Casablanca Page #6

Synopsis: Rick Blaine (Humphrey Bogart), who owns a nightclub in Casablanca, discovers his old flame Ilsa (Ingrid Bergman) is in town with her husband, Victor Laszlo (Paul Henreid). Laszlo is a famed rebel, and with Germans on his tail, Ilsa knows Rick can help them get out of the country.
Genre: Drama, Romance, War
Director(s): Michael Curtiz
Production: Warner Bros. Pictures
  Won 3 Oscars. Another 5 wins & 9 nominations.
 
IMDB:
8.5
Metacritic:
100
Rotten Tomatoes:
97%
PG
Year:
1942
102 min
Website
882,256 Views


RICK:

(glances toward Renault)

My interest in whether Victor

Laszlo stays or goes is purely a

sporting one.

STRASSER:

In this case, you have no sympathy

for the fox, huh?

RICK:

Not particularly. I understand the

point of view of the hound, too.

STRASSER:

Victor Laszlo published the foulest

lies in the Prague newspapers until

the very day we marched in, and even

after that he continued to print

scandal sheets in a cellar.

RENAULT:

Of course, one must admit he has

great courage.

34

STRASSER:

I admit he is very clever. Three

times he slipped through our fingers.

In Paris he continued his activities.

We intend not to let it happen again.

Rick gets up.

RICK:

You'll excuse me, gentlemen. Your

business is politics. Mine is

running a saloon.

STRASSER:

Good evening, Mr. Blaine.

Rick walks away toward the gambling room.

RENAULT:

You see, Major, you have nothing to

worry about Rick.

STRASSER:

Perhaps .

A couple comes in the front door. They are VICTOR LASZLO,

the Czech resistance leader, and a very pretty young woman

wearing a simple white gown, MISS ILSA LUND. She is so

beautiful, in fact, that people turn to stare.

The HEADWAITER comes up to them.

HEADWAITER:

Yes, Monsieur?

LASZLO:

I reserved a table. Victor Laszlo.

HEADWAITER:

Yes, Monsieur Laszlo. Right this way.

As the headwaiter takes them to a table they pass by the

piano, and the woman looks at Sam.

Sam, with a conscious effort, keeps his eyes on the keyboard

as they go past. He appears to know this woman. After she

has gone by Sam steals a look in her direction.

BERGER, a slight, middle-aged man, observes the couple from

a distance.

The headwaiter seats Ilsa. Laszlo takes the chair opposite

and surveys the room.

35

Strasser and Renault look up at them from their table.

LASZLO:

Two Cointreaux, please.

WAITER:

Yes, Monsieur.

LASZLO:

(to Ilsa)

I saw no one of Ugarte ' s description.

ILSA:

Victor, I, I feel somehow we shouldn't

stay here.

LASZLO:

If we would walk out so soon, it

would only call attention to us.

Perhaps Ugarte ' s in some other part

of the cafe.

Berger walks up to their table.

BERGER:

Excuse me, but you look like a

couple who are on their way to

America .

LASZLO:

Well?

Berger takes a ring from his finger.

BERGER:

You will find a market there for

this ring. I am forced to sell it

at a great sacrifice.

LASZLO:

Thank you, but I hardly think --

BERGER:

-- Then perhaps for the lady. The

ring is quite unique.

He holds it down for their view. Carefully lifting up the

stone, he reveals...

INSERT - a gold plate in the setting underneath, an

impression of the Lorraine Cross of General de Gaulle.

LASZLO:

36

Oh, yes, I'm very interested.

Berger sits down with them.

BERGER:

Good.

LASZLO:

(lower voice)

What is your name?

BERGER:

Berger, Norwegian, and at your

service, sir.

Renault approaches the table from behind Laszlo. Ilsa tries

to warn him.

ILSA:

Victor . . .

Laszlo understands.

LASZLO:

(in a low voice)

I'll meet you in a few minutes at

the bar.

(in a louder voice)

I do not think we want to buy the

ring. But thank you for showing

it to us.

Berger, taking the cue, sighs and puts the ring away.

BERGER:

Such a bargain. But that is your

decision?

LASZLO:

I 'm sorry . It is .

Berger gets up and leaves as Renault moves to the table.

