Dear White People Page #13
75.
PRESIDENT FLETCHER
And I think you long for the days
where Blacks were hanging from
trees and denied actual rights.
Then you’d actually have something
to fight against.
A swell of emotion behind Sam’s steel eyes.
PRESIDENT FLETCHER (CONT’D)
You will be facing two hearings in
the coming weeks that could end in
either Probation or Suspension. One
on the merits of your show, the
other on your election to Head of
House.
Sam is truly scared by this.
PRESIDENT FLETCHER (CONT’D)
Your responsibilities to your house
are suspended. Your show is done
for. And another one of your
illegal “demonstrations” will only
make matters worse. This is a
critical time for this school.
SAM:
You damn right it is.
PRESIDENT FLETCHER
We don’t have an intolerance
problem here. Except for the one
I’m looking at.
72 INT. DEAN’S OFFICE - CONTINUOUS 72
Troy and his father are alone.
DEAN FAIRBANKS:
You didn’t tell me you and Sofia
had a misunderstanding.
TROY:
Who did?
DEAN FAIRBANKS:
Her father. She was very upset.
(off Troy’s silence)
Troy. What sort of vision do you
have for yourself?
76.
TROY:
Get my degree. Then Law School and
then -
DEAN FAIRBANKS:
--And what’s that got to do with
partying with Kurt? With smoking
weed and writing jokes?
Panic flashes over Troy.
DEAN FAIRBANKS (CONT’D)
Okay, so what? Is it the spotlight
Kurt gets? You want to be on...tv
or something? You know how many
Black men waste their lives to get
on TV? Be rappers and ball players?
TROY:
(wanting it to be true)
Dad no. I want what we always
talked about. Maybe have my own
firm someday? Run for office. Make
a difference. Wife. Kids. I want
DEAN FAIRBANKS:
And the drugs? God damn it Troy I
taught you better than this. I have
been in academia a long time, I’ve
seen a lot of things. The men who
really run this world? You got no
idea what they see when they see
you. You are not going to be what
they all think you are. You will
not give them that satisfaction,
you hear me?
TROY:
Yes sir.
73 INT. PRESIDENT’S OFFICE - CONTINUOUS 73
Sam steps out of Fletcher’s office into the waiting room.
Kurt is there. He stands and the two silently stare the other
down as Kurt enters his father’s office.
A SECRETARY picks up a ringing phone - prompts her to exit
the room. Sam watches her sign for a delivery outside through
the window.
Sam slips behind the office door - quietly pushes it open and
listens in.
77.
PRESIDENT FLETCHER
I know about the party. You picked
a hell of a time.
KURT:
What party --
PRESIDENT FLETCHER
-- You’re cancelling Kurt. End of
story.
Lionel walks through the empty office - slows down as he over
hears...
GEORGE (O.S.)
Lionel’s story on the would-be
protest outside of Gillespie is
running tomorrow and I’m also
having Lionel work on a profile
piece of Armstrong/Parker like you
suggested. Really break down what’s
going on.
Lionel gingerly approaches the door to see George finish up a
phone call.
GEORGE (CONT’D)
Right. It’s almost like they
recycle so much from their past -
Music, food, fashion, and now
turbulence.
This leaves a bitter taste in Lionel’s mouth.
GEORGE (CONT’D)
Thank you so much. Okay, take care.
George can’t fight his grin as he looks to Annie.
ANNIE:
Well?
GEORGE:
That was our Times advisor. He said
it’s stories like these that get
editors recommendation letters.
Lionel knocks on the door. Annie and George are startled but
reassured when they see who it is.
78.
LIONEL:
The Negro at the door didn’t scare
you this time.
Annie smiles and heads for the door.
ANNIE:
Lionel please. You’re only
technically Black. G, going to
French. You want me to hold your
seat?
GEORGE:
Thanks.
LIONEL:
You need something? Saw your e-
mail.
GEORGE:
Yeah, I need someone to do the
Donor’s function on Saturday. Small
dinner for the school’s big givers.
Administration wants a little
coverage.
LIONEL:
That’s Halloween night.
GEORGE:
Right, which is why no one else
will take it.
LIONEL:
Ah. Thus the new guy.
George gathers his backpack and walks over to Lionel. Gets
close.
GEORGE:
On my way to class, but you can
stay and check out last year’s
piece. You’ll do fine.
LIONEL:
I don’t know. Are there going to be
any racially fueled outbursts at
this thing?
GEORGE:
Never know right?
79.
It’s clear Lionel wants to say something else. George too.
LIONEL:
Am I a good writer?
GEORGE:
You’ll get better. And we need you
right now.
LIONEL:
You’re just a big recommendation
away from landing the Times.
GEORGE:
God I hope so.
Lionel looks down. He is being used. Turns to go, just as -
GEORGE (CONT’D)
Hey.
-- George grabs Lionel unsure what he wants to say. So
instead he just kisses him.
GEORGE (CONT’D)
I’m glad we finally got that Bugle
on your chest.
Lionel’s all mixed up.
GEORGE (CONT’D)
There’s a big party the night of
the Donor’s event. Call me after,
maybe we can hang?
LIONEL:
Yeah. Sounds good.
George heads out - leaving Lionel perplexed.
76 INT. TROY’S APARTMENT - NIGHT 76
Troy stares at his reflection in a mirror as he lifts his durag
to reveal his perfectly curled finger waves. He’s getting
ready for something.
His phone buzzes with a notification: “Message from:
PASTICHE”
Troy nervously clicks it open. As he reads...
80.
KURT (V.O.)
Dear White People. Are you tired of
your hum drum, Wonderbread
existence of accidental racism and
wishing you could sip on Henny out
yo crunk cup without a B*tch giving
you the side-eye? Course you are.
MONTAGE:
As our subjects get ready for their evening.
Troy goes back to combing over his finger waves, finding and
correcting imperceptible imperfections.
KURT (V.O.)
For all those looking to unleash
their inner Negro from years of
bondage and oppression Pastiche
proudly presents “Dear White
People” our 89th annual Hallow’s
Eve Costume Party - tonight at 10
Pacific Time or 5 Colored People
Time. Sorry for the short notice,
but let’s keep it one hun-ed.
You’ve had us on your calendar for
weeks.
76A
Lionel stares into a mirror in an ill fitting suit 76A
combing out his unwieldy fro. He flinches in pain as he
fluffs out each section.
KURT (V.O.)
Dudes must rock FUBU, Ecko,
Rocawear, or Sean John. XXXL is the
smallest size T-Shirt you can wear,
preferably with a collage of Barack
Obama and Tupac on it. Stunner
Shades, chains, and Blue-Tooth
devices sticking out yo ears are
also encouraged.
76B
Coco pulls a blonde curly wig over her natural hair. She 76B
smooths her tendrils to frame her face, almost pale with
foundation. She begins on her eyes.
KURT (V.O.)
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Dear White People" Scripts.com. STANDS4 LLC, 2024. Web. 20 Dec. 2024. <https://www.scripts.com/script/dear_white_people_565>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In