Deadline at Dawn Page #7

Synopsis: Alex, a radio-specialist sailor on leave, recovers from a drink-induced blackout with a large sum of money belonging to Edna Bartelli, a B-girl who invited him home to fix her radio. He tries to return the money with the reluctant aid of June Goffe, a sweet but oh-so-tired dance hall girl. They find Edna murdered. Not quite sure he didn't do it himself, Alex and June have four hours in the dead of night to find the real killer before his leave ends. Their quest brings them into contact with a sleazy kaleidoscope of minor characters as the clues get more and more tangled.
Production: RKO Pictures
  1 nomination.
 
IMDB:
6.8
APPROVED
Year:
1946
83 min
149 Views


- Shh. Don't you hear the captain talking?

- Don't run.

the hour grows late.

And this has a double significance,

my friends...

...as it may also appertain

to the span of life.

- The hour grows late.

Ahem.

- Who's that?

- You know who it is.

Val?

- Val, I just heard. A woman whispered.

- You just heard? What you just heard?

Edna. She...

No, don't hit me. Don't hit me.

I didn't do anything. I can't take it.

Don't hit me.

I loved her. I always loved her.

If I get burned to ashes, I love her.

Let him alone.

You can see he didn't do it. Let him alone.

Which one of you

spoiled the captain's party?

- You're sure of that?

Yes.

You're not lying?

- No, sir.

Let's go back a bit.

Miss Bartelli kept teasing you all night

to give her a hug?

- Yes, sir.

- But you wouldn't.

- No, sir, I wouldn't.

- Why?

- I guess she didn't appeal to me in that way.

You don't say so.

She puts her arms around you and you say

no? You expect us to believe that baloney?

I expect you to believe it, yes.

Why would I lie?

I never had a time like this

since my aunt won a car...

...and the whole family had a fight.

Yes?

Right.

They don't want Bartelli.

In Narcotics long time ago, they say.

You got no call to keep me here.

Phoned your lawyer, didn't you?

Lieutenant Kane is outside to see you.

Homicide squad is in the hall. You're gonna

see the foundations of the building.

It's very sweet of you, June.

Gee, look at the time.

What is Captain Sterling gonna say

when I don't report for duty?

What'll my father say

when he hears this?

Listen to the murderer, how he talks.

A punch in the nose, remember that.

June, there's something I've got to tell you.

No matter what happens...

...I don't know how I existed

before I met you. That's the truth.

You'll have to go back

to your seat, sister.

So that means Babe Dooley's in the case

with both feet.

- But I don't think he done it.

- This gets more complicated every minute.

- What do you think of the girl?

- Oh, she's airtight.

- She never left the dance hall till 1:00.

- Why did she go to the apartment?

It seems her brother's

a belly gunner. Sympathy.

What about Bartelli?

We can't hold him

for Sleepy Parsons' death.

It's obviously heart failure.

Do you think he tapped his sister?

I doubt it, but I'm open to conviction.

I don't like him.

How about the cabby?

We went through him one, two, three.

Clean record.

- I think we're wasting our time.

- Why?

The boy done it,

but you can't break him down.

- Maybe he's innocent.

- Maybe he ain't.

- Ready for work, Smiley?

- Say when, lieutenant.

When.

What's the radio for? Turn it off.

I hear the whistle blowing.

- Hello, Bartelli. Still making book?

- I never had no interest in that, lieutenant.

You killed her?

I did not.

Stand up. What'd you say?

What? What's that?

I said I did not.

- Get up.

You're taking orders around here.

Get out of that chair.

No, I'm too tired. I won't get up.

You're in line for a grave in potter's field.

Don't yell at me, please.

My friends will tell you I'm all right.

Your friends?

Put them out in the hall

with the mops and brooms.

Now you're alone. No friends.

A murderer has no friends.

Are you ready to sign a confession?

I'm ready to lay down and sleep for a year,

that's the truth.

Do you realize the position you're in?

Do you know what it's like

to fry in the electric chair?

- Stop this. Stop talking like this.

- Now, just a minute, detective.

- You're getting pretty rough there.

Kids like this make my blood boil.

Now, let's calm down, detective.

We're in the United States.

Officer, bring this lad some cold water.

What's happening in there now?

Now the other one steps in, sympathetic,

soothing the troubled waters...

...and Alex tells him everything.

But what can he tell him?

- About the blank hour in his life.

- But he didn't do it, Gus.

I know he didn't.

Do you want these others to leave?

Oh, no, they don't annoy me.

