Classe Tous Risques Page #6

Synopsis: Abel Davis is a criminal, hunted in Italy. The police are closing in, so he and his pal Raymond arrange to flee back to France with Abel's wife, Thérèse, and their two young sons. Abel and Raymond commit a brazen robbery to get funds, killing two men; in the escape, more die. Abel arrives in Nice with the boys, calls his pals in Paris, and gets the brush-off. Reluctantly, they send a stranger, Eric Stark, to bring Abel to Paris, but he's getting the message he's on his own. Honor, friendship, and debt now count for little. What can Abel, a wanted man with two small children and only Stark as a friend, do? "Never give ground," he tells Eric, but how long can he hold to his code?
Genre: Crime, Drama, Romance
Director(s): Claude Sautet
Production: Rialto Pictures
 
IMDB:
7.5
Metacritic:
84
Rotten Tomatoes:
100%
NOT RATED
Year:
1960
103 min
Website
63 Views


Fargier dies of a heart attack.

She was the nicest one !

She was unlucky.

She was, yes.

But Riton is really lucky !

Because I'm finished with it all.

I'll leave you, Jeannot.

What's wrong with you ?

I've had enough.

Therese, Naldi, Sophie

and now, Stark.

Stark, whom I can do nothing for.

Don't you get it ?

Here's what I can do for Stark !

You'll find him a lawyer...

Abel !

- There's no Abel any more.

There's nothing.

Get the hell out of here, Jeannot.

Make me a favour.

Go away !

That's it !

A few days later,

Abel Davos was arrested.

Then he was tried, sentenced

and executed.

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José Giovanni

José Giovanni (22 June 1923, Paris, France – 24 April 2004, Lausanne, Switzerland) was the pseudonym of Joseph Damiani, a French writer and film-maker of Corsican origin who became a naturalized Swiss citizen in 1986. A former collaborationist and criminal who at one time was sentenced to death, Giovanni often drew his inspiration from personal experience or from real gangsters, such as Abel Danos in his 1960 film Classe tous risques, overlooking that they had been members of the French Gestapo. In his films as well as his novels, while praising masculine friendships and advocating the confrontation of the individual against the world, he often championed the underworld but was always careful to hide his own links with the Nazi occupiers of France during World War II. more…

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Submitted on August 05, 2018

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