Cool World Page #3

Synopsis: When cartoonist Jack Deebs was behind bars, he found escape by creating "Cool World", a cartoon series featuring a voluptuous femme fatale named Holli Would. But the cartoonist becomes a prisoner of his own fantasies when Holli transports Jack into Cool World with a scheme to seduce him and bring herself to life. A hard-boiled detective--the only other human in Cool World--cautions Jack with the law: Noids (humans) don't have sex with doodles (cartoons). However, the flesh proves weaker than ink as Holli takes human form in Las Vegas, staring in a trans-universal chase that threatens the destruction of both worlds. With a splashy combination of animation and live-action sequences, "Cool World" delivers the hottest action around.
Director(s): Ralph Bakshi
Production: Paramount Home Video
  2 nominations.
 
IMDB:
4.8
Metacritic:
28
Rotten Tomatoes:
4%
PG-13
Year:
1992
102 min
1,119 Views


GOOD ONE.

HAVE A SEAT.

LET GO.

AAH!

[ARF ARF]

ORDINARY:

FOUNTAIN PEN, RIGHT?

YEAH.

WRONG. AROUND HERE--

SIT DOWN.

AROUND HERE,

THIS CAN BE:

A BIG NUISANCE.

YOU THIRSTY, NAILS?

WHOA!

[BURPS]

GET IT?

ONE SHOULD BE CAREFUL

HOW THEY WAVE THIS THING.

NO, I DON'T GET IT.

OF COURSE YOU:

DON'T GET IT, BECAUSE

YOU'RE A WACK-A-DOO.

BUT HERE YOU ARE...

JACK,

AND AROUND HERE,

EVERYTHING GOES--

EVERYTHING:

EXCEPT ONE THING!

YEAH, WHAT?

YEAH, WE KNOW! WE KNOW!

SAVE YOUR BREATH!

WHAT'S THAT?

NOIDS DO NOT HAVE SEX

WITH DOODLES.

RIGHT? NOIDS DO NOT

HAVE SEX WITH DOODLES.

IT'S THE OLDEST LAW

IN COOL WORLD.

I'VE NEVER HAD

TO ENFORCE IT,

BUT YOU:

CROSS THAT LINE,

AND I'LL

SLAP YOU AROUND,

MAKE YOU PISS:

LIKE A PUPPY.

JACK, YOU THINK

SHE'S GOT A THING

FOR YOU, DON'T YOU?

THAT'S SWEET.

BUT DON'T

FLATTER YOURSELF.

SHE'S

A WASTE OF INK.

OH, YEAH?

TRUTH IS:

SHE'S BEEN AFTER ME

AND EVERY OTHER NOID

WHO'S COME THROUGH HERE.

JUST THAT NO ONE'S

BEEN INSANE ENOUGH

TO GET INVOLVED:

WITH HER.

YOU KEEP YOUR PENCIL

IN YOUR POCKET.

YOU KNOW WHAT I MEAN?

YEAH. I'LL REMEMBER THAT,

OFFICER.

YOU CAN GO NOW.

WHERE'D YOU GET

YOUR HAIR DONE, BY THE WAY?

GET OUT OF HERE.

ALL RIGHT.

THE SHOW'S OVER.

SO, HARRIS,

YOU COULD HAVE BEAT HIM.

YOU COULD HAVE BEAT HIM.

YOU COULD HAVE:

BEEN SOMEBODY.

OH, YOU'RE NOT YELLOW,

ARE YOU, HARRIS?

YOU DID WELL,

JACK.

[ZAPPING]

HEY, SEXY.

MMM. IT'S THE MAN

WITH THE BADGE.

IN THE FLESH.

DON'T REMIND ME.

OH. HOW CAN I HELP IT?

AH.

WHAT ARE YOU:

DOIN' TO ME?

YOU'RE MESSIN' ME UP.

OH, HONEY, YOU'RE TENSE.

IT'S HOLLI AGAIN,

ISN'T IT?

YEAH, MISS HOLLI WOULD

IF SHE COULD.

THAT DAME.

YOU HEARD ANYTHING?

NOW YOU KNOW:

I DON'T LISTEN

TO THAT SLEAZY COW.

DON'T.

JUST DON'T.

WELL, WHY?

BECAUSE WE CAN NEVER

FINISH IT, LONETTE.

YOU KNOW? IT--IT--

IT'S FRUSTRATING.

I'M, UH...

I'M LIKE A...

I'M LIKE A PLUG

WITHOUT A SOCKET,

YOU KNOW?

HEY, FRANK.

HEY, WHAT?

DID YOU EVER DO IT

IN THE REAL WORLD?

