Disney Princess Enchanted Tales: Follow Your Dreams Page #2

Synopsis: Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
Genre: Animation, Family
Director(s): David Block
Production: Walt Disney Home Entertainment
  1 nomination.
 
IMDB:
5.3
UNRATED
Year:
2007
56 min
1,515 Views


Happy birthday.

Oh, Googley-woogley,

you remembered!

Hey, Sulley-wulley.

Oh, hey, Celia...

weelia.

( clears throat ):

Happy birthday.

Thanks.

So, uh... are we going

anywhere special tonight?

I just got us

into a little place

called, um...

Harryhausen's.

( gasps )

Harryhausen's?!

But it's impossible to

get a reservation there!

Not for Googley Bear.

I will see you

at quitting time

and not a minute later.

Okay, sweetheart.

Think romantical

thoughts.

You and me

Me and you

Both of us together!

You know, pal, she's the one.

That's it.

She is the one!

I'm happy for you.

Oh, and, uh,

thanks for hooking me up

with those reservations.

Oh, no problem.

They're under the

name Googley Bear.

Oh, good ide...

You know,

that wasn't very funny.

( gasps )

What the...?

Wazowski!

( screaos )

( grunts )

( chuckling )

What do you know?

It scares little kids

and little monsters.

I wasn't scared.

I have... allergies.

( coughing )

Uh-huh. Sure.

Hey, Randall, save it for

the scare floor, will you?

I'm in the zone today,

Sullivan.

Going to be doing

some serious scaring.

Putting up some big numbers.

Wow, Randall.

That's great.

That should make it

even more humiliating

when we break the record first.

Ha, ha!

Shh, shh, shh,

shh, shh.

Do you hear that?

It's the winds of change.

( oocking voice ):

''You hear it?

You hear the winds of ch...?''

Oh, what a creep.

One of these days,

I am really...

going to let you

teach that guy a lesson.

( deep croaking )

( liquid squishing )

Chalooby! Baby!

MIKE:

Good morning, Roz

my succulent

little garden snail.

And who would

we be scaring today?

Wazowski, you didn't file

your paperwork last night.

Oh, that darn paperwork.

Wouldn't it be easier

if it all just blew away?

( chair squeaking )

Don't let it happen again.

Yes, well, I'll, uh...

I'll try to be less careless.

I'm watching you, Wazowski.

Always watching.

Whoo! She's nuts.

Always!

CELIA ( over P.A. ):

All scare floors are now active.

Assistants, please report

to your stations.

( oetallic clunk )

( oachine beeps, bell dings )

( bell dings )

( clanking and whirring )

( chioe rings )

Okay, people,

eastern seaboard coming on-line.

We got scarers coming out!

( draoatic brass fanfare

~ playing )

Ooh, they're

so awesome.

( knuckles cracking )

( clanging and growling )

( snarls )

( blowing )

( growling )

Hey... may

the best monster win.

I plan to.

( bell ringing )

We are on in seven... six...

five... four... three...

two...

( horn blaring )

( growls )

You're the boss.

You're the boss.

You're the big,

hairy boss.

( child screaoing )

( bell dings )

Oh, I'm feeling

good today, Mikey!

Yeah!

MIKE:

Whoa!

Attaboy.

Attaboy.

Another door coming right up.

( whirring and clanking )

( child screaoing )

( bell dings )

( growling )

You're still behind,

Randall.

You know, maybe I should

realign the scream intake valve.

Just get me

another door!

A door! Yes, door!

( child screaoing )

( bell dings )

( bells dinging )

( beeping )

( oetallic clanking )

( click and hiss )

( children screaoing )

( bells dinging )

( children screaoing )

Well,Jerry, what's

the damage so far?

We may actually

make our quota today, sir.

Hmm. First time

in a month.

( gurgling and burping )

Huh?!

( door buzzing )

( screaoing and sobbing )

What happened?

The kid almost

touched me!

She got this close

to me!

She wasn't

scared of you?

She was only six!

I could've been dead!

I could've died!

Keep it together, man.

( whistling )

Hey! We got a dead

door over here!

-We're coming!

-Coming!

-Look out!

-Out of the way!

-Coming through!

-Excuse us.

( whiopering )

We've lost 58 doors

this week, sir.

Oh, kids these days.

They just don't get

scared like they used to.

Let her rip!

( buzzing )

( oetallic clank )

( eerie blubbering )

( child screaoing )

( bell dings )

Uh, sir?

What?!

Look.

CELIA ( over P.A. ):

Attention.

We have a new scare leader:

Randall Boggs.

( snickering )

( assistants cheering )

( children screaoing )

( knuckles cracking )

Slumber party.

( laughing )

Whoo!

( beeping )

CELIA ( over P.A. ):

Never mind.

Hey! Watch it!

( Sulley laughing )

Well,James, that was

an impressive display!

Oh, just doing my job,

Mr Waternoose.

Of course, I did

learn from the best.

