Catwoman Page #8
Season #1 Episode #2PATIENCE returns with a washcloth full of ice.
PATIENCE:
That was really nice of you.
LONE:
Well, it's part of my job... I'm a detective,
burglary-robbery division. So what did happen toyou?
He applies the ice-pack to his head while eying her clothes.
She suddenly becomes aware of her disheveled appearance.
PATIENCE:
Oh no, I'm a mess. It seems every time you see meI --I was just cleaning.
(this isn't flying)
The um, the chimney.
LONE:
Where's the fireplace?
PATIENCE:
It wasn't mine.
LONE:
You're a freelance chimney sweep?
LONE is now looking around the apartment, taking it all inwith a careful detective's eye. He sees the shredded
PHOTOGRAPHS, the BROKEN WINDOW, points -
LONE:
You should get that fixed.
PATIENCE:
Oh yeah, I hadn't noticed... I mean, I had to breakit to get in because... I lost my purse.
(CONTINUED)
38.
CONTINUED:
LONE:
(studying thewindowsill)
Funny, looks like it was broken from inside.
Lone is now regarding her with open curiosity. Patience
shrugs helplessly.
LONE:
So everything's all right now?
(off her nod)
Well, I'd better be getting to the station, then...
unless there's anything else.
LONE hopes so, PATIENCE desperately wants him to stay... but
PATIENCE:
I guess not...
LONE:
Then --bye, now.
He sounds disappointed. As the door shuts, Patience clutches
her hair, makes a SOUND of frustration, almost like a MEOW.
INT. PATIENCE'S BUILDING -HALLWAY -DAY
PATIENCE flings open the door, calls after Lone:
PATIENCE:
I want you...
He turns, startled. Patience has a sultry, come-hither look
in her eye, her VOICE has a lower, sexier tone.
LONE:
Excuse me?
She shudders. The sexy expression turns to one of shock andanxiety --what has she done? Then, vamping:
PATIENCE:
I want you, um, to forgive me. For hitting youlike that.
LONE:
No need --woman living alone, you can't take anychances.
(CONTINUED)
39.
CONTINUED:
PATIENCE nods unsurely, starts to retreat into the apartment.
LONE thinks, calls out to her.
LONE:
Listen, I was gonna grab a cup of coffee...
CUT TO:
LONE and PATIENCE move from a COUNTER with COFFEE CUPS in
hand. Patience has cleaned up, dressed a little sexier thanusual --she looks good.
PATIENCE:
So, did you always want to be a policeman?
(beat, rolling her eyes)
God, listen to me, Conversation 101.
LONE:
(a laugh)
Hey, we gotta start somewhere. Actually, when Iwas a kid, I wanted to be a rock star.
They take seats at a small table.
LONE:
I was kind of a delinquent back then, got into sometrouble. There was a cop who helped me out. Made
a difference. I figured... maybe I could do the
same.
PATIENCE:
Plus you can still get into trouble.
LONE:
Right, but for the good guys... So what do you do?
When you're not dumpster diving or cleaningchimneys, I mean.
PATIENCE:
Accounting.
job.
That is, I used to, I just lost my
LONE:
I'm sorry.
(CONTINUED)
40.
CONTINUED:
PATIENCE:
Don't be, it was pretty dull. I guess when you getdown to it, I'm pretty dull.
Patience realizes she's not making for a great first date.
PATIENCE:
Let me start over. It's just... I never got intoany trouble or anything -
LONE:
Come on, never?
PATIENCE:
Well, when I was little, but --after I lost myfolks I... I guess I turned into sort of a scaredyca
--um, pretty risk-averse.
LONE:
That's not a bad thing. It's a pretty dangerousworld.
PATIENCE:
Sometimes I just wish I was less of a wimp.
LONE:
You're not afraid to admit you're afraid --that
takes guts.
PATIENCE:
It does?
LONE:
Most women I know pretend to be tougher than theyreally are.
(beat)
Listen... if you ever need someone --to look out
for you, keep an eye on -
(changing tack)
--or whatever --I'm available.
He pulls a card from his wallet, passes it to her.
PATIENCE:
Wow.
(CONTINUED)
41.
CONTINUED:
LONE:
(catching himself)
Oh hey, I didn't mean that to sound like a come-on
PATIENCE:
(disappointed)
Oh.
LONE:
I mean, unless you...
(rising)
I'm just going to shut up now and go.
PATIENCE:
See you around.
LONE:
Yeah, you will.
He gives her a wave and heads out of the coffee shop. A
broad smile spreads over Patience's face.
CUT TO:
LAUREL'S SMILING FACE on a BILLBOARD. It's only there for amoment, quickly plastered over with -
A NEW BILLBOARD featuring DRINA'S FACE. We're outside a
dramatic, gated industrial COMPLEX, TRUCKS with the AVENALLOGO, a sprawling CHEMICAL FACTORY at the center.
INT. AVENAL FACTORY -GEORGES' OFFICE -DAY
HUGE VATS, DUCTS, PIPES, etc., it's a busy, VERY NOISY
environment. CAMERA FINDS GEORGES' OFFICE, large windowsoverlooking the factory floor.
INSIDE, behind the thick windows, it's SILENT. This is a
hard, masculine space, all steel and wood.
GEORGES stands by a table, WESLEY and ANGEL at his side; IVANNEVSKI, 50s, a smoldering Russian scientist, is showing them
MEDICAL PHOTOS of people's faces, the eyes covered with blackBARS --the skin is BLOTCHED, lumpy, something very wrong.
(CONTINUED)
42.
CONTINUED:
GEORGES flips through these quickly, his tone frustrated.
GEORGES:
Okay, with too much YP-3 you get side-effects -but
too much of anything is bad for you --tapwater, sunshine, cigarettes -
ANGEL:
It's like leprosy or something...
GEORGES:
The point is, now that we've adjusted the formula,
Beaunique works. Plumps the skin, removeswrinkles, leaves a nice rosy glow --it's perfectlysafe now, my own wife uses it...
His voice trails off as he considers this fact. He glancesat the medical pictures, puts them aside. Airy denial:
GEORGES:
You want to be beautiful, you've got to makecertain sacrifices. I mean, look at Botox, women
are lining up to get their faces paralyzed.
NEVSKI has been doing a slow burn, now blurts out:
NEVSKI:
Enough! Pretending my YP-3 is only for yourcosmetics, feh! You've known about these "sideeffects"
from the start, they are not side-effects
at all -
GEORGES:
What? You're not making sense -
NEVSKI:
I thought I'd left this sort of madness behind me
-then I find out you've been in contact withXavier Bartok -GEORGES
(CONTINUED)
43.
CONTINUED:
NEVSKI:
I still have connections. You
may have used me, but I am not
a fool.
GEORGES:
Doctor Nevski, is it possible you've gone insane?
NEVSKI spins on his heel and storms out.
ANGEL:
Russians, sheesh.
GEORGES:
As if I don't have enough on my mind.
GEORGES moves to a nearby SHREDDER. He starts feeding in theMEDICAL PHOTOS.
GEORGES:
Changes are going to have to
be made... and change can be
painful.
He glances at a MAGAZINE AD lying on his desk.
GEORGES:
It isn't easy to eliminate an established brand...
Finished shredding the medical photos, he picks up theAD --it's an AD for BEAUNIQUE, featuring LAUREL'S FACE.
WESLEY:
Sir, are you seriously thinking of recallingBeaunique --?
GEORGES:
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"Catwoman" Scripts.com. STANDS4 LLC, 2024. Web. 4 Nov. 2024. <https://www.scripts.com/script/catwoman_392>.
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