RENAULT:

Monsieur Laszlo, is it not?

LASZLO:

Yes.

RENAULT:

I am Captain Renault, Prefect of

Police .

LASZLO:

37

Yes. What is it you want?

RENAULT:

(amiably)

Merely to welcome you to Casablanca

and wish you a pleasant stay. It is

not often we have so distinguished a

visitor .

LASZLO:

Thank you. I hope you'll forgive

me, Captain, but the present French

administration has not always been

so cordial. May I present Miss Ilsa

Lund?

RENAULT:

I was informed you were the most

beautiful woman ever to visit

Casablanca. That was a gross

understatement .

Ilsa's manner is friendly and reserved, her voice low

and soft.

ILSA:

You are very kind.

LASZLO:

Won't you join us?

He sits down.

RENAULT:

If you will permit me.

(calls to the waiter)

Oh, Emil. Please, a bottle of

your best champagne, and put it

on my bill.

EMIL:

Very well, sir.

LASZLO:

No, Captain, please.

RENAULT:

No. Please, Monsieur, it is a

little game we play. They put

it on the bill, I tear the bill

up. It is very convenient.

Ilsa glances off in Sam's direction.

38

ILSA:

Captain, the boy who is playing the

piano, somewhere I have seen him.

RENAULT:

Sam?

ILSA:

Yes.

RENAULT:

He came from Paris with Rick.

ILSA:

Rick? Who's he?

RENAULT:

(smiling)

Mademoiselle, you are in Rick's and

Rick is --

ILSA:

— Is what?

RENAULT:

Well, Mademoiselle, he's the kind of

a man that, well, if I were a woman

and I . . .

(taps his chest)

were not around, I should be in love

with Rick. But what a fool I am

talking to a beautiful woman about

another man.

Renault jumps to his feet as Strasser enters.

RENAULT:

Excuse me. Ah, Major. Mademoiselle

Lund, Monsieur Laszlo, may I present

Major Heinrich Strasser.

Strasser bows and smiles pleasantly.

STRASSER:

How do you do. This is a pleasure I

have long looked forward to.

There is not the slightest recognition from either Ilsa

or Laszlo.

Strasser waits to be asked to seat himself.

LASZLO:

I'm sure you'll excuse me if I am

39.

not gracious, but you see, Major

Strasser, I'm a Czechoslovakia!! .

STRASSER:

You were a Czechoslovakia:! . Now you

are a subject of the German Reich!

Laszlo stands.

LASZLO:

I've never accepted that privilege,

and I'm now on French soil.

STRASSER:

I should like to discuss some matters

arising from your presence on French

soil .

LASZLO:

This is hardly the time or the place.

STRASSER:

(hardening)

Then we shall state another time and

another place. Tomorrow at ten in

the Prefect's office, with

Mademoiselle .

LASZLO:

Captain Renault, I am under your

authority. Is it your order that we

come to your office?

RENAULT:

(amiably)

Let us say that it is my request.

That is a much more pleasant word.

LASZLO:

Very well .

Renault and Strasser bow shortly.

RENAULT:

Mademoiselle .

STRASSER:

Mademoiselle .

Renault and Strasser walk away.

RENAULT:

A very clever tactical retreat,

40

Major .

Strasser looks at Renault sharply, but sees only a

noncommittal smile on Renault's face.

Laszlo remains standing at the table as Strasser and

Renault leave.

LASZLO:

This time they really mean to

stop me.

ILSA:

Victor, I'm afraid for you.

LASZLO:

We have been in difficult places

before, haven't we?

Ilsa smiles back at him, but her eyes are still troubled.

On the floor, CORINA strums a guitar and begins her number.

Meanwhile, Laszlo looks about with apparent casualness. He

sees Strasser and Renault whispering together, then notices

Berger at the bar.

Rate this script:3.9 / 34 votes

Julius J. Epstein

Julius J. Epstein (August 22, 1909 – December 30, 2000) was an American screenwriter, who had a long career, best remembered for his screenplay – written with his twin brother, Philip, and Howard E. Koch – of the film Casablanca (1942), for which the writers won an Academy Award. It was adapted from an unpublished play, Everybody Comes to Rick's, written by Murray Bennett and Joan Alison. more…

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