Deadline at Dawn Page #6

Synopsis: Alex, a radio-specialist sailor on leave, recovers from a drink-induced blackout with a large sum of money belonging to Edna Bartelli, a B-girl who invited him home to fix her radio. He tries to return the money with the reluctant aid of June Goffe, a sweet but oh-so-tired dance hall girl. They find Edna murdered. Not quite sure he didn't do it himself, Alex and June have four hours in the dead of night to find the real killer before his leave ends. Their quest brings them into contact with a sleazy kaleidoscope of minor characters as the clues get more and more tangled.
Production: RKO Pictures
  1 nomination.
 
IMDB:
6.8
APPROVED
Year:
1946
83 min
151 Views


- He killed my sister.

Where is your eyes, you gangster?

That boy couldn't hurt a fly.

Can't you see it in his face?

Wait. There's been a murder

committed here. Let's face it.

And you had a motive, Mr. Brady.

And you had a motive.

Why not call the cops

if you are so legitimate?

You think I need this gun

to hold you here?

The man knows something, Lester.

We'll start

with some gas-station courtesy.

- What's Mr. Raymond's wife's first name?

Nan.

The waiter's name in your restaurant

with who you were in cahoots...

...and your sister found it out?

Why?

Put nothing in writing,

that's the first law of life.

Time is on the wing. Don't waste it.

I read all the incriminating papers

you are looking for.

- And I bunked them away like a squirrel.

Why?

Intuition.

- But you can get those papers back.

How?

We want till 6:
00

to clear this young man.

Somewhere, a murderer's running loose.

You'll have to help us find him.

Don't I see you talking to my sister

in the restaurant some time ago?

Never seen her before tonight.

What about my offer?

Edna.

It's the Babe.

Are you home, Edna?

He was here before.

Edna, it's late.

I can't get a drinkie anywhere.

Throw down a bottle, will you?

It's that drunk, Babe Dooley,

the ball player.

Throw it down, Edna.

I'll have to come up there

if you don't throw it down.

Hey, where do you think you are?

On a picnic? Move on now.

Hey. It's the Babe. It's Babe Dooley.

Are you for me or against me?

- Are you?

- Why, nothing's too good for the Babe.

Then go up there.

Can't navigate up stairs. My friend's...

Are we gonna cop

the pennant this year, Babe?

Get me the bottle

and we'll cop the house.

He's coming up here. The cop.

What are you going to do?

- Be careful, Val.

- Shut your face, Lester.

What's cooking down there?

It's Babe Dooley.

- He says a friend lives here.

I'm her brother. She don't like this.

- Gives a bad name in the neighborhood.

- Well, all he wants is a drink.

Here, give him this. But far away.

- I'm sorry to make any trouble.

Excused.

Edna! Edna!

There's a fat ball player

who some night will die in the street.

Okay, you got till 6 a.m.

We start with some clues.

Mentholated cigarettes.

Who smokes them?

Who chews gum? Who rides in subways?

What about a man in evening clothes?

He was here tonight.

Would your sister know him?

Man in evening clothes?

Sure, about 50,000.

Statistics tell us that a white carnation goes

with a tuxedo coat.

Do you know a man

who wears white carnations?

Why?

- Because he was here tonight.

Who said?

- This says.

- You find this here?

- On the table.

What time is it now?

- Uh, 10 minutes past 4.

I know where the sick pigeon is tonight.

You come with me, Lester.

- I have a 10:
00 rehearsal. I better get sleep.

- Sleep rots the brain, don't it?

- We'll all go.

- You'll stay here.

No, we'll all go.

All right.

Gee, time takes so long

and it goes so fast.

- The sun comes up soon, don't it?

- Too soon.

Edna.

Edna.

Edna.

Edna.

Edna.

Edna.

Police! Police! Police!

What are you thinking, June?

Tired, son?

Well, I'm in trouble and sick at heart,

I know that.

But nothing can happen to me.

- I was dead once. Didn't I tell you that?

- No.

Drowned in a river when I was 12.

The doctor declared me dead,

but they revived me after two hours.

The next day I played two games

of handball.

Then I fell down in a faint

and had to stay in bed six weeks.

So nothing more can happen to me.

Night air goes to your head like dope,

don't it?

Mr. Bartelli, you hit me

in a very unfair manner before.

Sorry about your sister...

...but I'm apt to punch you before 6:00,

that's the truth.

Val.

What's Val Bartelli doing here?

And who's the gang with him?

- Did you tell him this was a private party?

- Couldn't stop him. You know how Val is.

Uh, whiskey and soda.

- No dice.

It's much too late for drinks.

- Sandwiches?

- No.

Anybody want some sandwiches?

I'll get some mineral water

and a few lemonades, waiter. Please.