( both laughing )

If I don't see a new door at

my station in five seconds

I will personally

put you through the shredder!

( screaos )

Hey, Wazowski, nice job!

Those numbers

are pretty sweet.

Are they?

You know,

I hadn't even noticed.

And, uh...

how is Georgie doing?

He's doing great!

I love working

with that big guy.

( child screaoing )

Keep the doors coming,

Charlie.

I'm on a roll today.

George and I

are like brothers.

( gasping )

231 9!

( gasping )

( alaro blaring )

COMPUTER VOICE ( over P.A. ):

Red alert! Red alert!

Red alert! Red alert! Red alert!

FEMALE ( over P.A. ):

George Sanderson

please remain motionless.

Prepare for decontamination.

Get it off!

JERRY:

Duck and cover, people!

Oh, not the CD A.

( siren wailing )

CD A AGENT:

Move! Move! Move!

Coming through, please.

Stand aside.

CD A AGENT 2:

Clear the contaminated area.

( screaos )

CD A AGENT:

This is a 231 9 in progress.

Keep the area clear.

Coming through.

Watch yourself.

( grunts )

( whiopering )

Stand back.

Careful.

( oetallic clang )

( drills whirring )

( all gasping )

( ouffled explosion )

( drills whirring )

All clear.

Situation is niner-niner-zero.

Ready for decon.

Hey, thanks, guys.

That was a close one.

Okay.

( shears buzzing )

( screaoing )

( whiopering )

( ripping )

( screaoing )

JERRY:

Okay, people, take a break!

We got to shut down

for a half-hour

and reset the system.

An entire scare floor

out of commission.

What else can go wrong?

Oh... what a day.

We're just going through

a rough time, sir.

Everyone knows you're going

to get us through it.

Tell that to the

board of directors.

( slurping )

James, this company

has been in my family

for three generations.

I would do anything to

keep it from going under.

Oh, so would I, sir.

Well...

Say, I could use your help

with something.

Anything, sir.

You see, we've hired

some new scare recruits

and frankly, they're...

they're, um... uh...

Inexperienced?

Oh, they stink!

Uh-huh.

And I thought maybe

you might come by tomorrow

and give them a demonstration.

Show them what it takes

to be a top scarer, huh?

I'll start out with the old

Waternoose jump-and-growl.

( growling loudly )

Ha! Oh, oh, yes!

Now, that's my boy!

( both laughing )

( ringing )

JERRY:

Let's go, everybody!

All doors must be returned!

No exceptions!

-Whoo!

-Oh, yeah.

I've never seen anything

like you today.

You were on

a roll, my man.

Another day like this

and that scare record's

in the bag.

That's right, baby!

Uh-huh.

So get this--

as if dinner wasn't enough

I'm taking her to

a monster truck rally afterwards.

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Shirley Pierce

One of the most prolific writers in Australia, Shirley has worked on films that have had a cumulative box office of over a half a billion dollars. In ten years of writing for Walt Disney Studios, Shirley worked on over two dozen projects ranging from features Dinosaur, Home on the Range and Meet the Robinsons to the Holocaust drama Misha. The short John Henry, which she wrote for Disney, won international film festivals and was shortlisted in its category for the Academy Awards. Her screen adaptation of the opera Aida was source material for Elton John's successful Broadway production. Having just delivered a legal drama for Full Circle Productions, Shirley is writing a TV mini-series for Filmgraphics. Previously, she delivered a wartime romance for Hard Rock Entertainment, co-wrote an adaptation of a Tuscany romance for Intomedia. She also delivered a rewrite of a millennial love story for Radioactive Pictures which has just picked up her romantic-comedy, Mating Game, for production in 2022. Shirley wrote and produced the short film No Means which was an official selection at five international film festivals including festivals in Los Angeles, Melbourne and New York. She also wrote and co-produced the successful anti-bullying music video Free You Be You which was nominated for a Heart of Gold award and a finalist in the Grand Indiewise Film Festival. Shirley wrote for networks ABC and the Nine Network plus producers Trish Lake, Matt Carroll and Chris Brown. Shirley's TV movies include the Lena Horne Story for ABC, Black Entertainment Television's thriller Incognito, TNT's Passing Glory for Quincy Jones and family drama Colour of Rage. Shirley has written for studios in the U.S., Australia, Japan and Spain. She has developed projects for MGM and Sony Pictures. Shirley wrote romantic drama For Real for New Millennium Studios and the urban love story How to Make Your Man Behave. Other credits include the urban drama Hothouse Flowers, the TV drama Kaleidoscope for Caravel Pictures, the story for thriller Murder on the Reef for Wonderland Media and a book adaptation of romantic novel, Seducing Mr. Maclean. Shirley has developed projects for Stephen J. Cannell, Fox Television, NBC, Proctor and Gamble, Hanna Barbera, Crawfords and the Australian Children's Television Fund. She has also lectured on screenwriting at film festivals, film schools and universities. more…

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Submitted on August 05, 2018

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