Deconstructing Harry Page #2

Synopsis: Harry Block is a well-regarded novelist whose tendency to thinly-veil his own experiences in his work, as well as his un-apologetic attitude and his proclivity for pills and whores, has left him with three ex-wives that hate him. As he is about to be honored for his writing by the college that expelled him, he faces writer's block and the impending marriage of his latest flame to a writer friend. As scenes from his stories and novels pass and interact with him, Harry faces the people whose lives he has affected - wives, lovers, his son, his sister.
Genre: Comedy
Director(s): Woody Allen
Production: New Line Home Entertainment
  Nominated for 1 Oscar. Another 2 wins & 4 nominations.
 
IMDB:
7.4
Metacritic:
61
Rotten Tomatoes:
72%
R
Year:
1997
96 min
1,936 Views


lsn't that cheating on your wife?

No. lt's not cheating.|She's a hooker.

lt's not like a love affair.

You don't feel for a professional|like you do for yourwife.

She comes over,|rubs on her oils...

Oils?

lnto the sack.|She takes you to the moon.

Lay half a C-note on her|she's history.

Where would you do it?

l couldn't have her|at my apartment.

You get a hotel room. lt's what|l do when the wife's home.

l don't have the dough.|Fifty's a lot in itself.

Maybe a friend'll let you use|his place.

You're always bitching about|your sex life.

l'm trying to help.

l tell her you|gave me the number?

Not my name!|Don't use your real name.

Of course. Not the real name.

You borrow a friend's apartment,|you use his name.

That way it'll be on the bell.

Good fortune smiled on Harvey.

One of his best friends,|Mendel Birnbaum, was hit by a car,

and hovered between life and death|at New York Hospital...

freeing up a great bachelor|apartment...

for Harvey's tryst.

Donning the otherman's robe...

Harvey became|the swinger Mendel Birnbaum...

and waited...

his Oriental passport to paradise.

You must be Mendel Birnbaum.

Did you enjoy it?

-Are you kidding? Be right back.|-Where you going?

l'm going to check my pants|for another 50.

l'd like to go again.

Yes?

-Mendel Birnbaum?|-Yes.

Open.

Who is it?

Who are you?

l've come for you.

-What are you talking about?|-l'm Death...

and your name is on my list.

No!

Wait a minute.|You've made a mistake.

You don't have a minute.

l'm not Mendel...

Don't give me that bullshit!

Look at your monogram.

Mendel?

Who are you talking to?

Don't call me Mendel.

-Please. l'm just using his pad.|-Right!

They always have an excuse.

Let's go!

Move it, you little putz!

l'm on the roof.|She's pointing a gun at me...

we're out in the cold|and l'm panicked.

l tell her a story l wrote|when l was younger...

and she found it funny,|thank God.

She laughed and relaxed and|she puts the gun down.

So your writing saved your life.

lt's amazing to me, you know?

The interesting thing apart|from the obvious sexual guilt...

that l had when|l was young in the story...

is that nothing's changed.

lt's years later.

l had a shrink then and now...

l'm six shrinks later...

l'm three wives down the line.

And l still can't get|my love life in order.

l still love whores.

lt's ideal. You pay them, and|they come to the house...

and you don't have to discuss|Proust or films or...

l don't knowwhat's|happening to me.

l just have not grown up|and l feel...

l see other guys my age.

l think of f***ing|every woman l meet.

l meet a woman in the bank...

or on the bus...

l think:
What's she look like naked?|Can l f*** her?

This is crazy.

l see guys l know that|are lawyers and doctors...

with families and houses.

They're not so...

Does the U.S. President want|to f*** every woman he meets?

Bad example.

l don't know.

Take Raoul Wallenberg...

Did he want to bang every|waitress in Europe?

Probably not.

Tell me about|your honoring ceremony.

That's bullshit.

The same school that|threw me out years ago...

now wants to honor me.

Why'd they throw you out?

Because l was not|interested in college.

l wanted to be a writer.|Writing was all l cared about.

l did not care about|the real world.

l cared only about|the world of fiction.

