Cries in the Dark Page #3
- TV-14
- Year:
- 2006
- 84 min
- 45 Views
THE WHOLE OFFICE AND DON'T TOUCH ANYTHING ELSE. THANK YOU. OH... THAT WHAT I THINK IT IS? IT IS. IS IT A BOY? IT'S A GIRL. OH... SHE IS BEAUTIFUL. ARE-- ARE YOU OKAY? WELL, I WOULDN'T BE HERE
RIGHT NOW, DAD, IF I WASN'T OKAY. THEY JUST PUSH YOU
IN AND OUT OF THOSE HOSPITALS SO QUICK NOWADAYS. SHE'S BEAUTIFUL. LOOKS LIKE YOU. I THINK WE SHOULD NAME HER
AFTER HER GRANDMOTHER. LUCY... YOU'RE BEAUTIFUL. YEAH. COME ON IN.
OKAY. WATCH YOUR STEP. WHAT'S UP? DID YOU TALK TO GLEN DAVIS
YESTERDAY? YEAH, I WENT TO THE MOTEL
RIGHT AFTER YOU LEFT. WHAT, ARE YOU
IN TROUBLE ALREADY? MY SISTER ME WITH GLEN DAVIS YESTERDAY AFTERNOON
IN HER OFFICE, AND SHE DISAPPEARED
LAST NIGHT. LET'S GO. CARRIE... THIS COULD BE
A LITTLE PREMATURE, BUT IF THERE IS SOMETHING HERE, IF YOUR SISTER DOESN'T SHOW UP, YOU'RE WAY TOO CLOSE TO THIS. YOU'LL HAVE TO TAKE
A STEP BACK. ARE YOU KIDDING ME?
THIS IS MY SISTER. I'VE GOT TO LOOK FOR HER. WELL, THINK DOWN THE LINE. IF THIS GOES TO COURT,
THERE'S LEGAL ISSUES. ANY EVIDENCE YOU TOUCH
COULD BE TAINTED. OKAY. I'LL KEEP MY DISTANCE. WYNN DOES ALL THE QUESTIONING. NOTHING COMPROMISED. GO. YEAH, THIS IS METCALF. GIVE ME AN ALL-POINTS
ON A GLEN DAVIS. [] [SNIFFS] I THINK YOU'D BETTER
STAY HERE. OKAY, I'LL CHECK AROUND
OUTSIDE. POLICE! OPEN UP! [FIRE CRACKLING] [C*CKS GUN] POLICE! FREEZE! HANDS BEHIND YOUR HEAD! BEHIND YOUR HEAD!
RIGHT NOW! [] [CARRIE]: THE SUSPECT,
GLEN DAVIS, ESCAPED ON FOO IN THE VICINITY OF BEECHWOOD
AND CYPRESS ROAD. CARRIE. WHAT DID YOU GET? THAT'S HERS. [ROSA SINGING SOFTLY]:
TWINKLE, TWINKLE LITTLE STAR HOW I WONDER WHAT YOU ARE... ANY WORD
FROM THE FATHER YET? NO... BUT I'M SURE HE'LL BE CALLING
WE'LL PACK UP AND START OVER. YOU'RE LEAVING? OH, I NEED TO FEED HER
RIGHT NOW, DAD. DO YOU MIND? OH. OH, EXCUSE ME. HI, IT'S ME. CALL ME BACK
AS SOON AS YOU GET THIS. I WANT YOU TO MEET YOUR BABY. [KNOCK ON DOOR] HI, DONNA. HI. THANKS FOR COMING. HAVE THEY CAUGHT HIM? NO. WHERE'S CARRIE? SHE'S STILL OUT THERE,
LOOKING. WHERE'S MY DAUGHTER? I DON'T KNOW. [] [CAR DOORS SLAM] MOM... HEY. I CAME AS SOON AS I HEARD
YOU WERE IN TOWN. DID SCOTT FILL YOU IN? YEAH, YEAH. WHAT'S THIS DAVIS PERSON
DONE WITH HER? I DON'T KNOW. THEY FOUND HER HANDKERCHIEF
OUT BEHIND HIS PLACE. HE WAS TRYING TO BURN I TO GET RID OF IT. AND HE'S OUT THERE SOMEWHERE. WE'RE GOING TO
GET HIM, THOUGH. WE'RE GOING TO
GET HIM SOON. WHAT'S "SOON"? SOON. YOU DO WHAT YOU DO. THANK YOU. ANYTHING NEW?
