Demonic Page #3
- R
- Year:
- 2015
- 83 min
- 534 Views
What are those?
I think they're Abilene chimes.
- There's more.
Holy sh*t.
- Am I crazy? I don't feel any wind.
- It's acting weird.
Aw...!
- What. Are you okay?
- Aw.
- What happened?
- Aw...
You guys...
are so gullible.
- Oh... my god.
- Ha, ha, ha. You make funny jokes.
What?
No?
Come on.
- You like it.
- No.
- Tough crowd.
- Let's go.
Donnie, catch up.
Is this real?
Ah...
Jesus.
At least this house
isn't open to visitors.
Why you say that?
That gas lamp dates back to 1800s.
Used to use as a few
passing by on the road
could see if the master
of the house is home.
It was open for guest, when
it was lit, meant it was.
I promise we'll be good guest.
Let's uh... be up and running in an hour.
Yeah.
Thing is going to take
sometime, I don't really
want to stay here
longer than we have to.
- What thing?
- It's an evocation. It's like a seance.
We try to summon the spirits to see if you
could get the victims to communicate.
What if we summon Martha
Livingston instead?
We won't, because among
other precautions.
We're only going to use
good energies to summon. r
Good energy.
- Yeah.
- Alright.
So let me see if I have this straight?
You guys came to the house to do a seance
to communicate with the dead.
And it's so happens that
Martha Livingston and her
friends also did a seance in
Do you see what I'm getting at?
It seems that someone intended to repeat
the murders in exactly the same way.
I don't know if it's Bryan Purcell,
or someone else or you.
But the truth is if we don't to the bottom of this,
you are looking at spending the rest of your life in prison.
And I've to tell you when that happens, I'm
not going to be able to help you anymore.
I just... I just...
I want to remember.
All I care about is that
they find Michelle.
And...
And that she's alive.
So tell me.
How did you get inside the house?
- Oh my god, this place is awesome.
- Alright.
Shut off your phones,
so I can read the house.
- John, are you okay?
- Why?
- You're bleeding.
- What?
Your nose is bleeding.
- Does that happened to you a lot?
- Uh, no. No, never.
He gets sensitive to
change in pressure.
I'd see that happens before
when spirits are around.
Congratulations.
Popped your cherry.
It's a good sign.
Alright, let's get audio
and video up.
Donnie set up the batteries and don't
be afraid to tell people what you need.
It doesn't sounds good If things happened,
we don't get it on camera.
Why did Sam Chapman think you had
such a connection to the house?
So your mother knew Martha and
the victims, but so what.
What does that have
to do with you?
I'm trying to understand that.
My mother...
She was inside the house,
the night of the murders.
You mean Sara Matthews?
The one who escaped.
That was your mother?
I didn't tell the crew...
or Michelle.
But...
Looking back.
I... I should have.
John, hon. This is not going to look good
in a court of law. You know that, right?
All I can do...
is just tell the truth.
It's all I can do.
And the truth is
you have visions.
Yes.
Of my mom in the house.
Tell me that I...
I need to let go.
Yo. Here's your walkie.
Thanks.
This must be the infamous
Martha Livingston.
Yeah.
She's kind of hot.
- I would do her.
- Me too.
You know any of those birds?
It's a grackle. It's an important symbol
to the people of the occult.
Said it was used as a messenger in the old
world between the devil and his followers.
Oh sh*t.
- You got to be careful.
- Don't tell Bryan.
I'm going to tell him.
- It was an accident.
- I have to tell him.
You leave me no choice.
Okay dude. I think this is going to be
the best room for evocation.
It's got like the highest reading.
No way.
What...
Camera Glasses?
What did I say?
- Don't touch anything.
- Chill there, Bryan.
Attic's clear.
I'm not getting a feed from your camera.
Okay, copy that.
Uh... it's almost.
Yeah, that did it.
You got it.
I... want to put a baby in you.
Anyone here?
My name is Sam Chapman.
We're trapped inside the house.
He's gone... crazy.
He's got an axe.
He's gone crazy.
He is killing everyone.
I don't know what to do?
I just want to go home.
I just want to go home.
Aw...!
Oh my god...
How did you retrieve these files.
How did you do this?
The uh..
Okay, get another freezer down here. I want
you to freeze all these hard drives. Now!
- Okay.
- Yes sir.
Just try, if you can.
There must be something else.
Dr. Klein.
Excuse me for a second, John.
- How's it going?
- You are not going to believe this.
- Sara Matthews was his mother.
- Who is that?
The lone survivor. The one who escaped
before Martha could murder her.
- Are you kidding me?
- No, I'm not kidding you.
Jesus Christ. The more I learned
about this kid, the less I trust him.
Alright. Tell him we going through
the footage, we can't get anything.
- Go at him with that. See how he reacts.
- Okay, I will.
Also get the guys to
look for some interview
tapes from Sara Matthews
soon after the murders.
Oh.
Yeah, yeah, yeah.
I'm going back in.
I think we're get somewhere. - (Alright)
Hey.
John.
This is strange but um...
They can't get any footage
from inside the house.
I don't understand.
You guys came all the way down here
And then, there's no documentation.
Nothing to show what happened
in that house.
Can you explain that?
I don't know.
That's my point.
I can't explain it.
I just told you what happened.
Can I just have a little more light?
Oh yeah.
Sorry, I don't want to
get the wrong angles on those ghosts.
- Yeah, that's right.
- Very picky. Diva ghost.
Everything we can do
to get them out, alright.
Wait a second.
Can you check this camera.
See there might be something...
It's tilting down or something.
I don't know.
Oh yeah? Is that one
totally broken?
I don't know. There's something wrong.
It just keeps...
I don't know what that is.
That's the reason? It's a broken camera?
- I don't want to check it.
It's so broken huh.
That what you want me to fix.
You really know what, exactly.
- Are you messing with me?
- No, I didn't.
That wasn't you?
No.
I am surprised this is happening.
Hey Jules.
I think this room might actually be...
What the hell was that?
I... don't.
I don't know.
- Something's here.
- Someone is just messing with us.
What happened?
Are you okay?
Did you see that door just closed?
No.
Sh*t.
I definitely just saw that.
Give me the camera.
Give me the camera.
Come on. You've just
opened the door for us.
Why don't you tell us why you're here.
Why are you slamming doors?
Show yourself.
Someone just touched me.
Somebody just touched my leg.
- Do you see anything in the camera?
- I don't know.
- I can't see anything.
It's okay. It's okay.
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