Cool World Page #5

Synopsis: When cartoonist Jack Deebs was behind bars, he found escape by creating "Cool World", a cartoon series featuring a voluptuous femme fatale named Holli Would. But the cartoonist becomes a prisoner of his own fantasies when Holli transports Jack into Cool World with a scheme to seduce him and bring herself to life. A hard-boiled detective--the only other human in Cool World--cautions Jack with the law: Noids (humans) don't have sex with doodles (cartoons). However, the flesh proves weaker than ink as Holli takes human form in Las Vegas, staring in a trans-universal chase that threatens the destruction of both worlds. With a splashy combination of animation and live-action sequences, "Cool World" delivers the hottest action around.
Director(s): Ralph Bakshi
Production: Paramount Home Video
  2 nominations.
 
IMDB:
4.8
Metacritic:
28
Rotten Tomatoes:
4%
PG-13
Year:
1992
102 min
1,136 Views


THERE WON'T BE

ANY HERE OR THERE.

UNDERSTAND, LONNIE?

NO MORE HERE.

JUST GO AHEAD!

HEY, HEY.

[SOBBING]

I'M COMIN' BACK.

[KISS]

[MEN HOOTING AND CHEERING]

[APPLAUSE]

AAH!

JACK?

JACK...

WHAT'S GOIN' ON?

SOMETHIN'S WRONG.

SOMETHIN'S

VERY, VERY WRONG.

NO SH*T, PAL.

SO WHAT IS IT?

I MEAN, I'M UP THERE,

AND I WAS JUST:

MOVIN' AND SHAKIN'

WITH THE BEST OF 'EM,

AND ALL OF A SUDDEN, I WAS--

I WENT DOODLE AGAIN.

I MEAN...

[LAUGHTER]

[FRANK]

LOOK, MA, NO HANDS!

[MOTHER]

NO! NO, FRANK,

DON'T DO THAT.

I WOULDN'T DO THAT.

COME ON.

[LAUGHTER]

NO!

NO...

NO!

Good luck, Frank.

PLEASE JUST:

LET ME THINK.

LET ME THINK.

AAH!

AAH!

AAH!

[HORNS HONKING]

COOL, JACK.

REALLY COOL.

I GUESS YOU HAVE

A TOUGH TIME:

DRIVIN' AND THINKIN'

AT THE SAME TIME, HUH?

OOH!

AHH!

THE SPIKE OF POWER!

THE WHAT?

THE SPIKE COULD HEAL ME.

OOH!

VEGAS VINNIE PUT THE SPIKE

AT THE TOP OF THE CASINO.

YOU'RE NUTS.

YOU ARE NUTS!

DON'T SAY I'M NUTS.

I'VE HAD ENOUGH EGO

OUT OF YOU, PAL.

AND YOU USED TO THINK

YOU MADE ME UP.

YOU'RE THINKIN'

LIKE A DOODLE, HOLLI.

THERE IS:

NO SPIKE OF POWER.

THERE'S GOTTA BE

A SPIKE OF POWER,

AND I'M GONNA FIND IT

RIGHT NOW.

NO,

YOU'RE NOT.

OK? YEAH.

WE'RE GOIN' THERE, JACK.

NO, WE'RE NOT!

YOU'RE A NICE FELLOW, JACK.

DON'T PISS ME OFF.

OH, YEAH?

WHAT ARE YOU GONNA

DO ABOUT IT, HOLLI?

HUH?

AAH!

OOH!

GODDAMN IT!

[TIRES SKIDDING]

AAH!

[HORN BLARES]

AAH!

AAH! AAH!

[HORNS HONKING]

[ZAPPING]

[MUTTERS]

[COUGHS]

WHAT ARE YOU:

DOIN' HERE, HARRIS?

I'M TAKING YOU

AND THE BIMBO BACK.

WHAT ARE YOU:

GONNA DO,

SHOOT ME?

WHY DON'T YOU

SHOOT ME,

GODDAMN IT?

SHOOT ME,

HARRIS!

DON'T PUSH ME!

DON'T PUSH ME!

YOU JUST COULDN'T TAKE

A PIECE OF GOOD ADVICE,

COULD YOU?

NO, JACK,

YOU HAD TO LISTEN

TO YOUR JOHNSON.

I'VE HAD IT

WITH YOU, HARRIS,

I'VE HAD IT

WITH YOU,

GODDAMN IT!

YOU'VE HAD IT WITH ME?

