Day After Day Page #4

Synopsis: Universal themes like growing up and the banality of everyday life for a young boy, which leads to aggression and suppressed rage. An ordinary day in a kid's life in a small town. An ...
Genre: Drama, Short
Director(s): Kornél Mundruczó
  7 wins.
 
IMDB:
6.4
Year:
2001
24 min
139 Views


Usually I'm tougher than this.

How are you?

Too wrapped up in your game|to say hi?

Who's winning?|- They are.

Who are they?

I was just passing by|and I thought...

Mussa doesn't have a cellphone,|but he has you.

Any idea where I can find him?|I have a game tonight.

Anyway, how are you?

I'm okay.

It's Hanna's birthday.|Maybe he'll be there.

Well, I have to go.|See you.

Look, Didi, if things|aren't great...

we could go to the movies.

Moshe, I'm getting you something.

I have some goodies today.

Your favorite peppers.

So do you think|it's a good deal?

Did you set up a meeting?

The ball is in our court.

Does Yussef know?

Patience. We have to wait|for the right moment.

You'll talk to him?

I don't think|this is the right time.

If only I had a grandson.

What's that got to do with it?

We're talking about|a business deal here.

You have to admit|that it's a good excuse.

A lovely house,|a nice piece of land...

Here we go again.

Maybe you could adopt.

No, thanks.|I'm not hungry.

Do you want meat? I can get you|some roast from yesterday.

I just got attacked|by a bank-robber.

Unbelievable.|He almost killed me.

You're such a liar.|It's really sick.

I didn't ask you anything|and you go making things up.

Why don't you answer me, Moshe?

Tell me, are you a moron?|- How about you?

Think you own the market?

Sorry, sorry.

Sorry.|- Be careful!

You be careful too.

Crossing right in the middle.|I didn't even see you.

You got me all confused.

What do you think you're|doing here? Take it easy!

No violence.|- You don't own the market.

You can't do whatever|you want here!

Why this violence?

You can't just run over|anyone who crosses.

Why get violent immediately?|- Drive on the road!

You want to kill me?|Want to hit me?

Come on then, hit me.|- Fine, so get out.

Don't you touch my car.

What's the matter with you?|Why all this violence?

Why all this violence?

Why are you banging up my car?|- Because I feel like it!

Don't touch my car.|- I'll touch anything I want.

Just look where you're going.

Look at this country.|It looks just like you!

You should be ashamed.|Get out of here.

Stop yelling.|- Aren't you ashamed?

Why are you yelling?|- Get lost.

Stop yelling.|- Get that thing out of here.

Sorry. Move on.|Let me pass.

F***.

Sorry.

Yes.

Hello, Grisha.|It's Mosh.

Talk slowly,|I can't understand.

Grisha, it's Mosh.|You asleep?

No. Weren't you supposed|to call me earlier?

Yes, I was busy.|Am I disturbing you?

Hello. Can you hear me?|How are you?

Since you ask...|I dunno... So-so.

What do you mean?

I'm feeling a little sick.

It's the season.|Everybody's sick now.

Yeah, I don't know...|My back aches

and my head feels heavy|and my eyes sting...

You're telling me about backaches?!|I just had to take Voltarene.

Did you take anything?|Did you see the doctor?

Want to come up?

Are you alone?|- No.

But if you like,|if you're not too far away...

Say in twenty minutes?|Is that okay?

Well, I'll call you later.|- When?

Tomorrow, the day after...|I'll come by the salon, okay?

Yes, but Mosh...

Is he coming?

No, you can relax.|He's not coming.

So I can stay.

No.

Why not?|Would you rather sleep alone?

Yes.

Give me a kiss.

What? What?

Jules, would you mind|if we saw less of each other?

Grisha? -What?|- What's going on?

You know...

Okay, okay. We'll talk about it,|but not now.

You think Moshe|suspects something?

Anyway I've known you|much longer than he has.

So don't worry.

I don't love you, Juliano.|Don't count on me anymore.

Do you still live|in Kiriat Motzkin?

Yes, always.

How do you get here?

I take the bus.

Which line?

The 52.

Can't you take a cab?

Can't afford it.

Is it a direct bus?

It's the only one.

How's business, Nadim?

Very good.

Yeah? -Yes.

