Dear White People Page #14
Ladies, we need to see huge hoop
earrings, long nails, and cheap
tight clothes.
(MORE)
81.
KURT (V.O.) (CONT'D)
A proper hood rat starts fights,
speaks loudly, and when she can’t
think of the word she’s trying to
say just makes one up, such as
“edumicated.” Feel free to fry up
some chicken, bring Kool-Aid,
Watermelon, 40s, Henny, and of
course Dat Purple Drank. No bougie
b*tches allowed.
76C
Sam removes the pins and the black power Afro pic holding76C
up her pompadour fro hair-do, and lets it fall flat around
her ears. She takes in her image in the mirror.
KURT (V.O.)
Naturally there will be a freestyle
rap competition so bring it, get yo
shine on and join us for the party
of the year! Oh and Nigga Nigga
Nigga Nigga. Boy that felt good.
77
EXT. GILLESPIE HALL - NIGHT 77
Laughter and music from the well to do event wafts outside
while Troy dressed in a slick Armani tux hangs by the
entrance. He smokes on Coco’s one-hitter from before.
Lionel steps out in his ill fitted suit, a camera in hand.
The two are surprised to see each other.
LIONEL:
Funny seeing you here.
TROY:
Father likes to show me off at all
the Donor functions. The dessert
course is usually my cue to take a
breather while they talk shop.
(friendlier)
The trick is to dazzle them into
forking over their estates just
before they kick the bucket.
Lionel could just leave. Instead he accepts the olive branch.
LIONEL:
So...Picard or Kirk?
TROY:
Kirk. Wait...
LIONEL:
I saw you watching Star -
82.
TROY:
-- Yo what happens in the crib
stays in the crib. Not trying to
get my card revoked.
LIONEL:
Hey, some could argue that a show
with Whoopi Goldberg, Michael Dorn
and Kunta Kinte himself is a pretty
Black show.
TROY:
Yeah? That work out for you?
LIONEL:
No. No it did not. At least not in
High School. I bet there’s a statue
of you at your High School.
TROY:
I was beloved. Won’t lie.
LIONEL:
Did they know you were a trekker?
TROY:
My pops left a paint by numbers
template for success at that High
School. All I had to do was fill in
the blanks. Football captain.
Valedictorian. Prom King.
Lionel sees a sadness in Troy.
TROY (CONT’D)
So what? You’re growing that out?
LIONEL:
I think it’s gaining sentience.
TROY:
It’s...out there.
LIONEL:
It’s like a black hole for white
people’s fingers. They’re obsessed.
TROY:
You know I cut hair. Why didn’t you
ask me?
LIONEL:
You’re I dunno...you?
83.
Behind Lionel, George and Annie pass by the steps to
Gillespie.
GEORGE:
Li! You ready man?
LIONEL:
No costumes? I got a tux for this.
ANNIE:
We just got out of the staff room.
GEORGE:
Yeah, we’re going as overworked.
LIONEL:
Where is it?
ANNIE:
Garmin House. On third I think?
LIONEL:
Third and Basin. I know it.
Before Lionel jets to join them.
TROY:
Yo man. If I’d gone to your High
School, I’d have had your back.
Lionel smiles and heads after his new friends.
78 EXT. KURT’S HOUSE - NIGHT 78
Lionel pauses before his old home - now filled with the chaos
of a wild party. Lionel clears his throat and heads in.
79 INT. KURT’S HOUSE - NIGHT 79
The party is dark and rambunctious. Lots of white kids in
costume. Some as fairies or ninjas or Spiderman - but most as
pimps and thugs. As Blaxploitation characters. As Barack
Obama and Condi Rice. As Shaft, Ice Cube, and 2 Chainz.
It’s a lot for Lionel. Cups are handed to them filled with
“Purple Drank.” Everyone downs the stuff.
Troy is being appreciated by an ancient COUPLE.
TROY:
...my own firm. Maybe run for
office. Make a difference you know?
84.
The couple smile. A buzz draws Troy’s eyes to his phone -
photos from “Dear White People” pop up in his news feed.