YOU'VE HAD IT WITH ME,

YOU PIECE OF SH*T?

YOU SCREW US ALL

FOR A PIECE OF ASS,

AND YOU'VE HAD IT

WITH ME?!

WHERE IS SHE?

CHRIST.

IT'S HAPPENING, JACK.

GOT NEWS FOR YOU,

HARRIS.

IT'S HAPPENIN'

TO HER, TOO.

[JENNIFER]

JACK!

JACK, I SAW IT THIS TIME!

JACK, I SAW IT!

I SWEAR!

I SAW THIS THING.

IT HIT YOUR HOUSE AGAIN!

REMEMBER WHEN WE

CAME OVER EARLIER?

I WASN'T IMAGINING THINGS.

ALL RIGHT, JACK.

OH, IS THIS ANOTHER FRIEND

FROM OUT OF TOWN?

UH-HUH. YEAH.

I MEAN...

WHAT HAPPENED:

TO YOUR SUIT?

WHAT'S GOING ON

BETWEEN THIS GUY

AND ME,

IT'S--IT'S

KIND OF, UH,

COMPLEX.

I CAN EXPLAIN IT

SOME OTHER TIME.

I'LL BET.

LOOK, WE GOT NO MORE TIME

FOR GOLDILOCKS HERE.

WHERE DO WE FIND HOLLI?

OK, SHE WENT

TO THE UNION PLAZA.

THE SPIKE.

SHE WENT TO MEET

THIS GUY, VEGAS VINNIE.

THE ONLY PROBLEM IS

SHE TOOK MY CAR, SO...

I GOT MY MOM'S CAR.

LET'S GO, MISS.

WE'RE TRYING TO

PROTECT THE BALANCE

OF THE ENTIRE:

KNOWN UNIVERSE HERE.

GEE, I GUESS MY MOM

WON'T CHUCK A FIT THEN

IF WE TOOK IT, HUH?

[TIRES SKIDDING]

[HORNS HONKING]

WHOA, WHOA, WHOA!

WOW.

MISS?

MISS...

CAN I HELP YOU, MISS?

I'M LOOKIN' FOR

VEGAS VINNIE.

THERE'S NO

VEGAS VINNIE HERE.

I'M SORRY.

HE OWNS:

THE PLACE.

I DON'T--I--

THERE'S NO VEGAS VINNIE.

I'M SORRY.

I--I CAN'T HELP YOU.

DO YOU KNOW:

VEGAS VINNIE?

NO. SORRY.

DO YOU KNOW:

VEGAS VINNIE?

DO YOU KNOW:

VEGAS VINNIE?

VEGAS VINNIE IS A STORY

BASED ON A REAL GUY,

THIS DOC I MET WHEN I

FIRST WENT ACROSS, UM...

50 YEARS AGO.

COOL WORLD'S REAL?

NEAT!

HE AND I,

WE MAPPED OUT THE TUNNEL--

THE PASSAGEWAY:

BETWEEN BOTH WORLDS.

WE SAW HOW EASILY ONE

COULD DISRUPT THAT BALANCE

AND DESTROY BOTH UNIVERSES.

DESTROY:

THE UNIVERSE?

GET HER OUT OF HERE.

WHEN YOU HAVE:

SOME MONEY TO SPEND,

WE'D LOVE

TO SEE YOU, HONEY.

UNTIL THEN, YOU

HAVE TO KEEP OUT.

TAKE A HINT.

OHH!

UH, PRETTY-LOOKING SIGN

WE GOT UP THERE,

HUH, MISS?

YEAH.

THAT SPIKE:

IN THE CENTER...

IT'S REAL BRIGHT.

YOU SOUND:

KIND OF DOWN, MISS.

HAD BAD LUCK:

AT THE TABLES?

LET'S JUST SAY...

IT AIN'T

BEEN MY DAY.

OH, WELL,

DON'T WORRY.

GOOD LORD!

I NEVER THOUGHT:

I'D SEE IT HAPPEN.

MISS, WHAT

YOU'RE LOOKING FOR,

YOU CAN'T FIND AROUND HERE.

YOU BETTER GO.

HOW DID YOU:

KNOW WHAT I'M

LOOKIN' FOR?

YOU DO KNOW:

WHAT I AM,

DON'T YOU?

YOU KNOW:

WHERE I'M FROM.

AAH!

OOOHHH, MY GOODNESS!

OH!

OLD MAN...

I'M NOT LEAVIN'

TILL I FIND OUT:

HOW YOU:

KNOW SO MUCH.

