Derrida Page #2
that supervenes afterwards...
from the outside, one fine day.
It is always already at work
in the work.
Since the disruptive force
of deconstruction...
is always already contained within
the very architecture of the work...
all one would finally have to do
to be able to deconstruct...
given this always already,
is to do memory work.
Yet since I want neither
to accept or to reject...
a conclusion formulated
in precisely these terms...
let us leave this question
suspended for the moment.
[ Chattering ]
[ In French ]
[ Beeping ]
[ Beeping ]
[ Meows ]
[ Speaking French ]
[ Woman ]
[ Woman ] Who is it that is
addressing you?
Since it is not an author,
a narrator or a deus ex machina...
it is an ''I'"that is both
part of the spectacle...
and part of the audience.
An ''I'"that,
a bit like ''you, '"
undergoes its own incessant
violent reinscription...
within the arithmetical machinery.
An ''I'"that functioning
as a pure passageway...
for operations
of substitution...
is not some singular
and irreplaceable existence...
some subject or life...
but only rather moves
between life and death...
between reality and fiction.
An ''I'"that is
a mere function or phantom.
[ Woman ]
[ Woman ]
narcissism and non-narcissim.
There are narcissisms that are
more or less comprehensive...
generous, open, extended.
What is called non-narcissism
is in general...
but the economy of a much more
welcoming and hospitable narcissism.
One that is much more open to
the experience of the Other as Other.
I believe that without a movement
of narcissistic reappropriation...
the relation to the Other
would be absolutely destroyed.
It would be destroyed
in advance.
The relation to the Other,
even if it remains asymmetrical...
open, without possible
reappropriation...
must trace a movement
of reappropriation...
in the image of one's self
for love to be possible.
Love is narcissistic.
[ Footsteps Approaching ]
[ Woman ]
[ Woman ]
[ Woman ]
[ Woman ]
[ Derrida ]
- These are facts.
- [ Woman, In French ]
Raw facts.
[ Woman ] Now, well, okay.
[ In French ]
What I'd like to ask you about now
is this question of the anecdote.
At the biography conference,
you quoted Heidegger as saying...
that one could sum up
the life of Aristotle as:
Aristotle was born,
he thought and he died.
And then when I asked you about
your relationship with Marguerite...
you said I can give you the facts,
the dates and that's it.
Can you offer
some commentary on that?
[ In French ]
[ Woman ]
[ Derrida ]
[ Marguerite ]
[ Derrida ]
[ Woman ] Was it strange to you to see
something you had no memory of?.
[ No Audible Dialogue ]
[ Woman ]
Just whatever you want to say.
[ Woman, In French ]
[ Woman, In French ]
[ Woman, In French ]
[ Woman ]
How do you call this?
-[ Woman ] Dispute?
- No problem.
You know, the usual family--
Always something.
Absolute peace.
[ Woman ]
That was the first
and only last time.
[ Laughs ]
I saw that once and for all.
[ Mumbles ]
You remember this.
[ Chattering In French ]
[ Derrida, In French ]
[ Woman ]
[ Woman ]
And I am writing here at the moment...
when my mother
no longer recognizes me.
And at which, though still capable
of speaking or articulating a little...
she no longer calls me.
And for her, and therefore
for the rest ofher life...
I no longer have a name.
That's what's happening.
And when she nonetheless
seems to reply to me...
she's presumably replying
to someone...
who happens to be me
without her knowing it...
ifknowing
means anything here.
Like the other day in Nice...
when I asked her
if she was in pain.
''Yes. '"
Then where?
It was February 5, 1 989.
She had in a rhetoric
that could never have been hers...
the audacity of this stroke
about which she will...
alas, never know anything...
no doubt knew nothing...
and which piercing the night
replies to my question.:
''I have a pain in my mother, '"
as though
she were speaking for me...
both in my direction
and in my place.
I stop for a moment
over a pang of remorse...
in any case, over the admission
I owe the reader...
in truth that I owe
my mother herself...
for the reader will have understood
that I am writing for my mother...
perhaps even
for a dead woman.
For if I were here
writing for my mother...
it would be for a living mother
who does not recognize her son.
And I am paraphrasing here for whomever
no longer recognizes me...
unless it be so that one
should no longer recognize me...
another way of saying,
another version...
so that people think
they finally recognize me.
[ Man On Radio ]
[ Derrida Speaking French ]
[ Man ] We are now approaching
the actual maximum security prison.
[ Chattering ]
[ Man, Indistinct ]
- How much? Eighteen years.
- Eighteen years.
- That was his cell.
- That was his cell?
Yes.
[ Man ]
You will notice that in this cell...
there is no water facility
or toilets.
Toilets were the buckets.
Their own bucket with a lid.
[ Woman ]
As soon as there is the One...
there is murder,
wounding, traumatism.
The One guards against
the Other.
It protects itself
from the Other.
But in the movement
of this jealous violence...
it comprises in itself
its self-otherness or self-difference.
The difference from within one's Self,
which makes it One.
The One as the Other.
At one and the same time...
but in the same time
that is out ofjoint.
The One forgets to remember
itself to its Self.
It keeps and erases the archive
of this injustice that it is...
of this violence
that it does.
The One makes
itself violence.
It violates
and does violence to itself.
It becomes what it is, the very
violence that it does to itself.
The determination
of the Self as One is violence.
[ Derrida ]
More than once, we will be faced...
with the effects
of a preliminary question...
which is the question.:
Who or what?
Does one forgive someone
for a wrong committed...
or does one forgive
someone something?
Someone who, in whatever way,
can never totally be confused...
with the wrongdoing...
and the moment of the past wrongdoing
nor with the past injury.
So, the question:
Who or what?
Do we forgive someone, or do
we forgive someone something?
[ Man ]
Okay, a final final question.
[ Man ]
There is a very anxious question.
Um, so you're a white Western male,
speaking to a white audience.
We are part of the previous
oppressive community in South Africa.
And you are speaking to us
about unconditional forgiveness.
Um, you might have meant
that pure forgiveness thing...
um, with a lot of irony.
Um, and maybe that is something
that is really impossible.
You know, pure forgiveness
being really impossible.
But we sit here as
potential objects of forgiveness...
and we are, all of us,
you included, in a sense guilty.
- Now, don't you think-- Okay.
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"Derrida" Scripts.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.scripts.com/script/derrida_6741>.
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