon, basing full time at Pinewood Studios, initially writing a script from his own idea Tomorrow Never Comes (1978). However, the plot was considered too provocative at that time and it was whilst trying to interest producers in this, that David and Jack were commissioned to write the script for Count Five and Die (1957); and it took twenty-one years' before Tomorrow Never Comes (1978), was made. Continuing later as a freelance film and TV scriptwriter, David worked mainly on war and murder mystery themes; his last movie made for TV was Black Arrow in 1985, a 15th century historical war drama. He worked constantly, and together with the titles listed, there were many more commissioned scripts, treatments, and original stories developed which never reached the sound stage. He also tried his hand at writing for the theatre, worked for a short time in Bollywood, took his tape recorder to the front line in Israel for a documentary on the Six Day War, and later became a Film and TV adviser; he also continued to write newspaper articles. David lived the good life; a popular, charismatic conversationalist, an idea's man, who enjoyed travelling the world circumnavigating twice, partying, theatergoing, watching night shooting at Pinewood Studios, finishing The Daily Telegraph cryptic crossword daily and driving fast cars; as well as helping the aspiring young achieve success in their careers in film and the media. Aged 69, he announced from his hospital bed, that as he'd written everything there was to write, it was his time to go. He left behind a devoted wife and a daughter. more…

All David Pursall scripts | David Pursall Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Carry on England" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/carry_on_england_5120>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Carry on England

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "B.G." stand for in a screenplay?
    A Backstory
    B Big Goal
    C Background
    D Bold Gesture