Disney Princess Enchanted Tales: Follow Your Dreams Page #3

Synopsis: Princess Aurora and Princess Jasmine learn valuable life lessons in two short stories.
Genre: Animation, Family
Director(s): David Block
Production: Walt Disney Home Entertainment
  1 nomination.
 
IMDB:
5.3
UNRATED
Year:
2007
56 min
1,466 Views


Nice.

What's on your agenda?

I'm going to head home

and work out some more.

Again? You know, there's

more to life than scaring.

( sniffing )

Whew. Hey, can I

borrow your odorant?

Yeah. I got, uh...

smelly garbage or old dumpster.

You got low tide?

No.

How about wet dog?

Yep. Stink it up.

( growling )

You know, I am so romantic

sometimes I think

I should just marry myself.

Give me a break,

Mike.

What a night of romance

I got ahead of me.

Tonight is about me

and Celia.

Ooh, the love boat

is about to set sail.

( ioitating ship horn )

'Cause I got

to tell you, buddy

that face of hers,

it just makes my heart go...

Yikes!

Hello, Wazowski.

Fun-filled evening

planned for tonight?

Well, as a

matter of fact...

Then I'm sure you

filed your paperwork

correctly... for once.

Your stunned silence

is very reassuring.

Oh, no. My scare reports--

I left them on my desk

and if I'm not at

the restaurant in five minutes

they're going to give

our table away!

What am I going to tell...

Schmoopsie-poo.

Hey, Googley Bear.

Want to get going?

Do I ever!

It's just that...

What?

Uh, you know,

there's a small....

I don't understand.

It's just that I forgot

about some paperwork

I was supposed to file.

Mike was reminding me.

Thanks, buddy.

Whoo.

I was? I mean, I was!

Yeah, I was.

Oh, okay.

Let's go then.

We're going!

On my desk, Sulley.

The pink copies

go to Accounting

the fuchsia ones

go to Purchasing

and goldenrod ones

go to Roz.

Huh!

Leave the puce.

SULLEY:

Pink copies go to Accounting,

the fuchsia ones go to Roz.

No, fuchsia ones

go to Purchasing.

The goldenrod ones go to Roz.

Man, I have no idea

what puce is.

Oh, that's puce.

Hmm?

Uh, hello?

Anyone?

There's a door here.

Hmm.

( door latch clicking )

( door creaking )

( whispering ):

Hello?

Hey.

Psst.

Anybody scaring in here?

Hello?

Yo!

Hmm.

( thuop )

( thuop )

( thuop )

( speaking baby talk )

( screaos )

Whoa! Ah! Ah!

Oh!

( giggling ):

Here.

Gotcha!

( yells )

( squeals in delight )

Eh!

( giggling )

( yells )

( giggles )

( gasps, then whiopers )

( squeals in delight )

( giggling )

( laughs )

Oh!

( loud crashing, toy squeaking )

Yeow!

( gasps )

( toy ducks quacking )

( yelling )

( toy ducks quacking )

( quacking )

Eww.

( toy ducks quacking )

( sighs )

( yells )

( panting )

( toys quacking and squeaking )

( squeaking )

Whew.

( Sulley screaos )

( little girl

~ speaking baby talk )

Kitty!

( speaking baby talk )

No, no-- stay back.

( speaking baby talk )

( stutters in fear )

( giggling )

( speaking baby talk )

( whine of disgust )

( little girl

~ speaking baby talk faintly )

( whiopers )

( door latch clicking )

Hmm.

( speaking baby talk )

( faint squeal

~ of delight )

( sneezes )

( ourour of conversation )

( knives being sharpened )

PHOTOGRAPHER:

Hold it. Hold it.

( shutter clicks )

ALL:

Get a paper bag!

Mmm.

( laughing )

Oh, Michael, I've had

a lot of birthday...

well, not a

lot of birthdays

but this is the

best birthday ever.

Hmm.

What are you

looking at?

I was just thinking

about the first time

I laid eye on you--

how pretty you looked.

Stop it!

Your hair was

shorter then.

Mm-hmm. I'm thinking

about getting it cut.

( faint squeal of fear )

No, no, I like

it this length.

( sighs of relief )

I like everything

about you.

Just the other day

someone asked me

who I thought

the most beautiful monster was

in all of Monstropolis.

You know what I said?

What did you say?

I said...

Sulley?

Sulley?

No! No, no.

That's not

what I was going to say.

Mike, you're not making sense.

SULLEY:

Hi, guys!

What a coincidence,

running into you here!

Uh, I'm just going

to order something to go.

Michael...

Sulley!

I wonder what's good here.

Get out of here.

You're ruining everything.

I went back to get

your paperwork

and there was a door.

What?

( rattling )

A door?!

Randall was in it.

Wait a minute.

Randall?

That cheater!

He's trying

to boost his numbers!

There's something else.

What?!

Ook-lay in the ag-bay.

What?!

Look in the bag.

What bag?

( sighs )

( gasps )

( giggling )

Oh!

They don't have

anything I like here.

So take care, Celia!

Excuse me, sir.

What's going on?

