Demonic Page #2

You don't know? You said he took her.

Where did he take her?

- I don't know.

- Where?

It happened so fast.

I don't know.

Did Bryan Purcell kill

these people, here?

Did he kill your friends?

No?

It was the house.

It was the house.

The house did...

did something to him.

"The house did something to him. "

If that could hold up in the court

of the law, John. You know...

Usually convicted houses

in the state Louisiana.

This house is different.

What were you doing

in the house, John?

They woke it up.

They...

They try to contact to the other side

and they woke it up.

They woke it up.

They woke up the house.

I only did it for Michelle.

It's my fault. Please be alive.

- John...

Please be alive.

Listen to me John.

I need you to stay calm, okay.

If it was Bryan. You have to find him.

Before he hurts Michelle.

Okay.

You have to find him!

- We will.

- Please... Please...

Please.

Detective. No prints on the axe.

Wiped clean.

There can't be any prints

on the axe, Jenkins.

The house did it.

Sir?

- Never mind.

- You want me to bring him to the station?

Uh.. no. I want you to keep him here.

We got two people out there,

could be victims, could be killers.

Right now this guy is my only shoot

at putting this thing together

- So I want him close to me, yeah.

- Yes sir.

- Keep him here... Okay.

- Yes sir.

Dispatch.

That's a negative on the transport.

- Hi.

- Hey.

- It's... it's me. You busy?

- Yeah, I'm busy being stood up.

- I'm sorry about that, something came up.

- Two hours I've been waiting, Lewis.

If you could just let me

get a word in.

I got a triple homicide here

in the Livingston house.

What?

- Martha Livingston?

- Yeah.

Do you have someone in custody?

I do. I do. But uh...

he's in shock right now.

Says he can't remembers anything

Plus I got 2 people who are missing,

the entire force is looking for.

- Oh. Copycat crime maybe.

- No, no... no maybe.

- Kid saying they woke the house up.

- Huh.

- Yeah.

- Okay, I'm on my way.

Alright good, it's a date.

No, no. It was suppose to be a date.

It's definitely not a date.

- Reeves.

- Yes sir.

Get everything you can on

the Livingston case, okay.

Yes, yes sir.

Hello... it's Jules here.

I'm in the car... waiting. So bored.

- Bryan, say something.

- Uh. (Car horn)

Where are they?

Speak of the devil.

Let's go, you lovebirds.

Hey.

Donnie.

Donnie.

You didn't speak with real people today.

You okay with that?

- Don't waste the batteries, Jules.

- Give me the camera.

- Hey guys.

- Jules.

Good morning, Michelle.

Good morning John.

Hi.

You guys are perfect for each other.

Matching haircuts and everything.

Oh... your's looks like a wet dog.

Truth. - You're the third John Michelle

dated since she's been with me. So...

Truth. - It's so clear that

you're not over Michelle,

and it's really

embarrassing for you, man.

Nice bangs (hair).

Hey. Even though you're not the first,

but definitely the most interesting.

A honest to god, a haunted house

in the mounts of Louisiana?

It's not a haunted

house, Bryan.

- Let's go find out.

- Bryan. Lay off.

- Hey. Your eyes look great on film.

- Those aren't my eyes, Bryan.

That's something.

Anything from inside the house?

Nothing yet.

Still working on it.

Jenkins, where're we at on the

background for the Purcell kid?

Should have it any minute.

- Detective Klein just landed.

She's walking up.

Good, good, good, good.

Hey.

Good excuse to miss date night.

- Ha. It's called a phone call.

- I know.

I mean, assuming you can get this

guy to make some sense.

Because right now he's just mumbling

about how the house did it.

I'm sure you are very

understanding about that.

Seeing how I don't even like

when you read my horoscope.

No, I'm not interested in talking about

the house is a murder suspect.

- So, where is he?

- What? Wait.

When this is all over.

I still got a bottle of wine in my car.

I tell you what. I'll

share that wine with you,

if you let me read your horoscope.

How's that?

- Not a chance.

- Hm.

Klein.

Henry.

John.

This is Dr. Elizabeth Klein.

She's the department psychologist.

Hello, John.

I'm Elizabeth.

How're you doing, huh?

I'm going to let you two talk.

- Let me know if you need anything.

- Okay.

Hey.

You might be in a

little bit of shock.

- Henry, can you get me the blanket please.

- Of course.

After a traumatic experience like this,

most people shut down.

So you are not alone.

But the thing that gets most people moving

is to have a strong purpose

Let me show you that purpose.

Can you do that John?

Can you?

I never should have told her

about this place.

Who shouldn't you have told that?

Michelle?

She...

She used to...

hang out with them.

Before I met her.

'Hunting ghosts',

they called it.

Is that what they were here for?

Hey, the police said you blacked out.

It's probably from the shock.

Is there anything at all that you

can tell me, that you remember?

I can remember some stuff

from earlier today.

Why don't you walk me

through what you remember.

Maybe it'll help to

bring something up.

I can try.

Alright.

A little introduction here.

Samuel B. Chapman. Looking very serious

and smart with his energy drink.

Jules Carter, our occult specialist /

research guru.

- I'm also a sexy b*tch.

- That you are.

Donald Smith, technological connoisseur

and resident mouth breather.

Alright.

Alright...

Do it.

Go...

- Go. Put your meat in his mouth.

- He's taking it.

I'm waiting.

Damn redneck, hillbillies.

So tell us what's been happening with you.

Uh well...

The house that we're going to is in a

small town where my mom grew up.

And... about 25 years ago,

there was an incident.

I think they called it mass murder.

Yeah.

The Martha Livingston murders.

But no one lived in the house since.

How you know the house?

Growing up, my mom was kind of

friends with Martha Livingston.

The girl who lived there

and, who... you know..

Did she ever talked to you

about the murders?

No, no. No one talk about it. I think

the whole town just want it to go away.

You don't think this is real, do you?

No.

I think we actually do the things

that we can say we can do, right?

Bryan, easy up man. This

is just an interview.

Shut the hell up.

I just want to know why this guy

always acts he's too cool for all of us.

Not all of you, Bryan.

F***. You know what I think. I think

you're actually curious about this house.

You think there's some kind of connection

that you can't fully explain.

You don't believe any

of this, of course.

Because we're all full of sh*t.

And here you are.

So why don't you admit

that deep down you

hope that we can make

sense of this for you.

Bryan, stop.

You don't have to come here with us.

You know that.

They were gonna edit a documentary,

trying to capture spirits on film.

So. Once you got to the house.

Did you manage to capture spirits?

Oh.

Alright.

- Watch the mud.

- Yeah. Watch your shoes.

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