- What a pleasant surprise, Val.

Who's all the people here this late?

Oh, it's a private party

for a retiring police captain.

Oh. This boy is leaving.

I'm showing him some sights.

- Oh, fine.

- Don't tell Sleepy we're here.

Oh, sure, Val. Sure.

All cops. Delicious.

- That means we'll have to wait.

- For what? Till school opens?

Why not turn him over to the cops?

- And if he didn't do it?

- He done it.

- Wait, better wait, Val.

- He'll see you if you stand.

No, he's blind as a bat.

Blind?

That's all right.

I finished that plate.

Had the most beautiful marble.

- Gee.

- Don't waste your pity.

This girl has got a head.

If I can get him outside a minute...

The party will be breaking up soon.

- Blind.

- Breaks your heart, don't it?

The city is full of men like that.

Nerves and worry.

Living on cigars

and bicarbonate of soda...

...wrung out by sleepless nights.

He'll sleep good in a box.

Mr. Bartelli, the bed bugs

will never forgive you.

Your skin is made of iron.

Don't make a fuss in here.

What's the plot?

I'm to baby him along all night?

- Why not be patient, Val?

- Do you feel better?

Yeah.

What would you like to do?

Because I suggest you do it.

Well?

That's right, we'll wait.

It's not your nature to wait.

Not yours and not your sister's.

Take, break, smash and kill.

You and your sister alike.

What do you know about my sister?

You forget

I read her intimate correspondence.

Highly perfumed.

The perfume.

This is Miss Bartelli's perfume on me.

The bottle spilled, remember?

Suppose I stand at the piano

and don't make a sound.

He gets a good whiff.

- What will that prove?

Nothing if he's innocent.

But if he's guilty,

we'll see it with our eyes.

This girl has got a head.

Uh, friends who have been so kind

as to make this gathering possible...

...the hour grows late and we must part.

Parting is such sweet sorrow,

as the poet says.

And yet it would be amiss of me...

...not to say a few words before

"We Won't Get Home Until Morning."

I have heard myself referred to tonight

as "a credit to the force."

We all had the pleasure of a visit

along about 1 in the morning...

...from Inspector Unkefer.

And his spouse. Bless her.

In brief, as I am trying to say it...

...you have made my cup

to overflow this evening.

And it would be amiss of me,

as previous stated...

...if I didn't acknowledge this single honor

you have bestowed upon me.

From the bottom of my heart,

and I know Mrs. Bender here at my side...

...concurs in this sentiment...

...there is not the words to thank you.

- Who's that?

Is that?

Uh...

- Who is that?

Is someone standing here?

Mrs. Bender...

Yes.

- Who is it?

at my side...

Edna is dead and you killed her.

- What? What's that?

For better or worse.

But I doubt if she has ever shared

a prouder moment...

...than we are living right here and now.

Um...

- Well, as I began to say...

Rate this script:0.0 / 0 votes

Clifford Odets

Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and director. Odets was widely seen as a successor to Nobel Prize-winning playwright Eugene O'Neill as O'Neill began to retire from Broadway's commercial pressures and increasing critical backlash in the mid-1930s. From early 1935 on, Odets' socially relevant dramas proved extremely influential, particularly for the remainder of the Great Depression. Odets' works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, David Mamet, and Jon Robin Baitz. After the production of his play Clash by Night in the 1941–1942 season, Odets focused his energies on film projects, remaining in Hollywood for the next seven years. He began to be eclipsed by such playwrights as Miller, Tennessee Williams and, in 1950, William Inge. Except for his adaptation of Konstantin Simonov's play The Russian People in the 1942–1943 season, Odets did not return to Broadway until 1949, with the premiere of The Big Knife, an allegorical play about Hollywood. At the time of his death in 1963, Odets was serving as both script writer and script supervisor on The Richard Boone Show, born of a plan for televised repertory theater. Though many obituaries lamented his work in Hollywood and considered him someone who had not lived up to his promise, director Elia Kazan understood it differently. "The tragedy of our times in the theatre is the tragedy of Clifford Odets," Kazan began, before defending his late friend against the accusations of failure that had appeared in his obituaries. "His plan, he said, was to . . . come back to New York and get [some new] plays on. They’d be, he assured me, the best plays of his life. . . .Cliff wasn't 'shot.' . . . The mind and talent were alive in the man." more…

All Clifford Odets scripts | Clifford Odets Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Deadline at Dawn" Scripts.com. STANDS4 LLC, 2024. Web. 23 Dec. 2024. <https://www.scripts.com/script/deadline_at_dawn_6531>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Deadline at Dawn

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "O.S." stand for in a screenplay?
    A Off Screen
    B Opening Scene
    C On Stage
    D Original Sound