Cas & Dylan Page #5
- Oh, I'm good.
I'm just browsing--
- You know
Shania's "Come on Over"
isn't just the
best-selling album of all
time by a female musician
in any genre. It was also
the best selling country
album ever. Humph. A lot
it must have been Garth
Brooks or Wynonna Judd.
But I'm like, it's Shania,
all the way. We also share
the same zodiac sign. Oh
excuse me.
Hey!
- Okay.
- You got
some money on you?
- Yeah,
in my left pocket.
- Yeah... I'm a little
behind on rent. (whispers)
- Okay. Are you
sure you don't need help
with anything?
- Yeah, no, I'm good.
- These, these are
pink flamingos from Miami. I
guarantee you're gonna be
dancing 'till the sun comes up.
- Oh wow.
- What's that now?
- Well, look at you.
- Coffee. Black.
No sugar. Oh-- I got
something for
Jennifer too.
- No.
- Figures. Hey, Cas,
promise me one thing. No
"goodbye sweet world".
It's so overused. And I'd
hate for you to go
out on a clich.
- I thought you were
writing next year's masterpiece.
- I am! Don't worry,
I've been writing it. I--
I just-- I wrote this bit
last night. Wanna hear it?
Okay. Cool. (clears
throat) "From within the
catacombs of her heart was
this secret flame of fury
that could not be
concealed. Like the baby
orca, when it first--"
- Wait a minute. Wait
a minute. Wait a minute.
Start again.
- Okay. 'Kay. "From
within the catacombs of
her heart was a secret
flame of fury that could
not be concealed.
Like the baby orca--"
- No no. Can I
ask you a question?
- Yeah.
- What are you
writing about?
- Oh. Uh, okay, well
if you'll let me read.
- Well I, I've let you
read. Twice. And I still
don't have any idea what
your point is or, or if
there's a throughline
or anything.
- Who made you the
expert on this? I'm the
writer, you're a doctor.
Uhn. You don't tell me how
to write, I don't tell
you how to doctor.
- Can I tell you
how to get in the car?
- Drink your coffee.
It'll make you feel better.
- I want you to know
that, that feeling you get
when you have a cup of
coffee and it's not good,
you know. It's lacking.
- Yeah. Yeah.
- This is... This is
- Good thing I
only gave you one.
- What?
- Nothing.
- Boy. Are you hot? I
mean are you feeling hot?
I feel hot. I feel like
I'm burning up. (laughing)
I feel like I'm getting
incinerated. It's really hot.
- Should I uh, should
I take the top down, or?
- Oh yeah! Oh yes!
What a good idea!
- Yeah?
- Really!
- Yeah?
- You know, that's why
I like you. That's exactly
why I like you because
you have some really good
ideas. Really
fresh, you know?
- Yeah?
- Fresh ideas. That's
a fresh idea. Fresh.
- You want
me to drive too?
So how you
feeling Dr. Pepper?
- This wind is
so fresh on my face.
- I decided that
going out west with you is
destiny. I was meant to do
that. I mean what are the
chances I would meet you
at the exact same time
that Cresthill Books
finally went through. It's
a sign, right? I see
some good things ahead.
- You wanna
know something?
- What?
- You are
absolutely right!
- No.
- Mmhmm.
- Really?
- I feel great!
- Good! You should
let is out, Cas. C'mon.
- Aaaaoooo!! Hahahahaa!
- Really? That's it?
- What?
- What? That's
all you got? Come on!
Diaphragm. (screams)
(both screaming
and laughing)
That feel good?
- Hmmm. Pft. I'm
a little dehydrated.
(music)
I need
something to drink.
- Yeah?
- You want anything?
- I'm good.
- Ohhh. "Are you
married?" "No." "Ooo!"
(Cell phone dialing and ringing)
- Hey, this is Denise! I'm not
in. You know what to do.
- Hey Denise,
my name is Dylan,
I'm a friend of a friend
of yours, uh, Cas Pepper.
I guess he could
have been your boyfriend
or like cousin, maybe. Uh,
for you to get in touch
with him or I can try you
again. He just seems like
he could kind of use a
friend right now, maybe.
(music)
Miles and miles and miles
Before we reach the sand
Cacti and cacti for miles
Miles of dry land, dry land
We gonna make it...
- Dylan! Dylan,
we overslept.
(Dylan groans)
We overslept. Get up.
- What? You're old.
Don't you people wake up
at like 5am.
- What do you
mean 'you people'?
Once we feel the sea breeze
My-my-my-my-my lover,
my maker
My breaker
Take me by the hand
We could go walking
for miles
Once we reach the sand,
the sand
We gonna make it,
ohh we gonna make it
We gonna take it
Ohh we gonna take it easy
- Okay, wish me luck.
- Good luck.
(clears throat)
- Can I help you?
- Yes. Dylan Morgan.
I have a 4:
30 with SusanCrosby to talk
about my manuscript.
- Hmmm. You said 4:30
- Yup.
- That's weird. 'Kay.
Susan, I have a
Dylan Morgan here. Un hun.
Title.
- Um, Action Romanture.
- Action
Romanture. (giggles)
Okay, thank you Susan. Mn.
There seems to have
been a mix-up. Cresthill
Books passed on
your manuscript.
- I-- I called though.
I have a meeting.
- She had a 4:
30 withDillon Shaughnessy.
- No, Um--
- Well Dylan, Dillon. It's
an understandable mix-up.
- I don't find it
that understandable. I
came all the way
from Winnipeg!
- Oh... Pft. Sorry.
- If I could just
speak with Mrs. Crosby for
five minutes.
- I'm afraid that's impossible.
- If I could talk to
her about my work, I mean,
it's deep. You know,
maybe Susan doesn't have
enough-- (taps on
her head) Y'know...
- No. No,
I'm afraid I don't know.
Cresthill Books.
Okay. Buh-bye. Yeah.
Yeah sure. Sure, sure, sure.
I'll put you right through.
Cresthill Books. Peter! Susan
has been trying to get ahold
of you for ages. We loved
it! Oh yeah, yeah. I'll
put you through.
- What happened?
- Wouldn't even see me.
Cas? Hey! What
are you doing? Cas!
- Excuse me.
We're here to
see Ms. Susan Crosby.
- Uh, if this is about her
manuscript, Cresthill
Books passed.
- I hear you, and we'd
just like to see Ms.
Crosby for five minutes.
I think that's fair.
- Susan doesn't see anyone
without an appointment.
I think that's fair.
You were saying you
stayed the night so...
- You do know that
you're being unreasonable.
- Okay. It's not gonna
happen, all right? But
thank you. Please submit
again. (ON PHONE) Sorry.
No it's fine I'm just at work.
- My name is Dr. Cas
Pepper. This woman is my
patient, she has high
blood pressure. If she
strokes and dies I will
see to it that you
personally are charged
with at least manslaughter
and perhaps murder.
- Your syntax is
ordinary at best. There
are factual
inconsistencies
everywhere. There's no
throughline. No point of
view. And it's completely
unfocused, impersonal, and
inauthentic. You have no
connection to the material
and it reads that way.
- Oh.
- I will take
the phone back now.
- Oh, Dylan. It was
your first book. And it
was your first
publishing company.
- Yeah, but she said
everything you said so--
Who am I kidding?
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