80 INT. KURT’S HOUSE - NIGHT 80
Lionel watches as Gordon and other Pastiche crew nervously
put up flyers and posters. They seem caught off guard. Lionel
glances at the posters - it’s Kurt with a large Afro wig
mimicking Sam’s “Missing Black Culture” flyers.
LIONEL:
This is kind of f***ed up. Right?
GEORGE:
Pastiche. The world’s most erudite
boneheads. Who wants another round?
Come on Lionel, help a brother out.
LIONEL:
Kitchen’s this way.
80A ENTRANCE - CONTINUOUS 80A
Coco enters the party - blinged out like Nicki Minaj. She’s
feeling herself as she’s handed a drink.
She’s got eyes on her - for the first time like this at a
party. But she sees the same thing Lionel saw.
Her confidence starts to fight a shame that creeps up beneath
her party face. She switches her iPhone to video mode...
COCO:
Hey there muffins. How do I look?
Why are white folks so obsessed
with being Black? And why are Black
folks so addicted to Blonde Barbie
doll weaves? Honeys it’s a strange
symbiosis we’re here to explore...
Coco’s voice cracks as she stares into her own image on her
iPhone. She pauses it and takes a breath.
80B HALLWAY - CONTINUOUS 80B
Lionel leads George through the dense crowd towards the
kitchen - George pulls Lionel into a hallway and into...
80C BATHROOM - CONTINUOUS 80C
...the bathroom and up against the door. George inhales
Lionel’s lips. Runs his fingers through Lionel’s hair.
85.
LIONEL:
Ouch.
GEORGE:
Sorry.
LIONEL:
It’s okay. Can’t wait to cut all
this off.
GEORGE:
Don’t you dare.
George plunges his fingers into Lionel’s fro once again.
Pulls a touch too hard.
GEORGE (CONT’D)
I could eat you like a Hershey’s.
This sets something off in Lionel.
LIONEL:
I’ll be right back.
Lionel breaks George’s grasp and heads out the bathroom...
LIVING ROOM - CONTINUOUS
...and back out into the party. He’s trapped in a nightmare
of caricatures and reveling students. Can’t breathe.
EXT. KURT’S HOUSE - NIGHT
Lionel squeezes his way outside. Something goes off in his
head as he starts walking away from the party.
Just then Kurt arrives in front of the house with some
friends. Looks at Lionel then at the house.
KURT:
What the hell?
81 INT. ARMSTRONG / PARKER - NIGHT 81
Lionel paces the halls. His mind churns as he passes the
dining hall. Sam and Reggie are engaged in something intense.
DINING HALL:
SAM:
For a genius dude you’re a f***ing
idiot.
86.
REGGIE:
I did it, we did it for you.
SAM:
I didn’t ask for it Reggie. I look
like I betrayed this house.
REGGIE:
Yeah? Well you betrayed me.
Sam gets up and storms out - brushes past Lionel.
LIONEL:
Sam? Can we talk?
Sam turns back around fiercely.
82
A turntable is uncovered and rolled out - as a DUDE DRESSED
LIKE SERENA WILLIAMS starts up a MYSTIKAL record.
The crowd starts to get live now.
Coco continues to make her way through the party - her face
visibly perturbed by the time she reaches the kitchen. She
continues out back...
83 EXT. KURT’S BACKYARD - NIGHT 83
...and sits pulling out a cigarette. She sees Annie put on a
long straight Black wig and brag to friends...
ANNIE:
Hey who am I? “B*tch it’s weave.
Noun. Present tense ho!”
Right in the gut. She’s playing Coco. Coco grabs her phone...
84 INT. KURT’S HOUSE - CONTINUOUS 84
Kurt stumbles about the party in a daze. Drunk? Folks give
him props while he searches for and spots Gordon with the
others. His phone rings.
KURT:
Yeah?
INTERCUT:
COCO:
Kurt, it’s me. I can’t do this.
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"Dear White People" Scripts.com. STANDS4 LLC, 2024. Web. 21 Dec. 2024. <https://www.scripts.com/script/dear_white_people_565>.
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