Cool World Page #2

Synopsis: When cartoonist Jack Deebs was behind bars, he found escape by creating "Cool World", a cartoon series featuring a voluptuous femme fatale named Holli Would. But the cartoonist becomes a prisoner of his own fantasies when Holli transports Jack into Cool World with a scheme to seduce him and bring herself to life. A hard-boiled detective--the only other human in Cool World--cautions Jack with the law: Noids (humans) don't have sex with doodles (cartoons). However, the flesh proves weaker than ink as Holli takes human form in Las Vegas, staring in a trans-universal chase that threatens the destruction of both worlds. With a splashy combination of animation and live-action sequences, "Cool World" delivers the hottest action around.
Director(s): Ralph Bakshi
Production: Paramount Home Video
  2 nominations.
 
IMDB:
4.8
Metacritic:
28
Rotten Tomatoes:
4%
PG-13
Year:
1992
102 min
1,080 Views


AND FORGET ABOUT

THE REAL WORLD.

THANK YOU:

FOR YOUR TIME.

WHOO!

WOULD YOU LOOK:

AT THOSE LEGS?

HEY!

AAH!

YEAH.

STAY COOL, MAN.

I'M OUTTA HERE!

WHAT ARE YOU GUYS DOIN'?

GET OFF THE LAWN.

GET YOUR BALL:

AND GET OUT OF HERE.

HI, GAIL.

IT'S ME, JENNIFER.

WHAT DO YOU MEAN?

I'M HERE.

YEAH, I'LL CALL YOU

LATER TONIGHT, OK?

WHOO!

THANK YOU.

OH, BOY,

ANOTHER ADDICT, HUH?

MY GOD, IT'S YOU,

ISN'T IT?

YOU'RE JACK DEEBS,

THE CREATOR:

OF COOL WORLD, RIGHT?

OH, MY GOD,

I CAN'T BELIEVE THIS.

DO YOU HAVE ANY IDEA

WHAT KIND OF AN INSPIRATION

YOUR WORK IS TO PEOPLE?

NO. I, UH...

I MEAN, I KNOW PEOPLE,

FRIENDS OF MINE:

WHO WANNA BE HOLLI WOULD

WHEN THEY GROW UP.

YEAH. SPARKS, THE GOONS,

ALL OF 'EM.

OH, MAN. YOUR STUFF,

IT'S LIKE, CRUCIAL,

SPIRITUAL NOURISHMENT

FOR PEOPLE.

THEY LIVE ON IT.

AW, MAN.

IF MY BOSS WAS HERE,

HE'D, LIKE, THROW HIMSELF

ON THE GROUND RIGHT NOW

AND GIVE YOU A LIFETIME

GIFT CERTIFICATE

TO THIS PLACE.

OH, YEAH.

HE'S KIND OF CRAZY.

HEY, WOULD YOU

SIGN THIS FOR HIM?

SURE.

THANKS. GO AHEAD.

SO, UH, YOU'RE

LIVING HERE NOW AGAIN?

YEAH, I JUST, UH--

I JUST GOT BACK.

YEAH? WHEN THIS PLACE

CLOSES DOWN,

I GO DOWN TO THIS PLACE

RIGHT OFF THE STRIP FOR COFFEE.

THEY READ POETRY,

DO JAZZ, YOU KNOW.

PROBLEM IS,

YOU KNOW,

I JUST GOT, UH--

GOT BACK INTO TOWN,

AS I SAID,

AND I HAVEN'T REALLY

GOT MY FEET, UH...

YOU KNOW,

ON THE GROUND, UH,

BUT IT'S REALLY NICE

OF YOU TO ASK.

SURE. SURE.

HEY, DEEBS.

WHY DON'T YOU DO A BOOK

ON THAT GUY YOU MURDERED?

YOU KNOW, THAT GUY YOU FOUND

IN BED WITH YOUR WIFE.

SO, UH,

WHAT DO I...

IT'S ON THE HOUSE.

OK, THANKS. SO MAYBE

SOME OTHER TIME.

THANKS.

WHO ARE YOU?

WHO AM I?

WHO ARE YOU? YES.

I'M, UH...

I'M, UH, JACK DEEBS.

REALLY? I DIDN'T REALIZE THAT.

NICE MEETING YOU.

NICE TO MEET YOU.

STAY WELL. THANK YOU.

SEE YA.

HEY, BRIGHT EYES, YO.

YOU GONNA PAY FOR THAT?

[HOLLI]

JACK.

GEE WHIZ, SIS!

I DON'T KNOW.

IT LOOKS LIKE SUCH FUN

DOWN THERE.

ALL I NEED IS A 4,

AND I WIN.