Will the deal go through?|- No. No deal.

No deal? -No.

Do you think Jews are|potential buyers for Arab land?

When are you going|to get married?

God willing...

Did anyone tell you|your dress is nice?

No.

So I'm telling you.

Thank you.|So what do you think

of Jews as potential buyers|of this land?

Are you bored?

A little.

Yossi, where's Moshe?

You insist on calling me Yossi.|My name is Yussef.

I know, but Yossi...|sounds more Israeli.

I do it for your sake.|Where's Moshe?

I don't know.|He's gone.

Where to?

Will he be back?

No.

Did something happen|between him and Didi?

I really don't know what's going on.|Really, Mimi, I don't.

Aren't you interested?

What did you get Hanna?

Nothing.|- Nothing? How lovely!

Did you bake it or buy it?|- I bought it.

Where?

Sometimes you ask|too many questions, Mimi.

And sometimes|it's not appropriate.

Where did you buy it?|Is that such a complicated question?

Can't you tell me? What if I ever|want to get one like it?

At Salim Brothers.

When?|- Two months ago.

So you froze it?

No, I heated it up.

Why are you being rude?

All I did was ask|where she bought the cake...

Mimi, not now, honey.|This isn't a good time.

But they're so overpriced.|How much was it?

Many happy returns.

Where's Moshe?|- He's gone.

Did you see the cake|Didi got you?

Shall we have a toast?

This is the Voice of Israel|from Jerusalem. It is 5 o'clock.

The US emissary left Jerusalem|on his way to Damascus

to discuss negotiations|concerning the Golan Heights.

Grisha.

They want to give back|a part of the Golan.

I'm against it.

What do we get in return?|Nothing.

Do you think it could help us?

Yes?|Are you listening?

You're not listening to me.

I'm listening, I'm listening.

Well?|- Well, what?

What do you think?

I don't, Grisha.|I'm trying to concentrate.

To concentrate?|- Listen...

Either we screw or we talk.

I can't do both.

You can talk while you screw...

I can't. It's too much.|- It's not so complicated.

I'm not in the mood anymore.|- What do you mean?!

Besides, the air-conditioning|doesn't work.

I never had|air-conditioning here.

Grisha, I can't...|You're pressuring me.

Where are you going?|Moshe.

Be strong.

Is she gone?|- Yes.

She was wonderful.

My heart is with you.|She was very special.

I know she loved you all|very much.

I|loved her too. Be strong.

O God full of mercy,|offer eternal peace

under the wings of Your divinity,

amongst the saintly and pure

who shine like the firmament,

to the soul of Hanna,|who has left this world.

May she rest in paradise.

May the merciful God|protect her eternally

and keep her soul living.

The Lord be her abode.|May she rest in peace.

Amen.

In the name of Allah,|Allah the merciful,

King of Judgement Day.

We shall serve You|and You will help us.

Guide us in the way|of righteousness,

Set us in|the footsteps of those

who have been blessed|with your grace.

Amen.

May Allah have mercy on you!

Can I help with the funeral?

There will be no funeral.

She asked to have her body|given to science.

Allah will give her peace.

She died in her sleep.

Her heart stopped.

She died like a bird. In silence.

Without a sound.

Give me some water, I'm thirsty.

Rate this script:0.0 / 0 votes

Kornél Mundruczó

Kornél Mundruczó (Hungarian: [ˈkorneːl ˈmundrut͡soː]; born 3 April 1975) is a Hungarian film and theatre director. He has directed 17 short and feature films between 1998 and 2017. His film Johanna was screened in the Un Certain Regard section of the 2005 Cannes Film Festival. The production of White God, another of his full-length films, was supported by the Hungarian Film Fund. It won the Prize Un Certain Regard at the 2014 Cannes Film Festival and was screened in the Spotlight section of Sundance Film Festival in 2015. more…

All Kornél Mundruczó scripts | Kornél Mundruczó Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Day After Day" Scripts.com. STANDS4 LLC, 2024. Web. 7 Nov. 2024. <https://www.scripts.com/script/day_after_day_23841>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Day After Day

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    Who is the main actor in "Iron Man"?
    A Robert Downey Jr.
    B Chris Hemsworth
    C Mark Ruffalo
    D Chris Evans