Celluloid Page #3
- Year:
- 2013
- 129 min
- 403 Views
Bombay is only on Monday.
They will have to stay at
the railway station till then.
lt's the height of arrogance.
Paid through my nose to bring them.
Three first class tickets in addition.
Now they are asking for a motor car.
Where can we get a carfrom?
l have seen it only at the
palace and with the Diwan.
There may be three or four others
in the whole of Thiruvananthapuram.
You see, it is very
difficult to get a motor car here.
Please try to understand.
Sorry, Mr Daniel. Now
you are insulting me.
lf this is your film-making,
you will suffer a lot.
What will we do? lt's
hard to get another actress.
Your uncle, Dr Mathaeus,
has a car, doesn't he?
Don't know if he will
allow these lot to get in it.
lt is the veranda of a Nair house,
right Thankappan Anna?
Why? Doesn't it look like that?
l have done it exactly as Daniel
Sir instructed me before he left.
Must finish it by evening.
Shooting starts when
Daniel comes tomorrow.
Didn't the telegram say that the
train will arrive this morning?
Now it is past noon, yet
there is no sign of Daniel.
This is the dresses l bought for
the heroine to wear in the movie.
You must take measurements and
stitch as soon as she comes.
Those who come from Bombay
won't have our rowka and mundu.
Pachu Anna, did you buy lunch
for the cameraman and his crew?
Selvarajan took them to Velappa
Anna's tea-shop to buy them lunch.
What happened?
Was the train late?
lt wasn't the train that
was late. Waited three hours...
Sundaran brought the motor car.
What for?
Our heroine is the
Maharani of Bombay!
Hello.
Daniel, why do they
continue to sit in the car?.
Theirface looks like they
have been stung by a hornet.
What happened?
Please get down.
What's happening here?
This is my studio. You
will be staying here.
Here?
Janet, have you arranged
the room upstairs forthem?
and mattress for that room.
Mr Daniel, very sorry,
we cannot stay here.
Why?
- She is an actress.
How can we stay in a studio?
Tell them to go see the room.
lt has all the facilities.
You please come and see the room.
No, we will not stay here.
But what is wrong here?
We saw a beautiful
palace on the way.
We would like to stay there.
What?
The palace?
lt looks amazing.
Get us a room there.
That's the Kowdiar
Palace they are talking of.
On the way they
asked me what it was.
So that's the story.
Maharaja's palace itself to sleep.
lt doesn't look it's
going to go smooth, Daniel
Ms Lana, that is the
Maharaja's Palace.
We can't even go in there.
Find us some other palace.
so many palaces in Travancore.
ln Bombay, the mother and
daughter stays in a shabby building.
And they come here and
want to stay in a palace.
Johnson, what should we do?
l am itching to give
them one on theirfaces.
l also feel the same.
But if they go, where will
Such impossible women!
Besides it doesn't seem like
she will be good as Sarojini.
Hey, Mr Daniel. What is this?
We have been
waiting for a long time.
for the motor car to come...
when it would have
taken just half an hour...
..in a horse-carriage to reach here.
This will become
a headache, Daniel.
Send them off.
That will be the best thing, Daniel.
We will get a girl from
Let me look for one.
That is the Rosamma
l told you about.
Will Christians act
on the dalits' stage?
They are dalits who
converted to Christianity.
This girl's father is the cook
of the white missionary priest...
- of L M S Church.
lt is Fr Xavier of that
church who told me about her...
- that the cook's daughter is
acting in a kakkarashi play.
Go and have a look.
She looks smart, isn't she, Sundara?
Our Sarojini is a
Nair character,isn't she?
Will this dalit girl be suitable?
Do we have to look at the
caste and creed of an actress?
Once she is cast in a
role she must look like it.
Johnson, please talk to them.
ln the last two shows,
Rosamma forgot her
steps three, four times.
But today...
thank God, she was perfect
throughout, wasn't she, Paulose?
True.
Didn't Asan tell me to pray
each time l get on the stage?
Now, since our God is Jesus,
can l pray to the Dalit god?
l make the sign of the
cross as l get on the stage.
So from fear of erring l err.
Today l boldly
prayed to the Dalit god...
...and also made the
sign of the cross.
All gods are the same, my child.
What is important is
the strength of our mind.
Who obeys if l say 'Don't go for
acting,don't go for acting.'?
Shouldn't there be obedience?
Look at the time she gets up.
Can't step out
because of the gossip.
And a fatherto dance to hertune!
Mala came to know why
you weren't going for work.
lf this is how it is going to be,
it will affect our livelihood.
Paulose, you know this Johnson?
He's in the drama field.
You must have seen him
when he came to act...
- in your white sahib's church.
He acts as St John the
Baptist,Judas and all.
ls that so? Please come.
No cookery today?
No. The white
sahib's gone to Kochi.
Him and his friend saw
the kakkarishi play yesterday.
They need a girl to act in that.
They came to me to ask you
if you will let her do it.
My lord! Cilima?
lt's something we have
neither heard or seen.
We have no peace of
- acting in kakkarishi plays.
lt's Asan who made the girl
who used to go for work regularly...
to sing and dance.
Now if she acts in the cinema,
won't the people pourfire...
-...over our heads?
Folks will only continue
to say what they say now.
Acting in cinema is not like acting
in kakkarishi plays.
She will get fame and glory.
They will give plenty of money too.
That's right.
The Rosamma then won't
be like the Rosamma now.
Rosamma is a lucky girl.
Paulose, you can live
honourably and wealthily.
Still, Asan, a girl among us, acting...
What has Ayyankali said?
This earth is not just forthe Nairs
and the Nampoothiris.
lt's also our own.
What does it mean?
lt means that we also have
the right to live as we please.
Let me ask her opinion.
Rosamma, did you
hear what we said?
l did.
What is in your mind?
l don't know.
Girl, do you want to go?
Have you seen this cinema picture?
l have seen the cinema-house.
There people see movies...
paying three chakras to sit in
the ground and seven to sit in chairs.
They play the stories of Gods
The white people's movies
are also sometimes shown.
Why don't we ask my father
and go see a movie?
our caste inside?
But you are going to act in a movie.
They might let you in.
How do they shoot these movies?
l pondered over it yesterday night.
lt might be just like acting
in kakkarishi plays, won't it?
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Celluloid" Scripts.com. STANDS4 LLC, 2024. Web. 13 Nov. 2024. <https://www.scripts.com/script/celluloid_5240>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In