IT'S A 4! YAY!

OOPS. SNAKE EYES.

YOU LOSE.

[LAUGHING]

BUT--BUT I WON.

YOU LOST. PAY UP.

WELL, MY DEAR, WE COULD

ALWAYS TAKE IT OUT IN TRADE.

LISTEN HERE, FLEABAG.

PAY UP,

OR YOUR INSIDE...

IS GONNA BE:

YOUR OUTSIDE.

[ZAPPING]

OHH.

[MOANING]

NO.

HEH HEH HEH.

SLASH?

IS THAT YOU?

PUT 'ER THERE, PAL.

AH HEH HEH HEH HEH!

HEH HEH HEH HEH!

HEH HEH HEH HEH!

RAHRR!

GET AWAY FROM ME.

GET AWAY FROM ME.

YOU LOST IT, MAN.

THAT'S WHY YOU'RE HERE.

GET AWAY FROM ME.

OOH, DARLING,

I WANT YOUR HAIR.

GET OFF!

OOH, AND YOUR NECK.

I COULD JUST SQUEEZE IT.

LET ME SEE YOUR EAR,

SWEETIE.

OH, DON'T BE SHY.

HE LOVES ME. HE LOVES ME NOT.

HE LOVES ME,

HE LOVES ME NOT.

HE LOVES ME! MMM!

HE LOVES ME.

AH HA HA HA HA HA!

NOW BE NICE.

NICE?

NICE.

[GRUNTS]

HELLO, HOLLI.

OOH! YOU NEVER

CEASE TO AMAZE ME.

HOW FABULOUS:

YOUR HAIR LOOKS TODAY.

BOY, CAN SHE

KNOCK IT BACK.

HEY! HEY! HOW ABOUT SAVIN'

SOME FOR ME? PLEASE.

HOLLI?

YEAH. COME--

COME ON, COME ON.

[SLURPS] HOLLI WANTS

TO GET A LOOK AT YOU.

COME ON.

[BOB] COME, DARLING.

SHE AWAITS.

A LITTLE CLOSER.

LET HER SEE YOU. AH, YEAH.

WELCOME TO MY WORLD,

BIG MAN.

AM I...

AM I DREAMING?

AM I DREAMING YOU?

OR ARE YOU DREAMING ME?

[HONK]

I DREW YOU.

I MADE YOU.

HEY. I--

MAYBE:

I CAN ERASE YOU.

HA HA.

YOU WOULDN'T

ERASE ME, BABY.

YOU'RE TOO HUNGRY

FOR WHAT I GOT.

NO. I'M, UH...

I'M TRYING TO QUIT.

SINCE IT'S

ONLY A DREAM...

INDULGE YOUR:

FANTASIES, JACK.

YOU'RE SO REAL,

SO STRONG.

YOU COULD HELP:

COMB MY HAIR,

TICKLE MY MIND.

HEY, HEY, HEY!

YES, I HAVE FAILED.

THANK YOU.

I'M CALM NOW.

BOO HOO! BOO HOO!

THOSE BIG BAD GUYS

DIDN'T PLAY FAIR.

I WANT YOU:

TO TEAR AND RIP:

THEIR MISERABLE:

FACES INSIDE OUT

TILL THEIR MOTHER

DOESN'T RECOGNIZE

THEM!

PRETTY PLEASE?

LET'S GO, GUYS!

WAIT FOR ME!

AAH!

[SIREN]

GOT A FULL TANK?

I GOT NEWS:

FOR YOU, BABY.

I'M MADE OF INK...

BUT I'M NO DREAM.

AAH!

WHAT'D YOU

DO THAT FOR?

BECAUSE I DIG YOU.

THIS IS A LONG DREAM,

ISN'T IT, JACK?

[POPPING]

THE POPPERS!

LET'S BURN.

WHAT?

[SIREN]

LET'S GO. COME ON.

COME ON.

[POPPING]

[GUNS POPPING]

DO YOU LIKE IT,

DEEBS?

YEAH.

COURSE YOU DO.

THIS IS YOUR IDEA

OF HEAVEN, RIGHT?

YEAH. IT'S, UH...

IT'S AMAZING.

IT'S INCREDIBLE.

* SEX ON WHEELZ *

* WHAT I WANT TONIGHT *

* IS YOU MAKIN' MY IDEA

OF A PERFECT *

* PAR-AR-ARADISE *

AAH!

AAH!

AAH!

* SEX ON WHEELZ *

* BABY *

* SEX ON WHEELZ *

* BABY *

* SEX ON WHEELZ *

* SEX ON WHEELZ *

BUT I WON!