OUT SEARCHING FOR HER. MOM, LET ME HELP YOU WITH THIS--
NO, NO. IT'S ALL UNDER CONTROL. YOU REALLY SHOULD JUST RELAX. I CAN HANDLE IT. OKAY. ALL RIGHT. OKAY. [SIGHS] ARE YOU GUYS HUNGRY? NO. ACTUALLY,
I'VE GOT TO... I'VE GOT TO GET BACK TO WORK,
SO... WHAT IF YOU CAN'T FIND HER? DON'T SAY THAT.
I'LL FIND HER. OH, GOD! [DISHES SHATTER] ARE YOU OKAY?
YEAH. MOM...
I CAN HANDLE IT. MACKLIN. OKAY. I'M ON MY WAY. THEY JUST GOT A CALL
ABOUT AN INTRUDER IN A BARN. THAT COULD BE DAVIS,
SO I WILL KEEP YOU POSTED. ALL RIGHT, THANKS
FOR YOUR HELP. I'M JUST GOING TO
TAKE A LOOK AROUND. [CAR APPROACHES] BACKUP'S ON THEIR WAY. GOOD. IF HE'S IN THERE,
YOU SHOULDN'T BE. [CREAKING] [GUN CLATTERS] POLICE! STOP! [BELLOWS] [GRUNTS] WHERE IS MY SISTER? WHERE IS MY SISTER? WHERE IS SHE? I DON'T KNOW. WHY'D YOU RUN? KEEPS ME
IN SHAPE. WHY WERE YOU BURNING
YOUR CLOTHES? I GOT TIRED OF THEM. WHERE WERE YOU
LAST FRIDAY NIGHT BETWEEN 8:00
AND 10:
00? I DON'T KNOW. YOU'RE LYING! OH, YEAH, I WAS OUT OF TOWN. PROVE IT. AT A BARWITH SOME FRIENDS. AT THE SAND PIPER
IN HAMMERTON. A WOMAN'S MISSING HERE. A PREGNANT WOMAN. YOU MET HER LAST FRIDAY NIGHT,
AND NOW SHE'S MISSING. WE CAUGHT YOU
BURNING HER HANDKERCHIEF. I'M TELLING YOU, I DON'T KNOW ANYTHING
ABOUT HER BEING MISSING. I'M JUST TRYING
TO START A NEW LIFE. YOU'RE TELLING ME
A BUNCH OF LIES, DAVIS. YOU KNOW IT AND I KNOW IT, AND I AIN'T GOT TIME
FOR THIS KIND OF CRAP. I WANT SOME REAL ANSWERS
FROM YOU RIGHT NOW. RIGHT NOW! I WAS IN HAMMERTON... WHEN I SAW HER. WHEN YOU SAW WHO, HMM? ELYSSA CONWELL? WHO DID YOU SEE, DAVIS? I SAW A WOMAN. I FOLLOWED HER HOME. ALL I DID WAS WATCH HER, THOUGH. SHE SAW ME. I RAN. THAT'S WHY I BURNED MY CLOTHES. BECAUSE SHE SAW ME. WHAT THE HELL
DOES THIS HAVE TO DO WITH ELYSSA CONWELL? IT DOESN'T.