Plus l tried to give...

the dean's wife and enema.|They didn't like that.

The sad thing is...

l've gotta drive way|upstate to be honored...

and l have to go alone.|l got nobody to go with...

What about bringing|your son with you?

l can't. lt's not|my visiting time.

Joan is completely|inflexible, so...

She won't trade dates with you?

l can't even get her|on the phone.

She hates me and...

for the first time in my life|l have writer's block.

Now this, to me, is unheard of.

l start these short stories|and l can't finish them.

l can't get into my novel...

because l took an advance.

l don't know.

l find l'm taking more pills|and medicine and...

You remind me of that story|you were working on...

two months ago...

"The Actor"...

Something's wrong with this lens.

This one, too? l changed lenses!

What do you mean?|Focus is off!

-l don't know why it's a problem.|-The center's out of focus.

l checked all the lenses,|they can't be soft.

Let's move it. lt's late.

l'm tryin' to shoot Mel|and he's soft.

What?

-Where do you rent these lenses?|-The lenses are fine!

-Mel's out of focus!|-That's what l said.

Not the lens.|l mean Mel himself.

Let me see!|Get the hell out.

You're right. Mel's out of focus.

What are you saying?

l said the actor's out of focus.

How can this be?

ls something wrong?

Mel, come here.

l don't know how to say this...

but you're soft.

l've gained some weight.

lt's not that. You're soft.

You're out of focus.

l don't knowwhy.|ls there anything we can do?

l can't adjust forthis.

Look at yourself.

You sure you're okay?

lt's fuzzy.

All right, look...

Mel's out of focus.

You're not in focus.

Nothing to do.

lt's 4 o'clock, anyway.|Why don't we just wrap?

We'll wrap and|we'll see what happens

Now look. l want you|to go home.

And l want you to rest.

And see if you can|sharpen up.

Grace, l'm home.

Hi, honey.

What's the matter?|You look strange.

l'm out of focus.

Yeah...

You are. Just a little bit.|You are.

And you look pale.

Daddy, you're all blurry!

Maybe you should lie down.

-l'll bring tea and toast?|-Daddy's out of focus!

Daddy doesn't need that, okay?

Come on now, you be nice.

What happened at work today?

First they thought|it was the camera...

Reuben! Stop it!

They thought it was the camera...|but it was me!

-Really?|-They send me home.

-lt's humiliating.|-You eat anything strange? Shellfish?

No. This is not|an allergic reaction.

You know what?

l just need to get a good|night's sleep.

-l'm sure that's all it is.|-What happened to you?

Get a good night's sleep.|Turn in early...

and tomorrow you'll be fine.

But the following morning|things did not improve.

ln fact, the situation was worse.

Mel was more out of focus|than ever.

l gotta get to the doctor.

Never seen anything like this.

Nothing's wrong with you,|except you're out of focus.

What's the matter?

lt's from looking at Mel.|l'm a little seasick.

That's why l want everyone|to try these.

-l don't wear glasses.|-Wait, let's see.

l don't want glasses.

-Put 'em on so you can see me.|-Better!

-l look stupid with these on.|-Come on. Put 'em on.

-Daddy'll be much sharper.|-Want to see Daddy?

Put those on and|we won't get headaches.

Despite the fact children|don't want to wear glasses...

they're forced to.

You expect the world to adjust...

to the distortion|you've become.

l don't expect anything.

l'm going through something.

Forthe first time in my life|l can't seem to write.

lt's not coming.|And for me...

all l have in life|is my imagination.

Ourtime is up.

Have fun at the honoring ceremony.

lt'd be good if you took|your son with you.

Joan!

Rate this script:4.7 / 3 votes

Woody Allen

Heywood "Woody" Allen is an American actor, comedian, filmmaker, and playwright, whose career spans more than six decades. more…

All Woody Allen scripts | Woody Allen Scripts

4 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Deconstructing Harry" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/deconstructing_harry_6627>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Deconstructing Harry

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.


    Quiz

    Are you a screenwriting master?

    »
    What does "INT." stand for in a screenplay?
    A Internet
    B Introduction
    C Internal
    D Interior