Casablanca Page #6
RICK:
(glances toward Renault)
My interest in whether Victor
Laszlo stays or goes is purely a
sporting one.
STRASSER:
In this case, you have no sympathy
for the fox, huh?
RICK:
Not particularly. I understand the
point of view of the hound, too.
STRASSER:
Victor Laszlo published the foulest
lies in the Prague newspapers until
the very day we marched in, and even
after that he continued to print
scandal sheets in a cellar.
RENAULT:
Of course, one must admit he has
great courage.
34
STRASSER:
I admit he is very clever. Three
times he slipped through our fingers.
In Paris he continued his activities.
We intend not to let it happen again.
Rick gets up.
RICK:
You'll excuse me, gentlemen. Your
business is politics. Mine is
running a saloon.
STRASSER:
Good evening, Mr. Blaine.
Rick walks away toward the gambling room.
RENAULT:
You see, Major, you have nothing to
worry about Rick.
STRASSER:
Perhaps .
A couple comes in the front door. They are VICTOR LASZLO,
the Czech resistance leader, and a very pretty young woman
wearing a simple white gown, MISS ILSA LUND. She is so
beautiful, in fact, that people turn to stare.
The HEADWAITER comes up to them.
HEADWAITER:
Yes, Monsieur?
LASZLO:
I reserved a table. Victor Laszlo.
HEADWAITER:
Yes, Monsieur Laszlo. Right this way.
As the headwaiter takes them to a table they pass by the
piano, and the woman looks at Sam.
Sam, with a conscious effort, keeps his eyes on the keyboard
as they go past. He appears to know this woman. After she
has gone by Sam steals a look in her direction.
BERGER, a slight, middle-aged man, observes the couple from
a distance.
The headwaiter seats Ilsa. Laszlo takes the chair opposite
and surveys the room.
35
Strasser and Renault look up at them from their table.
LASZLO:
Two Cointreaux, please.
WAITER:
Yes, Monsieur.
LASZLO:
(to Ilsa)
I saw no one of Ugarte ' s description.
ILSA:
Victor, I, I feel somehow we shouldn't
stay here.
LASZLO:
If we would walk out so soon, it
would only call attention to us.
Perhaps Ugarte ' s in some other part
of the cafe.
Berger walks up to their table.
BERGER:
Excuse me, but you look like a
couple who are on their way to
America .
LASZLO:
Well?
Berger takes a ring from his finger.
BERGER:
You will find a market there for
this ring. I am forced to sell it
at a great sacrifice.
LASZLO:
Thank you, but I hardly think --
BERGER:
-- Then perhaps for the lady. The
ring is quite unique.
He holds it down for their view. Carefully lifting up the
stone, he reveals...
INSERT - a gold plate in the setting underneath, an
impression of the Lorraine Cross of General de Gaulle.
LASZLO:
36
Oh, yes, I'm very interested.
Berger sits down with them.
BERGER:
Good.
LASZLO:
(lower voice)
What is your name?
BERGER:
Berger, Norwegian, and at your
service, sir.
Renault approaches the table from behind Laszlo. Ilsa tries
to warn him.
ILSA:
Victor . . .
Laszlo understands.
LASZLO:
(in a low voice)
I'll meet you in a few minutes at
the bar.
(in a louder voice)
I do not think we want to buy the
ring. But thank you for showing
it to us.
Berger, taking the cue, sighs and puts the ring away.
BERGER:
Such a bargain. But that is your
decision?
LASZLO:
I 'm sorry . It is .
Berger gets up and leaves as Renault moves to the table.
RENAULT:
Monsieur Laszlo, is it not?
LASZLO:
Yes.
RENAULT:
I am Captain Renault, Prefect of
Police .
LASZLO:
37
Yes. What is it you want?
RENAULT:
(amiably)
Merely to welcome you to Casablanca
and wish you a pleasant stay. It is
not often we have so distinguished a
visitor .
LASZLO:
Thank you. I hope you'll forgive
me, Captain, but the present French
administration has not always been
so cordial. May I present Miss Ilsa
Lund?
RENAULT:
I was informed you were the most
beautiful woman ever to visit
Casablanca. That was a gross
understatement .
Ilsa's manner is friendly and reserved, her voice low
and soft.
ILSA:
You are very kind.
LASZLO:
Won't you join us?
He sits down.
RENAULT:
If you will permit me.
(calls to the waiter)
Oh, Emil. Please, a bottle of
your best champagne, and put it
on my bill.
EMIL:
Very well, sir.
LASZLO:
No, Captain, please.
RENAULT:
No. Please, Monsieur, it is a
little game we play. They put
it on the bill, I tear the bill
up. It is very convenient.
Ilsa glances off in Sam's direction.
38
ILSA:
Captain, the boy who is playing the
piano, somewhere I have seen him.
RENAULT:
Sam?
ILSA:
Yes.
RENAULT:
He came from Paris with Rick.
ILSA:
Rick? Who's he?
RENAULT:
(smiling)
Mademoiselle, you are in Rick's and
Rick is --
ILSA:
— Is what?
RENAULT:
Well, Mademoiselle, he's the kind of
a man that, well, if I were a woman
and I . . .
(taps his chest)
were not around, I should be in love
with Rick. But what a fool I am
talking to a beautiful woman about
another man.
Renault jumps to his feet as Strasser enters.
RENAULT:
Excuse me. Ah, Major. Mademoiselle
Lund, Monsieur Laszlo, may I present
Major Heinrich Strasser.
Strasser bows and smiles pleasantly.
STRASSER:
How do you do. This is a pleasure I
have long looked forward to.
There is not the slightest recognition from either Ilsa
or Laszlo.
Strasser waits to be asked to seat himself.
LASZLO:
I'm sure you'll excuse me if I am
39.
not gracious, but you see, Major
Strasser, I'm a Czechoslovakia!! .
STRASSER:
You were a Czechoslovakia:! . Now you
are a subject of the German Reich!
Laszlo stands.
LASZLO:
I've never accepted that privilege,
and I'm now on French soil.
STRASSER:
I should like to discuss some matters
arising from your presence on French
soil .
LASZLO:
This is hardly the time or the place.
STRASSER:
(hardening)
Then we shall state another time and
another place. Tomorrow at ten in
the Prefect's office, with
Mademoiselle .
LASZLO:
Captain Renault, I am under your
authority. Is it your order that we
come to your office?
RENAULT:
(amiably)
Let us say that it is my request.
That is a much more pleasant word.
LASZLO:
Very well .
Renault and Strasser bow shortly.
RENAULT:
Mademoiselle .
STRASSER:
Mademoiselle .
Renault and Strasser walk away.
RENAULT:
A very clever tactical retreat,
40
Major .
Strasser looks at Renault sharply, but sees only a
noncommittal smile on Renault's face.
Laszlo remains standing at the table as Strasser and
Renault leave.
LASZLO:
This time they really mean to
stop me.
ILSA:
Victor, I'm afraid for you.
LASZLO:
We have been in difficult places
before, haven't we?
Ilsa smiles back at him, but her eyes are still troubled.
On the floor, CORINA strums a guitar and begins her number.
Meanwhile, Laszlo looks about with apparent casualness. He
sees Strasser and Renault whispering together, then notices
Berger at the bar.
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"Casablanca" Scripts.com. STANDS4 LLC, 2025. Web. 21 Jan. 2025. <https://www.scripts.com/script/casablanca_57>.
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