Chef Page #2
I've had chefs before
you in this kitchen.
- I'll have chefs after you. OK?
- Alright, good talk.
- Let me get back to work.
- You know who's coming tonight.
We're being reviewed by the most
important critic in the city.
- Yes. I'm aware.
- His online blog was sold to AOL...
- For $10 million.
- That's right.
- You knew that?
- Yes, I know.
- OK.
- He's a big deal.
- That's why I wanna cook a good menu.
- You wanna cook a good menu?
- I wanna cook him some good food.
- Yeah. Well, then...
And our place is in a
f***ing creative rut.
- In a rut?
- In a creative rut.
You do know we're doing better than
any place in the neighbourhood?
much money we're making,
I'm talking about creatively...
the food that we're serving.
We've served the same
food for five years.
Remember what happened when
you put guts on the menu?
Are you talking about my sweetbreads?
Is that what you mean?
Yeah. When you put that artsy sh*t
on the menu, people don't like it.
Not one person ordered
your sweetbreads.
Please listen to me.
I sank a fortune into the remodel
to get you the French cooking top,
whatever it is, that tabletop.
- Right.
Not every chef gets that.
You know why you get it?
- I appreciate it.
- Do you know why?
Because you deserve it.
See, you don't know that.
But I know it.
You deserve it.
So be smart just for tonight.
Look, if you bought Stones tickets
and Jagger didn't play
'Satisfaction', how would you feel?
Would you be happy?
- No.
- No!
You'd burn the place
to the f***ing ground.
Your menu works.
People love it.
Carl, do what you want tonight.
OK? You're the chef.
You know what I think?
I think you should play your hits.
Alright, let's go. Pre-shift, guys.
Big night tonight.
Here's what we're doing.
We're gonna go with the favourites.
Starting with the caviar egg...
frise salad...
lobster risotto...
filet.
And we're gonna finish
strong with a crowd pleaser,
chocolate lava cake.
Talk to Molly about wine pairings.
Let me know when he gets here.
And let's have fun.
Put your heart in it, people,
big night. Let's have some fun.
Good, good.
I'm so tired of on-my-own
Won't you help me, girl,
just as soon as you can?
People say that I've found a way
To make you say that you love me
Hey, baby, you didn't go for that
It's a natural fact
That I wanna come back
Show me where it's at
Baby, yeah
I'm so tired...
Dad.
Dad.
Dad! Come on. Let's go.
Look! It's up, it's up. It's up,
it's up. The review's up.
To the review. Here we go.
- To you, baby, to you.
- Here we go.
- My culinary hero.
- To the team.
"Gauloises - eager to please."
- Whoo!
- Yes!
"10 years ago, I had the
good fortune to dine
"at Chef Casper's revelatory
Miami bistro, Marrow."
- Miami in the house!
- Marrow, baby!
That's your house!
"The sheer audacity of this fresh,
brave voice of the culinary scene
"reminded me why I write
about food as a vocation."
- Yeah!
- That's a lot of pressure.
"It is nearly impossible to separate
my glowing regard for Chef Casper
"and how much he inspired me from my
expectations as I sat down to dine
"at the recently remodelled
Brentwood Gallic staple, Gauloises."
- Yeah, this is good!
- "Oh, how times have changed.
"Over the last decade, Carl Casper has
somehow managed to transform himself
"from the edgiest chef in Miami
"to the needy aunt that gives
you $5 every time you see her
"in hopes that you will like her,
shrink from her cloying embrace
"which threatens to smother you
in her saggy, moist cleavage.
"The signature app,
"intended to impress the
country club brunch crowd,
"is the caviar egg.
"A shirred egg topped
with a dollop of caviar
"is an excuse for the
chef to overcharge us
"for his insecurity and
lack of imagination.
"Carl Casper can best be summed
up by the first bite of his needy
"and yet by some miracle
also irrelevant
"chocolate lava cake.
"Casper didn't even have the
courage to undercook the cake,
signature molten centre."
"This sad dessert is emblematic
"of Carl Casper's
disappointing new chapter.
"His dramatic... weight
gain can only be explained
"by the fact that he must be eating
"all the food sent
back to the kitchen."
Two stars.
I don't get it. I don't get it.
Everyone loved it.
He loved it, even.
Then Why'd he write all that mean
Who cares? Who cares?
I do. 'Cause I could
have done better.
sh*t I was gonna cook.
You're ignoring the fact
that everyone was happy
and you're making a problem
where there's no problem.
It's not hard to make people happy.
There's certain things you could put on
a menu that'll make everybody happy.
If you put ahi tuna on a
menu, it will sell out.
It's guaranteed. You know that.
But I cooked the beef cheek,
which is a better dish,
and nobody wants to even try it.
- It was good, though.
- Yeah, for family meal.
Well, who you cooking for, though?
That's my point.
Why do I have to pick?
Why do I have to choose?
Why can't I have both?
There are chefs that cook
food that they believe in
and people will try because
they're open to a new experience
and they'll end up liking it.
- What do you want me to say to you?
- The truth.
You want me to tell you
that you're the best chef
that I ever worked with.
And it's true, because you are.
You are, Carl. You are the best
chef I've ever worked with.
- OK.
- I mean it.
Well, thank you.
You're welcome.
- We both agreed not to do that.
- I know.
Why don't I just
cook you something?
Oh, OK. F*** it. Let's go.
Mmm!
Mom wants to talk to you.
Inez?
Inez.
Are you OK?
I got two stars.
Getting two stars is good, right?
I mean, I don't read that
sh*t normally, but, you know,
then he starts writing all this
personal sh*t about me and...
How many people you got working?
You got, like, 50 people.
And Percy's 10 years old.
Does he still need a nanny?
He's in school all day. What does
she even do here? Hi, Flora.
- Hi, Mr Carl.
- I mean, what does he need...
- What's she doing here?
- You know that he's hurt, right?
Because I was late? I already
apologised to him. We're fine.
Late? He waited for you for
one hour alone outside.
Well, I didn't realise
it was that long.
It's just... that
was the day that...
You're right.
I didn't like what
I didn't like it either.
It hurt, alright?
You OK?
I'm alright.
Good.
I'm gonna make it up to him.
- That was fun, right?
- Yeah.
- Where you going?
- I gotta work on a menu.
It's still early. Can I watch?
Yeah, sorry, it's at work.
- I won't get in the way.
- Yeah, I gotta go work.
- OK. 'Bye.
- We'll have fun next week.
OK.
What the hell are you doing here,
man? What's this madness, huh?
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"Chef" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/chef_5388>.
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