I mean, I'm annoyed anyway.

I don't get it, lieutenant.

Why you coddling this prisoner?

- He don't deserve it.

- Don't see any reason to lose your head.

Do you?

Did you enlist or were you drafted, lad?

I enlisted the day after Pearl Harbor.

The president spoke on the radio.

You didn't kill that woman, did you?

- No, sir, I didn't.

- Who do you think did?

- I honestly don't know.

We thought it was her husband,

but I don't know.

But you didn't?

- No, sir, but...

- But what?

Well, sometimes you just wish

you had a sore toe or something...

...so you could sit down

and not worry about things.

That's the mood I was in last night.

No place to go. Disgusted.

Then she kept offering me these drinks.

I don't have any sales resistance,

as my father says.

After a few drinks, well,

non compos mentis.

- Non compos mentis.

- Yes, sir.

I just didn't know where I was for a while.

Like swimming underwater in the dark.

Next thing I know the money was

in my pocket and I'd run away.

- You were unaware of what you had done?

- I was unaware.

- But the money was in your pocket?

- That's right.

You wanna help us find the killer,

don't you?

I certainly do.

Did you do it?

I mean, when you were non compos mentis

and didn't know that you took the money?

Is it possible?

Be sincere.

Yes, sir, it's possible.

I might've done it and not know I did.

- Did Miss Bartelli drink a lot?

- More than I could count and I'm not dumb.

No, you're not dumb.

No, he's not dumb.

What's he doing in there?

Shh, shh.

So you think it's possible you did it...

...when you were fuzzy in the head?

Be sincere.

Yes, sir, it's possible.

You've pinned the tail on the donkey, lad.

- That's all we wanna know.

- But it's only possible.

That's a technical distinction,

out of my hands.

- Book him on a murder charge.

Lieutenant.

Tell my lawyer to go back to sleep

when he gets here.

- Gus.

- Yes?

Do you know what that means?

Yes, I know what it means.

The boy is innocent.

In a minute, he'll be free.

Look at me, June.

Your face is very beautiful when it's sad.

A certain party is guilty.

All night he's been sawing off the branch

he's sitting on.

- Who is it?

- Do you want to come in with me?

Lieutenant.

The murderer of Edna Bartelli...

...has just confessed to Captain Dill

down at Homicide.

Who?

- A man.

A man I never heard of.

What are you keeping my wife

waiting for?

- What's your hurry?

- We have a baby home.

No one appreciates babies more than me.

- Does my smoking bother you?

- No.

Come in.

Oh, hello, Kane.

Ever see them before?

- Nope.

Mm-hm.

Just walked in and confessed

like a baby doll.

Make fun, that's right, make fun.

- Why did you wanna kill her?

- That's my business.

- Not now it isn't. It's our business now.

- I killed her, that's enough.

Now why don't you let my wife go home?

She's exhausted.

Do you love your wife?

- Yes.

- Where did you get the gun?

I don't care to answer that.

Let my wife go home. Do you hear me?

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Clifford Odets

Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and director. Odets was widely seen as a successor to Nobel Prize-winning playwright Eugene O'Neill as O'Neill began to retire from Broadway's commercial pressures and increasing critical backlash in the mid-1930s. From early 1935 on, Odets' socially relevant dramas proved extremely influential, particularly for the remainder of the Great Depression. Odets' works inspired the next several generations of playwrights, including Arthur Miller, Paddy Chayefsky, Neil Simon, David Mamet, and Jon Robin Baitz. After the production of his play Clash by Night in the 1941–1942 season, Odets focused his energies on film projects, remaining in Hollywood for the next seven years. He began to be eclipsed by such playwrights as Miller, Tennessee Williams and, in 1950, William Inge. Except for his adaptation of Konstantin Simonov's play The Russian People in the 1942–1943 season, Odets did not return to Broadway until 1949, with the premiere of The Big Knife, an allegorical play about Hollywood. At the time of his death in 1963, Odets was serving as both script writer and script supervisor on The Richard Boone Show, born of a plan for televised repertory theater. Though many obituaries lamented his work in Hollywood and considered him someone who had not lived up to his promise, director Elia Kazan understood it differently. "The tragedy of our times in the theatre is the tragedy of Clifford Odets," Kazan began, before defending his late friend against the accusations of failure that had appeared in his obituaries. "His plan, he said, was to . . . come back to New York and get [some new] plays on. They’d be, he assured me, the best plays of his life. . . .Cliff wasn't 'shot.' . . . The mind and talent were alive in the man." more…

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