DO YOU EVER THINK

ABOUT GOING BACK THERE

SO YOU CAN?

NO. NO WAY.

BABY, YOU AND ME,

I CAN'T HAVE THAT

IN THE REAL WORLD.

MM-MMM. I CAN'T

LIVE WITHOUT YOU.

BUT I CAN'T BE

WITH YOU, YOU KNOW?

IT'S--UH...

WHAT DO YOU DO, HUH?

WHAT DO YOU DO?

WELL, THEN...

WE'RE JUST GOING TO

HAVE TO PRETEND,

THEN, AREN'T WE?

[CLICKS TONGUE]

[NAILS]

HEY, BOSS.

HUH?

OOH!

BOSS!

I HEARD YOU, NAILS.

OH, MY GOD, BOSS!

I WOULDN'T DO IT!

[NAILS] OH. WHEW.

HEY, BOSS, DID I

EVER TELL YOU ABOUT--

SHUT UP, NAILS.

[HOLLI]

JACK.

JACK...

COME HOME, BABY.

NO.

NO, NO, NO.

NO!

NO! NO!

[VOCALIZING]

[APPLAUSE AND WHISTLING]

AAH!

AAH!

GLAD YOU DROPPED IN.

[LAUGHING]

[GIGGLE]

WELL, HERE WE ARE,

HOLLI'S HUMBLE ABODE.

DO YOU THINK:

SHE'LL LET US IN?

[DOOR] FORGET IT!

THIS PARTY IS:

BY INVITATION ONLY.

THIS DOOR'S

GOT AN ATTITUDE.

[GRUNTING]

HOW MUCH FURTHER?

OH, I'D SAY

WE'RE HALFWAY UP.

OR HALFWAY DOWN.

RIGHT.

GOD, I HATE HEIGHTS.

AH...AH...

NAILS!

THIS IS NO TIME:

TO CATCH A COLD!

IT'S NOT A COLD,

BOSS.

I'M ALLERGIC

TO CLOUDS.

WHAT?

AH...AH...

AH...

OH...

OH...

CHOO!

[YELLING]

H--OOF!

BOSS?

AH...

AH...

DON'T EVEN

THINK ABOUT IT.

AH...

CHOO!

THAT FELT:

SMASHINGLY GOOD.

SMASHINGLY.

YEAH.

MAKE SURE NO ONE

GETS OUT THIS DOOR.

OH. OH.

ABSOLUTEMENT, BOSS.

AAH!

* MA-MA-MA-MA-MA,

YO MAMA, BOOM *

* MAMA, YO QUIERO *

[VOCALIZES]

OH!

WELL, HELLO, HARRIS.

WELCOME TO THE PARTY.

AND WHAT A SWELL PARTY

IT IS.

THANKS FOR HAVIN' ME.

I SHOULD HAVE KNOWN

RIFFRAFF LIKE YOURSELF

WOULD BE INVOLVED

IN THIS EQUATION, SPARKS.

WHAT EQUATION:

IS THAT, HARRIS?

I'VE DISCOVERED

THAT IF YOU LOOK

FOR TROUBLE,

YOU FIND IT.

WHAT'S YOUR PROBLEM?

BAD CHILDHOOD.

WHERE'S THE NOID?

YOU'RE THE ONLY NOID

HERE, HARRIS.

[CHUCKLES]

LAST WARNING--

YOU STAY AWAY:

FROM THE NOID,

OR YOU'RE CLOSED

FOR BUSINESS PERMANENTLY.

HAVE A SPLENDID EVENING.

YOU WANT TO KNOW

WHAT IT IS ABOUT YOU

THAT REALLY KICKS

MY ASS, HARRIS?

HOW 'BOUT MY FOOT?

WELL, YOU PRANCE

AROUND HERE WAVING

THAT GUN AROUND:

LIKE YOU'RE

SOME BIG DEAL,

AND ALL THIS TIME

YOU COULD CROSS OVER

TO THE REAL WORLD,

BUT YOU HAVEN'T

GOT THE GUTS.

YOU DON'T HAVE

WHAT IT TAKES:

TO BE REAL.

THAT MAKES YOU:

A WIMP IN MY BOOK.

YOU MAY BE RIGHT,

SLICK.

BE CONTENT WITH THE CARDS

YOU'VE BEEN DEALT.

[VOCALIZES]

WHAT'S THE DEAL?

IT'S GETTIN'

SERIOUS, NAILS.

HOLLI...

WE GOTTA FIND:

JACK DEEBS.

RIGHT.

SHOULD I GET THE DOOR

FOR YOU, JACK?

HA HA HA!