Celia, please try

to understand.

I have to do something!

Michael?

PHOTOGRAPHER:

On three.

One... two....

( squeals and giggles )

( screaoing )

A kid!

Boo!

( all screaoing )

A kid!

There's a kid here--

a human kid!

( exclaioing in baby talk )

Oh!

CELIA:

Googley Bear!

( yelling )

( blows raspberry )

Come on!

( oonsters screaoing in terror )

MIKE:

Let's get out of here!

CD A HELICOPTER PILOT:

Please remain calm.

This is not a drill.

( siren wailing,

~ tyres screeching )

CD A AGENT:

We have an 835 in progress.

Please advise.

Michael? Michael?

Oh, Celia.

-Please come with me.

-Ow. Stop pushing.

Hey, get your hands off

my Schmoopsie-poo!

Building clear.

Ready for decontamination.

Well, I don't think that date

could have gone any worse.

( explosion )

( electrical buzzing )

If witnesses are to be believed

there has been

a child security breach

for the first time

in monster history.

We can neither confirm nor deny

the presence of

a human child here tonight.

Well, a kid flew right over me

and blasted a car

with its laser vision!

I tried to run from it,

but it picked me up

with its mind powers

and shook me like a doll!

It's true!

I saw the whole thing!

It is my

professional opinion

that now is the time

to... panic!

Oh-oh.

( both yelling )

Oh, it's coming!

It's coming!

( giggling ):

Boo!

( both screaoing )

( distant sirens wailing )

( delighted cry )

( yelling )

No, no, no, no, no!

Come here, kid.

Whee.

No, don't touch those,

you little...!

Oh, now

those were alphabetized.

It's okay, it's all right.

As long as it doesn't

come near us

we're going to be okay.

( sneezes )

( screaos )

( yelling in pain )

( whiopering in fear )

Wanna ride on it!

Da, da-da.

Da-da-da.

Oh, y-you like this?

Fetch!

( giggles )

( gasps )

Hey, hey, that's it!

No one touches

little Mikey!

( whining )

Mike, give her the bear.

Oh, no.

( piercing screao )

( electrical buzzing )

( screaoing and crying

~ continue )

( buzzing continues )

( exclaioing in fear )

Make it stop, Sulley!

Make it stop!

Look!

See the bear?

Ooh, nice bear.

( screaos )

Sulley!

See?

Ooh, bear, ooh.

Oh, he's

a happy bear.

He's not crying,

neither should you

Or we'll be in trouble

'Cause they're gonna find us

So please stop crying

Right now.

Good, good, Sulley.

Keep it up.

You're doing great.

Ooh, the happy bear,

he has no...

( screaoing )

She touched me!

Sulley, the bear!

The bear!

Give her the...

Whoa!

( giggles )

( screaoing with laughter )

( electrical buzzing

~ grows louder )

( light bulb shatters )

( giggles )

What was that?

( thuoping )

I have no idea

but it would be

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Shirley Pierce

One of the most prolific writers in Australia, Shirley has worked on films that have had a cumulative box office of over a half a billion dollars. In ten years of writing for Walt Disney Studios, Shirley worked on over two dozen projects ranging from features Dinosaur, Home on the Range and Meet the Robinsons to the Holocaust drama Misha. The short John Henry, which she wrote for Disney, won international film festivals and was shortlisted in its category for the Academy Awards. Her screen adaptation of the opera Aida was source material for Elton John's successful Broadway production. Having just delivered a legal drama for Full Circle Productions, Shirley is writing a TV mini-series for Filmgraphics. Previously, she delivered a wartime romance for Hard Rock Entertainment, co-wrote an adaptation of a Tuscany romance for Intomedia. She also delivered a rewrite of a millennial love story for Radioactive Pictures which has just picked up her romantic-comedy, Mating Game, for production in 2022. Shirley wrote and produced the short film No Means which was an official selection at five international film festivals including festivals in Los Angeles, Melbourne and New York. She also wrote and co-produced the successful anti-bullying music video Free You Be You which was nominated for a Heart of Gold award and a finalist in the Grand Indiewise Film Festival. Shirley wrote for networks ABC and the Nine Network plus producers Trish Lake, Matt Carroll and Chris Brown. Shirley's TV movies include the Lena Horne Story for ABC, Black Entertainment Television's thriller Incognito, TNT's Passing Glory for Quincy Jones and family drama Colour of Rage. Shirley has written for studios in the U.S., Australia, Japan and Spain. She has developed projects for MGM and Sony Pictures. Shirley wrote romantic drama For Real for New Millennium Studios and the urban love story How to Make Your Man Behave. Other credits include the urban drama Hothouse Flowers, the TV drama Kaleidoscope for Caravel Pictures, the story for thriller Murder on the Reef for Wonderland Media and a book adaptation of romantic novel, Seducing Mr. Maclean. Shirley has developed projects for Stephen J. Cannell, Fox Television, NBC, Proctor and Gamble, Hanna Barbera, Crawfords and the Australian Children's Television Fund. She has also lectured on screenwriting at film festivals, film schools and universities. more…

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Submitted on August 05, 2018

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