* SEX ON WHEELZ *

A LITTLE LATE:

FOR A LADY TO BE OUT

ON THE STREETS,

DON'T YOU THINK?

I GOT A COUPLE:

OF QUESTIONS:

FOR YOU, MISS.

AW, COME ON, OFFICER.

LET IT SLIDE, WOULD YOU?

I'M TIRED.

WORD IS YOU GOT:

A THING FOR NOIDS.

YEAH. I GOT

A THING FOR NOIDS.

BUT WHAT'S IT TO YOU,

TOUGH GUY?

BABY, YOU DON'T KNOW

HOW TOUGH IT IS.

YOU'RE LATE.

YOU'RE KILLIN' ME.

WHY ARE YOU:

SO BEAUTIFUL?

MM-MM-MM.

WHAT'S WRONG?

YOU DON'T LOOK RIGHT.

AW, IT'S HOLLI. I THINK

SHE'S IN HEAT AGAIN.

WITH THAT NOID:

FROM LAST NIGHT?

OH, DON'T WORRY

ABOUT IT.

I KNOW THAT, BUT WHY DO

YOU ALWAYS WANNA BUST--

GOTCHA.

ALL RIGHT.

WHERE YOU WANNA GO?

MOVIES? UH, DINNER?

WE HAVE ABUSED:

THE PRIVILEGE!

PLEASE!

MY COLOR IS FADING!

REPENT!

REPENT, ALL TOONS!

LISTEN TO ME!

THE END IS NEAR!

HEY, BOSS,

WE GOTTA GO!

A THOUSAND PARDONS.

AN INFORMANT TOLD ME

HE'S HERE AGAIN.

HOLLI AND THE GOONS

GOT HIM.

HE'S NOT JUST COMING

THROUGH ON A DREAM.

PERHAPS IT IS TIME

TO PURSUE OTHER AVENUES.

RIGHT. LET'S

HIT THE BRICKS.

[SIGHS]

YEAH, YEAH. I KNOW.

BE CAREFUL, FRANK.

OH. I THINK SHE'S

PARTIAL TO YOU.

[GIGGLES]

YEAH, BUT FACTS

IS FACTS.

SHE'S A DOODLE,

AND I'M NOT.

[GIGGLES]

EH, I GUESS, BUT

DID I EVER TELL YOU

ABOUT THE TIME:

I TOOK UP:

WITH THE MOST:

DELIGHTFULLY:

STACKED HUSSY:

FROM THE PROJECTS?

YEAH.

RIGHT.

WHERE TO, BOSS?

THE CLUB.

RIGHT.

[MOOS]

[DANCE MUSIC PLAYING]

HEY, BABY,

HOW YOU DOIN'?

CHICO?

CHICO, IS THAT YOU?

I AIN'T NO CHICO,

RUNT.

AND NO NOIDS.

HE'S WITH ME.

SORRY, BABY.

NO NOIDS.

HE'S WITH ME, TOO.

RAHRR!

CAN'T LET THE NEIGHBORS

PUSH US AROUND, CAN WE?

HEY! WHAT?

WATCH IT, BUB.

[ALL GASP]

OH, YEAH.

FREEZE, A**HOLE.

UH-OH!

COOL WORLD POLICE.

COPPER!

UP AGAINST THE WALL.

GET YOUR HANDS:

OFF ME.

[HOLLI] WHERE ARE

YOUR MANNERS, HARRIS?

YOU SH--BE QUIET.

HEY. WHO ARE YOU?

WHO ARE YOU?

I DIDN'T CREATE YOU.

NO SH*T, SHERLOCK.

WHAT'D YOU DO

WITH THIS, DEEBS?

I'M A CARTOONIST.

I DREW ALL THIS.

I HAVE VISIONS. I--

FIGHT! FIGHT!

I HAVE VISIONS.

I TRANSLATE THIS.

YOU DO NOTHING, MAN.

THIS PLACE EXISTS

WITH OR WITHOUT YOU.

YOU BELIEVE MAN, RIGHT?

I'M NOT ONE OF YOUR CREATIONS.

DON'T BELIEVE HIM!

YOU'RE NOT

PRETTY ENOUGH.

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Michael Grais

Michael Grais is a screenwriter, best known as the co-writer of Poltergeist (1982). He has also produced such movies as Great Balls of Fire! (1989, executive producer), Marked for Death (1990) and Sleepwalkers (1992). more…

All Michael Grais scripts | Michael Grais Scripts

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Submitted on August 05, 2018

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    "Cool World" Scripts.com. STANDS4 LLC, 2024. Web. 29 Aug. 2024. <https://www.scripts.com/script/cool_world_5920>.

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