TALK!

OOH!

TALK!

YOU'RE NOT TELLIN' ME

EVERYTHING YOU KNOW!

Y-Y-Y-Y--

Y-YOU'RE A D-D-DOODLE.

HA HA HA!

IN COOL WORLD, THEY

KNEW ME AS WHISKERS...

DR. VINCENT WHISKERS.

DIDN'T YOU

TOUCH THE SPIKE?

SURE,

I TOUCHED IT,

BUT I COULDN'T

HOLD IT.

NO ONE CAN!

SO IT IS UP THERE,

AND IT IS REAL,

AND IT'S GONNA

MAKE ME REAL!

SURE, IT'S UP THERE,

BUT IT'S NOT GONNA

DO YOU ANY GOOD.

JUST BECAUSE YOU WEREN'T

MAN ENOUGH TO HOLD ON TO IT.

I NEED THE FORCE

IN THAT SPIKE,

AND I'M GOIN' UP THERE!

HOO HOO HOO!

THAT POWER:

DOESN'T BELONG

TO YOU.

I DON'T CARE.

I WANT IT,

AND I DON'T CARE.

STOP!

CEASE!

DESIST.

I MEAN IT.

MAKE IT EASY:

ON YOURSELF!

[JACK] THERE SHE IS.

[JENNIFER]

SHE LOOKS PRETTY.

COME ON,

YOU LITTLE TROUBLEMAKER.

NOBODY'S GONNA

STOP ME NOW.

AAH!

HARRIS, HELP ME. YOU'VE

GOTTA STOP THAT GIRL.

IF SHE MOVES IT,

IT COULD BE THE END

OF EVERYTHING.

DOC?

OH, MY GOD.

I GOTTA--

WAIT! WAIT! JACK, WAIT!

I NEED YOU HERE TO TAKE CARE

OF MY FRIEND. PLEASE.

THIS IS MY DEPARTMENT.

DOC--

GOTTA STOP HER.

LET GO.

WAIT, JACK.

LET ME GO, HARRIS.

I'M NOT GONNA HURT HER.

HELP HIM.

AAH!

AAH!

OHH!

OHH!

OHH!

AAH!

CRAZY DOODLE B*TCH.

HELLO, HOLLI.

GUESS WHAT? YOU'RE THROUGH.

YOU KNOW, SWEETHEART,

YOU LOOK GOOD:

IN THE FLESH.

IT'S ALMOST A SHAME

I GOTTA TAKE YOU BACK.

YOU ARE GOIN' BACK,

YOU KNOW.

WOULD!

UM...

YOU'RE SQUEEZING MY HEAD.

THERE.

AS GOOD AS NEW.

WHERE DO YOU THINK

YOU'RE GOIN'?

IT'S OVER.

WHAT ARE YOU GONNA DO, JUMP?

JUST GET DOWN.

CHRIST'S SAKE.

WHAT, YOU GOT INK

FOR BRAINS?

GET DOWN.

DON'T PISS ME OFF, WOULD.

YOU GO ON THAT ROOF,

YOU SCREW US ALL.

I'M NOT

MESSIN' AROUND HERE.

OH, CHRIST.

THERE'S NOTHIN' UP THERE.

LET'S JUST GO HOME,

FIX THIS MESS.

GET DOWN!

WOULD!

DON'T.

HARRIS.

WHAT?

HARRIS, HELP ME.

OHH...

[CLUNK]

HELP ME.

OHH.

OH, HARRIS,

HELP ME.

HOLD ON.

I SHOULD DO THE WORLD

A FAVOR AND LET YOU FALL.

EASY.

EASY DOES IT.

GOOD.

NOW HOLD ON.

HERE WE GO.

HERE WE GO.

WE'RE GOIN' HOME.

ALL RIGHT. CAREFUL.

COME ON.

AAH!

OH, MY GOD.

[FRANK LANDS]

[HUMMING]

JACK, THIS IS YOUR CHANCE

TO MAKE IT RIGHT.

IT'S UP TO YOU NOW.

OK.

OK.

THIS TIME,

I'M GONNA DO

SOMETHING RIGHT.

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Michael Grais

Michael Grais is a screenwriter, best known as the co-writer of Poltergeist (1982). He has also produced such movies as Great Balls of Fire! (1989, executive producer), Marked for Death (1990) and Sleepwalkers (1992). more…

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Submitted on August 05, 2018

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    "Cool World" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/cool_world_5920>.

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