I'M TELLING YOU... LOOK, I WAS TWO TOWNS OVER. CHECK THE POLICE REPORT. I'M SURE THEY FILED IT. I WASN'T HURTING
ANYONE. YOU DON'T UNDERSTAND. IT WAS... IT'S AN URGE. IT'S... IT'S ALWAYS THERE. IT JUST HIDES. OKAY, IS SHE SURE
ABOUT THE TIME FRAME? OKAY. OKAY, WELL,
WE'RE WAITING FOR HER. BYE. THERE'S NOTHING
TO WORRY ABOUT, NO. WILL THEY BE ABLE
TO SEE ME? NO, NO. IT'S A TWO-WAY MIRROR. YOU CAN SEE THEM. THEY WON'T BE ABLE
TO SEE YOU. OKAY. [DOOR OPENS] THE ONE ON THE END. HE WAS WEARING A BLACK JACKE THAT NIGHT. NUMBER FIVE,
WILL YOU STEP FORWARD? NO NEED. IT'S HIM. YOU'RE SURE? IT'S SOMETHING
YOU DON'T FORGET. WE APPRECIATE
YOUR TIME, MA'AM. YOU CAN TAKE THEM OUT. SHE CALLED THE POLICE
BEFORE SCOTT GOT HOME AND FOUND ELLE MISSING. THAT'S 23 MILES AWAY. DAMN IT. YOU GOT TO TALK TO SCOTT. WE'RE RUNNING OUT OF TIME. [WYNN]: SO YOU'RE SAYING THERE'S NOTHING ELSE
YOU CAN TELL US? [SCOTT]:
YOU GOT YOUR GUY. WHY ARE YOU EVEN
BOTHERING WITH ME? I'VE TOLD YOU THIS
A MILLION TIMES-- WE HAD NO PROBLEMS. JUST THE USUAL MARRIED STUFF. BILLS, AND THE BABY
ON THE WAY. RIGHT. LOOK, THERE'S NOTHING MORE
I CAN REALLY SAY BECAUSE THERE'S NOTHING MORE
MR. CONWELL. I'LL SHOW MYSELF OUT. [DOOR OPENS] [DOOR CLOSES] WHY DID YOU
WAS FINE? I JUST MEAN THERE WAS NOTHING NOTEWORTHY. "NOTEWORTHY"? I DON'T SEE HOW
OUR MARITAL PROBLEMS-- [CELL PHONE RINGING] MY PERSONAL PROBLEMS... HAVE ANYTHING TO DO WITH THIS. HELLO. NO, LOOK, I TOLD YOU. I DON'T WANT TO
TALK TO YOU, ALL RIGHT? [PHONE BEEPS] WHO WAS THAT? NO ONE. IT WAS JUST BUSINESS. WHAT BUSINESS IS GOING ON
AT 10:
00 AT NIGHT? BUSINESS. WHAT ARE YOU HIDING, SCOTT? I'M NOT HIDING ANYTHING. WHOA, WHOA, WHOA, WHOA. WAIT A MINUTE. COME ON. DON'T WALK AWAY FROM ME. I KEEP GOINGTHROUGH THAT NIGHT OVER AND OVER AND OVER
IN MY HEAD. WHAT IF I HAD STAYED? WOULD THINGS HAVE HAPPENED
DIFFERENTLY IF I'D COME BACK EARLIER? I'VE GOT NOTHING TO GO ON HERE. DO YOU UNDERSTAND? AND HERE YOU ARE,
YOU'RE ACTUALLY HIDING SOMETHING FROM ME
AND DAUGHTER. ARE YOU KIDDING ME? LOOK, DON'T PUT THIS OFF ON ME. YOU KNOW WHAT? YOU HAVE NOT CHANGED FROM THAT SAME
COCKY HIGH SCHOOL KID WHO COULDN' TELL THE TRUTH THEN, AND YOU OBVIOUSLY
CAN'T TELL THE TRUTH NOW. HE DIDN'T DO THIS, ANY MORE THAN YOU DID. MOM, YOU DON'T KNOW
WHAT YOU'RE TALKING ABOUT. [DOOR SLAMS] WHAT I'M TALKING ABOUT? WHY ARE YOU ATTACKING US? WHAT DO YOU MEAN, "US"? WHAT'S HAPPENING WITH DAVIS? HE HAS AN ALIBI. AND YOU BELIEVE HIM? THE MAN IS A LIAR. YES, HE IS, BUT NOT THIS TIME. SO YOU'VE GOT NOTHING. AS ALWAYS... YEAH, THANKS
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"Cries in the Dark" Scripts.com. STANDS4 LLC, 2024. Web. 19 Dec. 2024. <https://www.scripts.com/script/cries_in_the_dark_6051>.
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