HEH HEH HEH HEH!

OH, YEAH. OH, YEAH.

HA HA HA HA!

GO FOR IT, JACK.

HA HA HA!

YOU BETTER HAVE:

AN APPOINTMENT!

GO ON, JACK.

GO ON, JACK.

HE DOES,

BUT YOU DON'T!

BUT HOLLI SAID:

WE COULD WATCH.

WATCH WHAT?

GO ON UP.

HA HA HA HA HA!

GO ON UP. GO ON.

HA HA HA.

BRING ME:

A SOUVENIR, JACK.

HEY, JACK.

I'VE BEEN WAITING

FOR YOU.

YOU LIKE LOOKING

AT ME, JACK.

DON'T YOU?

YEOW!

HUH?

[ALL GASP]

MAN IS IN THE BEDROOM.

[BOTH GIGGLE]

OHH.

OHH.

RUN, GIRLS, RUN! OH! OH!

OK.

WHAT?

LISTEN TO ME,

UH, HOLLI.

THAT COP--HARRIS--

HE SAID WE--WE...

CAN'T GO ANY FURTHER

THAN THIS, HOLLI.

I'M SO HOT

FOR YOU, JACK.

YEAH?

ARE YOU GONNA:

FOLLOW THE RULES?

NO.

OR ARE YOU GONNA FOLLOW

YOUR INSTINCTS?

YEAH.

OH. BUT HOLLI SAID

WE COULD WATCH.

I'LL BE RIGHT BACK.

YEAH!

OOH.

OOH.

AHH...

OHH...

[ELEPHANT TRUMPETS]

ALMOST THERE!

OK.

[ELEPHANT TRUMPETS]

OOH.

OOH.

OOH.

OH...

OH...

OH...

WHOA!

WHOA!

WHOA!

HOLLI!

AAH!

WHOA!

HOLLI!

WHOA!

AAH!

AAH!

OHH...

WAS IT GOOD:

FOR YOU?

IT WASN'T

WHAT I EXPECTED.

Y-YOU GONNA

GO IN THERE:

AND MAKE IT UP:

TO LONETTE, BOSS?

YEAH. WHY NOT?

FACT IS,

SHE'S THE BEST THING

THAT EVER HAPPENED TO ME.

I COULD PUT OVERTIME

IN ON DEEBS, BOSS.

I'M TIRELESS!

FORGET IT.

THE GOONS CAN'T TOUCH HIM

IN SWEET PLACE,

AND WE'D JUST

RUN OURSELVES RAGGED

GIVING HIM THE SHADOW.

WHAT SHOULD I DO?

MAN THE PHONES.

KEEP PUMPING OUR INFORMANTS.

SOMEBODY MIGHT I.D. HIM.

IF THAT HAPPENS, YOU CALL ME.

YOU CALL ME HERE OR LONETTE'S.

MY PLACE, I DON'T KNOW.

JUST DON'T MAKE A MOVE

WITHOUT ME. YOU GOT IT?

I GOT IT, BOSS.

OHH!

COME ON. LET'S GO.

[MACHINE GUN FIRE]

[DANCE MUSIC PLAYING]

HEY, LONETTE...

WHERE'S MY DRINK, BABE?

YOU KNOW, I LIVE

TO SERVE YOU.

I HEARD YOU:

THE FIRST 10 TIMES.

HEY, COME ON,

I'M SORRY.

GET A LITTLE:

CLOSER HERE, BABE.

GIVE US A KISS.

HO HO HO!

SAY IT. DON'T SPRAY IT.

GO AWAY.

I'M OUTTA HERE.

TOUGH NIGHT?

THE USUAL.

YEAH.

WHY DO YOU:

WANNA HANG AROUND

HERE, HUH?

THIS PLACE:

SHOULD BE ERASED.

HEY--HA HA!

IT'S A LIVING.

EVEN A DOODLE'S

GOTTA EAT.

HA HA HA HA HA!

WHY DON'T YOU PUT

THAT ARM AROUND ME?

IT'S BEEN

KIND OF A TOUGH DAY.

Rate this script:0.0 / 0 votes

Michael Grais

Michael Grais is a screenwriter, best known as the co-writer of Poltergeist (1982). He has also produced such movies as Great Balls of Fire! (1989, executive producer), Marked for Death (1990) and Sleepwalkers (1992). more…

All Michael Grais scripts | Michael Grais Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Cool World" Scripts.com. STANDS4 LLC, 2024. Web. 21 Nov. 2024. <https://www.scripts.com/script/cool_world_5920>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    In what year was "The Shawshank Redemption" released?
    A 1996
    B 1995
    C 1994
    D 1993